The Acharnians/The Clouds/Lysistrata 'We women have the salvation of Greece in our hands' Writing at a time of political and social crisis in Athens, the ancient Greek comic playwright Aristophanes was an eloquent, yet bawdy, challenger to the demagogue and the sophist. In Lysistrata and The Acharnians, two pleas for an end to the long war between Athens and Sparta, a band of women on a sex strike and a lone peasant respectively defeat the political establishment. The darker comedy of The Clouds satirizes Athenian philosophers, Socrates in particular, and reflects the uncertainties of a generation in which all traditional religious and ethical beliefs were being challenged. Translated with an Introduction and Notes by Alan H. Sommerstein

Against Demagogues presents Robert C. Bartlett's new translations of Aristophanes' most overtly political works, the Acharnians and the Knights. In these fantastically inventive, raucous, and raunchy comedies, the powerful politician Cleon proves to be democracy's greatest opponent. With unrivalled power, both plays make clear the dangers to which democracies are prone, especially the threats posed by external warfare, internal division, and class polarization. Combating the seductive allure of demagogues and the damage they cause, Against Demagogues disentangles Aristophanes' serious teachings from his many jokes and pratfalls, substantiating for modern readers his famous claim to "teach justice" while "making a comedy" of the city. The book features an interpretive essay for each play, expertly guiding readers through the most important plot points, explaining the significance of various characters, and shedding light on the meaning of the plays' often madcap episodes. Along with a contextualizing introduction, Bartlett offers extensive notes explaining the many political, literary, and religious references and allusions. Aristophanes' comedic skewering of the demagogue and his ruthless ambition—and of a community so ill-informed about the doings of its own government, so ready to believe in empty promises and idle flattery—cannot but resonate strongly with readers today around the world.

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Provides insight into the characteristically Greek elements of comedy which can be lost when reading in translation