Sosina Wogayehu learnt to do flips and splits at the age of six, sitting on the floor of her parents' lounge room in Addis Ababa, watching a German variety show on the only television channel in the land. She sold cigarettes on the streets at the age of eight, and played table soccer with her friends who made money from washing cars, barefoot in the dust. She dreamed of being a circus performer. Twenty-five years later, Sosina has conjured herself a new life in a far-off country: Australia. She has rescued one brother and lost another. She has travelled the world as a professional contortionist. She can bounce-juggle eight balls on a block of marble. Sosina is able to juggle worlds and stories, too, and by luck - which is something Sosina is not short of - she has a friend, David Carlin, who is a writer. Following his acclaimed memoir Our Father Who Wasn't There, David brings us his 'not-me' book, travelling to Addis Ababa where he discovers ways of living so different to his own and confronts his Western fantasies and fears. Through Sosina's story he shows us that, with risk and enough momentum, life - whom we befriend, where we end up, how we come to see ourselves - is never predictable.

Uncertainty and possibility are emerging as both theoretical concepts and fields of empirical investigation, as scholars and practitioners seek new creative, hopeful and speculative modes of understanding and intervening in a world of crisis.This book offers new perspectives on the central issues of uncertainty and possibility, and identifies new research methods which take advantage of disruptive and experimental techniques. Advancing a practical agenda for future making, it reveals how uncertainty can be engaged as a generative ‘technology’ for understanding, researching and intervening in the world. Drawing on key themes in creative methodologies, such as making, essaying, inhabiting and attuning, chapters explore contemporary sites of practice. The book looks at maker spaces and technology design, the imaginaries of architectural design, the temporalities of built cultural heritage, and interdisciplinary making and performing. Based on the authors' own academic work and their applied research with a range of different organizations, Uncertainty and Possibility outlines new opportunities for research and intervention. It is essential reading for students, scholars and practitioners in design anthropology and human-centred design.

Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways. Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. Features in the second edition: -Updated introduction to the new edition -Expanded sections on Hybrids, Structures, and "Unconventions" -A new section on Resistances -50 essays in all

Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.

As the distinction between the digital and the material world becomes increasingly blurred, the ways in which we think about design are also shifting and evolving. How can the human, digital and material be brought together to intervene in the world? What constitutes our digital-material environments? How can we engage with digital technologies to make sustainable, healthy and meaningful decisions, both now and in the future? Digital Materialities presents twelve chapters by scholars and practitioners working at the intersection between design and digital research in the UK, Spain, Australia and the USA. By incorporating in-depth understandings of the digital-material world from both the social sciences and design, the book considers how this combined knowledge might advance our capacity to design for the future. Divided into three parts, the focus of the book moves from the theoretical to the practical: how different digital materialities are imagined and emerge, through software emulation, urban sensors and smart homes; how new digital designs are sparked through collaborations between social scientists and designers; and finally, how digital design emerges from the insider work of everyday designers. A fascinating, ground-breaking book for students and scholars of digital anthropology, media and communication, and anyone interested in the future of digital design.

From the country's beginning, essayists in the United States have used their prose to articulate the many ways their individuality has been shaped by the politics, social life, and culture of this place. The Cambridge History of the American Essay offers the fullest account to date of this diverse and complex history. From Puritan writings to essays by Indigenous authors, from Transcendentalist and Pragmatist texts to Harlem Renaissance essays, from New Criticism to New Journalism: The story of the American essay is told here, beginning in the early eighteenth century and ending with the vibrant, heterogeneous scene of contemporary essayistic writing. The essay in the US has taken many forms: nature writing, travel writing, the genteel tradition, literary criticism, hybrid genres such as the essay film and the photo essay. Across genres and identities, this volume offers a stirring account of American essayism into the twenty-first century.

Every once in a while there emerges a literary voice with the power and urgency to immerse readers deep within a previously "invisible" culture. From a young African writer who has already earned comparisons to Salman Rushdie and Gabriel Garcia Marquez comes this masterful saga of life in 20th-century Uganda. The teller of this panoramic tale is Mugezi, a quick-witted, sharp-eyed man whose life encompasses the traditional and the modern, the peaceful and the insanely violent, the despotic and the democratic. Born in a rural community in the early 1960s, he is raised by his grandfather, a deposed clan chief, and his great-aunt, or "grandmother," after his parents immigrate to the capital city of Kampala. At age nine, he leaves behind his secure life in the village to join his parents and siblings in the city, where he is first exposed to the despotism and hardship that he will contend with in the years to come. The nightmare reign of Idi Amin and its chaotic aftermath are the backdrop to Mugezi's troubled coming-of-age: his constant struggle with his harsh mother and austere father; his years spent as caregiver to his parents' ever-growing brood of children; his sojourn in a horrifically repressive Catholic seminary. He goes to work as a high school teacher, becomes enmeshed in a tragic romance, finds himself drawn into a dubious, potentially dangerous alliance with the military after Amin's fall and witnesses the widespread ravages of the AIDS virus. Finally, sickened by personal loss and national tragedy, he manages to immigrate to Amsterdam. The details of Mugezi's life provide a foundation for Isegawa's brilliant and profoundly illuminating portrait of the contemporary, postcolonial African experience. Filled with extraordinary characters, animated by a wicked sense of humor and guided by an intense yet clear-eyed compassion, Abyssianian Chronicles is our introduction to a superlative new writer.

The covers are reproductions of rare bookbindings. Each volume has "Note on the binding ... By Cyril Davenport."