The Empire State is dying. The Fissure connecting the pocket universe to New York has vanished, plunging the city into a deep freeze and the populace are demanding a return to Prohibition and rationing as energy supplies dwindle. Meanwhile, in 1954 New York, the political dynamic has changed and Nimrod finds his department subsumed by a new group, Atoms For Peace, led by the mysterious Evelyn McHale. As Rad uncovers a new threat to his city, Atoms For Peace prepare their army for a transdimensional invasion. Their goal: total conquest – or destruction – of the Empire State. File Under: Science Fiction [ Splitting the Atoms | Angry Robots | Crossing | Universal Destruction ]

Atomic Age America looks at the broad influence of atomic energy¿focusing particularly on nuclear weapons and nuclear power¿on the lives of Americans within a world context. The text examines the social, political, diplomatic, environmental, and technical impacts of atomic energy on the 20th and 21st centuries, with a look back to the origins of atomic theory.

The renowned physicist describes his Nobel Prize-winning career, his work with the Manhattan Project, his discovery of the element that makes atomic bombs explode, and his term as chairman of the Atomic Energy Commission.

"Radiation is a complex and paradoxical concept: staggering amounts of energy flow from seemingly inert rock and that energy is both useful and dangerous. While nuclear energy affects our everyday lives--from nuclear medicine and food irradiation to microwave technology--its invisible rays trigger biological damage, birth defects, and cellular mayhem. From the end of the nineteenth century through the use of the atomic bomb in World War II to the twenty-first century's confrontation with the dangers of nuclear power, Craig Nelson illuminates a pageant of fascinating historical figures: Enrico Fermi, Marie and Pierre Curie, Albert Einstein, FDR, Robert Oppenheimer, and Ronald Reagan, among others. He reveals many little-known details, including how Jewish refugees fleeing Hitler transformed America from a country that created light bulbs and telephones into one that split atoms; how the most grotesque weapon ever invented could realize Alfred Nobel's lifelong dream of global peace; how emergency workers and low-level utility employees fought to contain a run-amok nuclear reactor, while wondering if they would live or die. Brilliantly fascinating and remarkably accessible, The Age of Radiance traces mankind's complicated and difficult relationship with the dangerous power it discovered and made part of civilization"--

A Kirkus Best Book of the Year During World War II, with apocalypse imminent, a group of well-known Jewish scientists and artists sidestepped despair by challenging themselves to solve some of the most difficult questions posed by our age. Many had just fled Europe. Others were born in the United States to immigrants who had escaped Russia’s pogroms. Alternately celebrated as mavericks and dismissed as eccentrics, they trespassed the boundaries of their own disciplines as the entrance to nations slammed shut behind them. In Stargazing in the Atomic Age, Anne Goldman interweaves personal and intellectual history in exuberant essays that cast new light on these figures and their virtuosic thinking. In lyric, lucent sentences that dance between biography and memoir as they connect innovation in science with achievement in the arts, Goldman yokes the central dramas of the modern age with the brilliant thinking of earlier eras. Here, Einstein plays Mozart to align mathematical principle with the music of the spheres and Rothko paints canvases whose tonalities echo the stark prose of Genesis. Nearby, Bellow evokes the dirt and dazzle of the Chicago streets, while upon the heels of World War II, Chagall illuminates stained glass no less buoyant than the effervescent notes of Gershwin's Rhapsody in Blue. In these essays, Goldman reminds readers that Jewish history offers as many illustrations of accomplishment as of affliction. At the same time, she gestures toward the ways in which experiments in science and art that defy partisanship can offer us inspiration during a newly divisive era.

THE EMPIRE STATE IS THE OTHER NEW YORK. A parallel-universe, Prohibition-era world of mooks and shamuses that is the twisted magic mirror to our bustling Big Apple, a place where sinister characters lurk around every corner while the great superheroes that once kept the streets safe have fallen into dysfunctional rivalries and feuds. Not that its colourful residents know anything about the real New York… until detective Rad Bradley makes a discovery that will change the lives of all its inhabitants. Playing on the classic Gotham conventions of the Batman comics and HBO’s Boardwalk Empire, debut author Adam Christopher has spun this smart and fast-paced superhero-noir adventure, the sort of souped-up thrill ride that will excite genre fans and general readers alike. File Under: Science Fiction [ Pocket Universe | Heroes or Villains | Speak Easy | Loyalties Divided ] e-book ISBN: 978-0-85766-194-4

Following the atomic bombings of Hiroshima and Nagasaki, numerous "atomic narratives"--books, newspapers, magazines, textbooks, movies, and television programs--addressed the implications of the bomb. Post-World War II youth encountered atomic narratives in their daily lives at school, at home and in their communities, and were profoundly affected by what they read and saw. This multidisciplinary study examines the exposure of American youth to atomic narratives during the ten years following World War II. In addition, it examines the broader "social narrative of the atom," which included educational, social, cultural, and political activities that surrounded and involved American youth. The activities ranged from school and community programs to movies and television shows to government-sponsored traveling exhibits on atomic energy. The book also presents numerous examples of writings by postwar adolescents, who clearly expressed their conflicted feelings about growing up in such a tumultuous time, and shows how many of the issues commonly associated with the sixties generation, such as peace, fellowship, free expression, and environmental concern, can be traced to this earlier generation.

British author Barry Atkinson (You're Not Old Enough Son; Indie Horrors!) plunges us into a cinematic world dominated by the atomic bomb and presents us with a buffet of delights, from the rare to the unusual. Although the classics get a deserved mention, the author concentrates mainly on the neglected lesser titles, many not seen for decades, giving them a much-needed public airing. Readers will indulge in chapters devoted to: Key actors, companies, directors and composers! Comparisons between Japanese monster movies and their Americanized counterparts! Scarce, unseen American, British and foreign horror, sci-fi, fantasy features! Stone Age women of the "B" variety! A couple of out-and-out schlock classics! The Abominable Snowman in the 1950s! A reappraisal of much-maligned, but much-loved, guilty pleasures! Toho's forgotten monsters! Dr. Jekyll's evil offspring! British science fiction and noir thrillers of the '50s! Jungle Jim! Chaney, Karloff and Lugosi in the 1950s! Best entrant in Universal's Creature trilogy! Does colorization enhance a black-and-white favorite? How do monster special effects rate before CGI? Do Regal International's widescreen program fillers really add up to that much? Which scenes constitute the decade's most memorable fantasy moments? Does dialogue matter? What impact did New Age science have on the vampire and werewolf myths of old? All this and much, much more in a fresh evaluation of what most fans and critics now recognize as the pivotal decade for horror, sci-fi and fantasy.