Winner of the Jhalak Prize 'A revelation' Owen Jones 'Afropean seizes the blur of contradictions that have obscured Europe's relationship with blackness and paints it into something new, confident and lyrical' Afua Hirsch A Guardian, New Statesman and BBC History Magazine Best Book of 2019 'Afropean. Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too ... With my brown skin and my British passport - still a ticket into mainland Europe at the time of writing - I set out in search of the Afropeans, on a cold October morning.' Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities. Here is an alternative map of the continent, taking the reader to places like Cova Da Moura, the Cape Verdean shantytown on the outskirts of Lisbon with its own underground economy, and Rinkeby, the area of Stockholm that is eighty per cent Muslim. Johny Pitts visits the former Patrice Lumumba University in Moscow, where West African students are still making the most of Cold War ties with the USSR, and Clichy Sous Bois in Paris, which gave birth to the 2005 riots, all the while presenting Afropeans as lead actors in their own story.

This 2007 book draws from and builds upon many of the more traditional approaches to the study of international human rights institutions (IHIs), especially quasi-constructivism. The author reveals some of the ways in which many such domestic deployments of the African system have been brokered or facilitated by local activist forces, such as human rights NGOs, labour unions, women's groups, independent journalists, dissident politicians, and activist judges. In the end, the book exposes and reflects upon the inherent inability of the dominant compliance-focused model to adequately capture the range of other ways - apart from via state compliance - in which the domestic invocation of IHIs like the African system can contribute - albeit to a modest extent - to the pro-human rights alterations that can sometimes occur in the self-understandings, conceptions of interest or senses of appropriateness held within key domestic institutions within states.

The aim of this reference work is to make African human rights law accessible to all those involved in or interested in human rights law on the continent in order to strengthen its impact. Primary documents are introduced and reproduced and presented in a coherent framework. The main institutions - public and private - dealing with human rights in Africa are identified and discussed. Comprehensive overviews of the international human rights legal regimes applicable to Africa, as well as country reports are provided. This book tries to contribute towards documenting, systemising and anchoring the African human rights system. The print edition is available as a set of two volumes (9789004138810).

Pennsylvania contained the largest concentration of early America’s abolitionist leaders and organizations, making it a necessary and illustrative stage from which to understand how national conversations about the place of free blacks in early America originated and evolved, and, importantly, the role that colonization—supporting the emigration of free and emancipated blacks to Africa—played in national and international antislavery movements. Beverly C. Tomek’s meticulous exploration of the archives of the American Colonization Society, Pennsylvania’s abolitionist societies, and colonizationist leaders (both black and white) enables her to boldly and innovatively demonstrate that, in Philadelphia at least, the American Colonization Society often worked closely with other antislavery groups to further the goals of the abolitionist movement. In Colonization and Its Discontents, Tomek brings a much-needed examination of the complexity of the colonization movement by describing in depth the difference between those who supported colonization for political and social reasons and those who supported it for religious and humanitarian reasons. Finally, she puts the black perspective on emigration into the broader picture instead of treating black nationalism as an isolated phenomenon and examines its role in influencing the black abolitionist agenda.

In the post 9/11 global environment Africa is standing at a crossroads in international affairs as the combined issues of politics, religion and security attract renewed interest. While some countries seem to be moving forward with greater levels of confidence, democracy and stability, others continue to be mired in conflict, poverty and religious/ethnic division. This text focuses on key contemporary issues that the continent faces, providing a comprehensive introduction of current political, religious, developmental and security concerns. Features include: Individual chapters devoted to key issues including health, gender, corruption, religion and the newly emerging problems of human security. Case studies and detailed analysis of topical issues, including: Muslim/Christian clashes: Kano, Northern Nigeria Conflict, Arms and Reconstruction: Darfur and Sierra Leone Comprehensive range of countries discussed including: Zimbabwe, Botswana, Kenya Ethiopia, Uganda, Lesotho, Somalia, Namibia and Madagascar. Fully up-to-date statistics including primary research based on interviews conducted by the author, providing data for both individual countries and the continent as a whole. Boxed descriptions explaining clearly the ideas in important subject areas, such as Islamic law and society By drawing on the author’s empirical research and situating discussion within the context of wider debate, Africa Today is designed both to introduce and to develop a deeper understanding of this rapidly changing continent an essential text for all students of African politics and International Relations.

This timely and expansive multidisciplinary and transdisciplinary collection dissects precolonial, colonial, and post-independence issues of male dominance, power, and control over the female body in the legal, socio-cultural, and political contexts in Africa. Contributors focus on the historical, theoretical, and empirical narratives of intersecting perspectives of gender and patriarchy in at least ten countries across the major sub-regions of the African continent. In these well-researched chapters, authors provide a deeper understanding of patriarchy and gender inequality in identifying misogyny, resisting male supremacy, reforming discriminatory laws, embracing human-centered public policies, expanding academic scholarship on the continent, and more.

Through detailed close readings alongside investigations into the history of print culture, Marta Fossati traces the development of the South African short story in English from the late 1920s to the first decade of the twenty-first century. She examines a selection of short stories by important Black South African writers (Rolfes and Herbert Dhlomo, Peter Abrahams, Can Themba, Alex La Guma, Mtutuzeli Matshoba, Ahmed Essop, and Zoë Wicomb) with an alertness to the dialogue between ethics and aesthetics performed by these texts. This new history of Black short fiction problematises and interrogates the often-polarised readings of Black literature in South Africa that can be torn between notions of literariness, protest, and journalism. Due to material constraints, short fiction in South Africa circulated first and foremost through local print media, which Fossati analyses in detail to show the cross-fertilisation between journalism and the short story. While rooted in the South African context, the short stories considered also hold a translocal dimension, allowing us to explore the ethical and aesthetic practice of intertextuality. These are writings that complicate the aesthetics/ethics binary, generic classifications, and the categories of the literary and the political. Theoretically eclectic in its approach, although largely underpinned by a narratological analysis, The South African Short Story in English, 1920-2010: When Aesthetics Meets Ethics offers a fresh perspective on the South African short story in English, spotlighting several hitherto marginalised figures in South African literary studies.