From The Onion and Reductress contributor, this collection of essays is a hilarious nostalgic trip through beloved 2000s media, interweaving cultural criticism and personal narrative to examine how a very straight decade forged a very queer woman "Honest, funny, smart, and illuminating.” —Anna Drezen, co-head writer of SNL "If you came of age at the intersection of Mean Girls and The L Word: Read this book.” —Sarah Pappalardo, editor in chief and co-founder of Reductress Today’s gay youth have dozens of queer peer heroes, both fictional and real, but former gay teenager Grace Perry did not have that luxury. Instead, she had to search for queerness in the (largely straight) teen cultural phenomena the aughts had to offer: in Lindsay Lohan’s fall from grace, Gossip Girl, Katy Perry’s “I Kissed A Girl,” country-era Taylor Swift, and Seth Cohen jumping on a coffee cart. And, for better or worse, these touch points shaped her adult identity. She came out on the other side like many millennials did: in her words, gay as hell. Throw on your Von Dutch hats and join Grace on a journey back through the pop culture moments of the aughts, before the cataclysmic shift in LGBTQ representation and acceptance—a time not so long ago, which many seem to forget.

In a series of genre-blending essays, Entwined tells the story of Alex Alberto’s decade-long polyamorous journey towards a new kind of family. In these essays, Alex attempts to build two committed relationships at once when no one involved has done it before; develops a powerful bond with the woman their partner loves; sits through a tense Thanksgiving Dinner with religious in-laws; questions the need for rules and hierarchy in their relationships; experiences the intensity of a triad; wrestles with the fragility baked into the nuclear family after their father’s stroke; and explores their queerness and gender identity in English, in New York, while struggling to reconcile their newfound self in their native French-Canadian language and culture. Entwined explores the fuzzy lines between friendship, romance, and family with various essay forms, including a play, an advice column, and a love letter. Rather than wallowing in the throes of jealousy, this collection celebrates the hard work of creating a love life that resists conventional narratives. “Entwined is a goddamn bible for poly-curious people.” —Chloe Caldwell (she/her), 37, questioning “For Alex, polyamory is about creating a family. By getting to know them and their reality, you gain entry to a world that might otherwise seem intimidating.” —Sofia M. (she/her), 64, mother of a polyamorous person “Entwined is about the desire to create a life outside of capitalism, heteronormativity, and patriarchy.” —Samantha Paige Rosen (she/her), 33, queer and monogamous “Entwined had me captivated from start to finish. It will no doubt influence my approach to romance and family.” —Rio C. (she/her), 21, queer, trans, and curious about polyamory “The variety in content and structure makes it a quick read. Entwined deepened my understanding of polyamory’s possibilities; it’s not all swinging and sex parties.” —Melissa Gopp-Warner (she/her), 43, queer/questioning and monogamous “I laughed, cried, and felt my heart fill the fuck up.” — Dan D. (they), 36, queer and newly navigating non-monogamy within a lifelong partnership

This anthology is a catalog of seeds—the work of a network of young writers and mentors, each cultivating a shimmering, emergent voice. For the past two years, New York City high school students have weathered an adolescence shaped by an ongoing global pandemic. Throughout it all, they have found new ways to build community and take root. Roots allow for living beings to journey into our past and forward into the future, toward and away from home, and enable us to withstand the storms that invariably pass through. In short stories, personal essays, poetry, and more, the students reflect on endurance, change, and growth. For twenty-five years, Girls Write Now has been amplifying transformative stories that break down the barriers of gender, race, age and poverty. In addition to being the first writing and mentoring organization of its kind, Girls Write Now continually ranks among the top programs nationwide for driving social-emotional growth for youth. The nationally award-winning nonprofit mentors the next generation of female and gender expansive writers and leaders who are shaping culture, impacting businesses and creating change.

Featuring deep dives into thirst traps, drag queens, Antonio Banderas, and telenovelas—all in the service of helping us reframe how we talk about (desiring) men—this insightful memoir-in-essays is as much a coming of age as a coming out book Manuel Betancourt has long lustfully coveted masculinity—in part because he so lacked it. As a child in Bogotá, Colombia, he grew up with the social pressure to appear strong, manly, and, ultimately, straight. And yet in the films and television he avidly watched, Betancourt saw glimmers of different possibilities. From the stars of telenovelas and the princes of Disney films to pop sensation Ricky Martin and teen heartthrobs in shows like Saved By the Bell, he continually found himself asking: Do I want him or do I want to be him? The Male Gazed grapples with the thrall of masculinity, examining its frailty and its attendant anxieties even as it focuses on its erotic potential. Masculinity, Betancourt suggests, isn’t suddenly ripe for deconstruction—or even outright destruction—amid so much talk about its inherent toxicity. Looking back over decades’ worth of pop culture’s attempts to codify and reframe what men can be, wear, do, and desire, this book establishes that to gaze at men is still a subversive act. Written in the spirit of Hanif Abdurraqib and Olivia Laing, The Male Gazed mingles personal anecdotes with cultural criticism to offer an exploration of intimacy, homoeroticism, and the danger of internalizing too many toxic ideas about masculinity as a gay man.

A "collection of personal essays exploring the intersection of queerness, relationships, pop culture, the Internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture, [including] ... the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture"--

Over the course of the last half century, queer history has developed as a collaborative project involving academic researchers, community scholars, and the public. Initially rejected by most colleges and universities, queer history was sustained for many years by community-based contributors and audiences. Academic activism eventually made a place for queer history within higher education, which in turn helped queer historians become more influential in politics, law, and society. Through a collection of essays written over three decades by award-winning historian Marc Stein, Queer Public History charts the evolution of queer historical interventions in the academic sphere and explores the development of publicly oriented queer historical scholarship. From the AIDS crisis of the 1980s and the rise of queer activism in the 1990s to debates about queer immigration, same-sex marriage, and the politics of gay pride in the early twenty-first century, Stein introduces readers to key themes in queer public history. A manifesto for renewed partnerships between academic and community-based historians, strengthened linkages between queer public history and LGBT scholarly activism, and increased public support for historical research on gender and sexuality, this anthology reconsiders and reimagines the past, present, and future of queer public history.

At the start of the gay rights movement in 1969, evangelicalism's leading voices cast a vision for gay people who turn to Jesus. It was C.S. Lewis, Billy Graham, Francis Schaeffer and John Stott who were among the most respected leaders within theologically orthodox Protestantism. We see with them a positive pastoral approach toward gay people, an approach that viewed homosexuality as a fallen condition experienced by some Christians who needed care more than cure. With the birth and rise of the ex-gay movement, the focus shifted from care to cure. As a result, there are an estimated 700,000 people alive today who underwent conversion therapy in the United States alone. Many of these patients were treated by faith-based, testimony-driven parachurch ministries centered on the ex-gay script. Despite the best of intentions, the movement ended with very troubling results. Yet the ex-gay movement died not because it had the wrong sex ethic. It died because it was founded on a practice that diminished the beauty of the gospel. Yet even after the closure of the ex-gay umbrella organization Exodus International in 2013, the ex-gay script continues to walk about as the undead among us, pressuring people like me to say, "I used to be gay, but I'm not gay anymore. Now I'm just same-sex attracted." For orthodox Christians, the way forward is a path back to where we were forty years ago. It is time again to focus with our Neo-Evangelical fathers on care--not cure--for our non-straight sisters and brothers who are living lives of costly obedience to Jesus. With warmth and humor as well as original research, Still Time to Care will chart the path forward for our churches and ministries in providing care. It will provide guidance for the gay person who hears the gospel and finds themselves smitten by the life-giving call of Jesus. Woven throughout the book will be Richard Lovelace’s 1978 call for a "double repentance" in which gay Christians repent of their homosexual sins and the church repents of its homophobia--putting on display for all the power of the gospel.

"The Two Revolutions tells the long history of transgender communities online, reconstructing the various digital networks of transgender activists, cross-dressing computer hobbyists, and others interested in gender nonconformity who laid the foundations for contemporary trans life"--

Updated and enlarged, this groundbreaking collection surveys the major critical currents and approaches in drama, theater, and performance

Seth MacFarlane has made an immense mark on popular culture through both his live action and animated television series: Family Guy, American Dad!, The Cleveland Show, and The Orville. While MacFarlane has garnered a large legion of fans, even those who do not personally watch Family Guy, this longest running series, will be quick to recognize images of Peter and Stewie Griffin: a caricature of the clueless dads from sitcoms of yesteryear and an inexplicably queer-coded evil baby genius, respectively. This book explores Family Guy and Seth MacFarlane's other animated series closely, examining how the series uses satire and other strategies to construct specific ideas related to sex, gender, and family. The authors argue that the series, like many other television series, contribute to our collective understanding of family, and reinforce (at times) unfavorable gender stereotypes.