This volume of work is probably one of the most respected and well-known collection of this type of music. Originally known as The Knockie Collection of Highland Music, It has been lovingly prepare by Captain Simon Fraser. This is a direct reprint of the original second edition of 1874, by H. Mackenzie, in Inverness. Exceptional time and effort has been made to provide a wonderful edition here that is easy to read, well laid-out, and can easily be played from. Preface by William Mackay, Jr. Spectacular Index, Appendix, and music easily played on piano, harp, or even duet with Violin and Cello, since the lines are mostly linear for both hands and very few chords within the 240ish pieces contained herein. Original title page has been included. 124pps, 8.5"x11", Glossy cover. If you are even remotely interested in this type of music this is a MUST HAVE in your collection.

One of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Designed for violinists who have never fiddled in the Scottish style or for anyone who would simply like to brush up on their "Scottishness," this guide discusses ornamentations and their applications, bowing styles, rhythmic issues and stylistic interpretations. It covers five basic types of tunes: airs, marches, jigs, reels and strathspeys, as well as Scottish fiddle history and regional styles. Accompanying video clips demonstrated by former U.S. National Scottish Fiddling Champion, Melinda Crawford, show how to execute all of the different techniques and how to perform more than 44 full-length traditional Scottish fiddle tunes. Transcriptions of the tunes are included within the guide. Includes access to online video.