The Mary Louise books are another series for girls, also written by "Edith Van Dyne". They may be considered as successors to the Aunt Jane's Nieces Series, for the first title, Mary Louise, appeared in 1916, the year after the last of the Aunt Jane's Nieces stories. This edition contains the five original stories written by Baum. These are: Mary Louise Mary Louise in the Country Mary Louise Solves a Mystery Mary Louise and the Liberty Girls Mary Louise and Josie O'Gorman

A debut international thriller about a Pakistani terrorist's nuclear threat to blow up the White House.

Nothing is what it seems in NPR correspondent Mary Louise Kelly’s “riveting, twisty tale” (Hallie Ephron, author of Night Night, Sleep Tight), in which a woman discovers a decades-old bullet at the base of her neck. Caroline Cashion is stunned when an MRI reveals that she has a bullet lodged near the base of her skull. It makes no sense: she has never been shot. She has no scar. When she confronts her parents, she learns the truth: she was adopted when she was three years old, after her real parents were murdered in cold blood. Caroline had been there the night of the attack, and she’d been hit by a single gunshot to the neck. Buried too deep among vital nerves and blood vessels, the surgeons had left it, and stitched up the traumatized little girl with the bullet still inside. Now, thirty-four years later, Caroline returns to her hometown to learn whatever she can about who her parents were, and why they died. A cop who worked the case reveals that even after all these years, police still don’t have enough evidence to nail their suspect. The bullet in Caroline’s neck could identify the murderer... and that person will do anything to keep it out of the law’s hands. Now Caroline will have to decide: run for her life, or stay and fight? With non-stop action, “an extremely likable narrator and twists and turns galore” (Alice LaPlante, author of Turn of Mind), The Bullet will keep you riveted until the very last page.

This book "renders the singular arc of a woman's life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted"--

"Written for baby-boomer "superwomen," who successfully combined career with family and now are nearing or newly in retirement. With humor and optimism, one of their own borrows from corporate reengineering strategy to propose a vision (with goals, objectives, strategies) for a successful retirement for both superwoman and her husband"--Provided by publisher.

Finalist, CCBC Marilyn Baillie Picture Book Award Finalist, Quebec Writers' Federation Janet Savage Blachford Prize for Children's and Young Adult Literature Sydney and his friends gather outside to play, transforming one by one to climb, leap, lumber and soar into a shared jungle of their imagination. Hanging upside down in a tree, Sydney imagines he is a sleepy, sun-bathing sloth. And that's where Sami finds him. Sami thinks sloths are too slow, so she scampers up the tree and becomes a spider monkey. “Fast is fun!” she chatters. “Fast is best!” And that’s where Edward finds them... One after another, the neighborhood kids wander by and slip into a shared imaginative world where leaves and giant flowers unfurl, playing, laughing, teasing and bickering, until Edward the elephant fills up his trunk and—WHOOSH!—sends the children “galloping home like a herd of small wet animals.” As always, Marie-Louise Gay’s writing and artwork are wonderfully pitched to young readers, capturing the effortless way that children travel back and forth between the worlds of real life and make believe. With its sun-dappled watercolors, depiction of time spent outdoors with friends, and quiet, wistful ending, I’m Not Sydney perfectly illustrates the slow-moving magic of a childhood summer. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.

After comforting her younger sister with stories from the Bible while waiting to be rescued, ten-year-old Okie finds a change in her former feeling of jealousy toward Lisa.

Originally published under the pseudonym Edith van Dyne, ‘Mary Louise Solves a Mystery’ is the third book in the popular children’s series by prolific author L. Frank Baum. Mary Louise is travelling around Italy with her grandpa Jim when she comes across unhappy young heiress Alora Jones. Alora’s mother died not long ago, leaving Alora and her inheritance under the control of her moody and secretive ex-husband in Italy. Sensing a mystery, Mary Louise and her friend and trainee detective Josie O’Gorman are soon on the case. Lyman Frank Baum (1856 – 1919) was a prolific and well-known American writer. He is best known for his famous series of modern fairy tales set in the imaginary land of Oz. The first of the books, ‘The Wonderful Wizard of Oz’ is widely considered to be the first true American fairy tale and was the basis for the hugely popular 1939 classic musical ‘The Wizard of Oz’ starring Judy Garland. Born and raised in New York, Baum held a range of jobs including as a poultry farmer, clerk, and storekeeper before pursuing his talent for writing at the age of 41. He wrote 14 novels in the Oz series, as well as over 40 other novels and over 80 short stories. He died in California in 1919.

The poet Charles Simic discusses poetry and life.

In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fronde; the journalists Séverine and Gyp; and the actress Sarah Bernhardt. Roberts demonstrates how the tolerance for playacting in both these arenas allowed new women to stage acts that profoundly disrupted accepted gender roles. The existence of La Fronde itself was such an act, because it demonstrated that women could write just as well about the same subjects as men—even about the volatile Dreyfus Affair. When female reporters for La Fronde put on disguises to get a scoop or wrote under a pseudonym, and when actresses played men on stage, they demonstrated that gender identities were not fixed or natural, but inherently unstable. Thanks to the adventures of new women like these, conventional domestic femininity was exposed as a choice, not a destiny. Lively, sophisticated, and persuasive, Disruptive Acts will be a major work not just for historians, but also for scholars of cultural studies, gender studies, and the theater.