Fulfills the standards: "Culture," "Individuals, Groups, and Institutions," "Power, Authority, and Governance," and "Science, Technology, and Society" from the National Council for the Social Studies Curriculum Standards for High School.Fulfills the standards: "Chronological Thinking," "Historical Comprehension," "Historical Analysis and Interpretation," and "Historical Research Capabilities" from the National History Education Standards for American History, Grades 5-12.

In what ways have social movements attracted the attention of the mass media since the sixties? How have activists influenced public attention via visual symbols, images, and protest performances in that period? And how do mass media cover and frame specific protest issues? Drawing on contributions from media scholars, historians, and sociologists, this volume explores the dynamic interplay between social movements, activists, and mass media from the 1960s to the present. It introduces the most relevant theoretical approaches to such issues and offers a variety of case studies ranging from print media, film, and television to Internet and social media.

How Yvonne Rainer's art shaped new ways of watching as well as performing; how it connected 1960s avant-garde art to politics and activism. In her dance and performances of the 1960s, Yvonne Rainer famously transformed the performing body—stripped it of special techniques and star status, traded its costumes and leotards for T-shirts and sneakers, asked it to haul mattresses or recite texts rather than leap or spin. Without discounting these innovations, Carrie Lambert-Beatty argues in Being Watched that the crucial site of Rainer's interventions in the 1960s was less the body of the performer than the eye of the viewer—or rather, the body as offered to the eye. Rainer's art, Lambert-Beatty writes, is structured by a peculiar tension between the body and its display. Through close readings of Rainer's works of the 1960s—from the often-discussed dance Trio A to lesser-known Vietnam war-era protest dances—Lambert-Beatty explores how these performances embodied what Rainer called “the seeing difficulty.” (As Rainer said: “Dance is hard to see.”) Viewed from this perspective, Rainer's work becomes a bridge between key episodes in postwar art. Lambert-Beatty shows how Rainer's art (and related performance work in Happenings, Fluxus, and Judson Dance Theater) connects with the transformation of the subject-object relation in minimalism and with emerging feminist discourse on the political implications of the objectifying gaze. In a spectacle-soaked era, moreover—when images of war played nightly on the television news—Rainer's work engaged the habits of viewing formed in mass-media America, linking avant-garde art and the wider culture of the 1960s. Rainer is significant, argues Lambert-Beatty, not only as a choreographer, but as a sculptor of spectatorship.

This collection of original essays represents some of the most exciting ways in which historians are beginning to paint the 1960s onto the larger canvas of American history. While the first literature about this turbulent period was written largely by participants, many of the contributors to this volume are young scholars who came of age intellectually in the 1970s and 1980s and thus write from fresh perspectives. The essayists ask fundamental questions about how much America really changed in the 1960s and why certain changes took place. In separate chapters, they explore how the great issues of the decade--the war in Vietnam, race relations, youth culture, the status of women, the public role of private enterprise--were shaped by evolutions in the nature of cultural authority and political legitimacy. They argue that the whirlwind of events and problems we call the Sixties can only be understood in the context of the larger history of post-World War II America. Contents "Growth Liberalism in the Sixties: Great Societies at Home and Grand Designs Abroad," by Robert M. Collins "The American State and the Vietnam War: A Genealogy of Power," by Mary Sheila McMahon "And That's the Way It Was: The Vietnam War on the Network Nightly News," by Chester J. Pach, Jr. "Race, Ethnicity, and the Evolution of Political Legitimacy," by David R. Colburn and George E. Pozzetta "Nothing Distant about It: Women's Liberation and Sixties Radicalism," by Alice Echols "The New American Revolution: The Movement and Business," by Terry H. Anderson "Who'll Stop the Rain?: Youth Culture, Rock 'n' Roll, and Social Crises," by George Lipsitz "Sexual Revolution(s)," by Beth Bailey "The Politics of Civility," by Kenneth Cmiel "The Silent Majority and Talk about Revolution," by David Farber

Reflecting on the 1960s at 50: A Concise Account of How the 1960s Changed America, for Better and for Worse is a punchy, conversational look at some of the most interesting pieces of cultural and social conflict from the ‘60s, reflected through the lens of our own vantage point today. This approachable, informative volume uses transcripts of public interviews to provide the viewpoints of half a dozen nationally known scholars with long records of writing in scholarly and popular realms. They represent a range of disciplinary and political perspectives from the humanities to the social sciences and from the progressive left to the conservative right. These scholars offer their thoughts on: the place of youth in American society that emerged from the ‘60s the lingering contributions the counterculture made to American institutions and social life the legacy in contemporary America of the struggles over racial disparities in the ‘60s the ways in which the revolution of sexual mores and relations of that decade have affected marriage and family today the war in Vietnam and its effects on contemporary views of America’s military power and responsibility in the world the evolution of American state power and administration that was energized by Lyndon Johnson’s Great Society. This book will be of interest to students of American history and the history and politics of the 1960s as well as sociologists. It searches for meaning in a period that made major contributions to the shape of America as a country.

In this absorbing new book, David Farber gives us the history of our collective and individual memories of the 1960s: the brilliant colors of revolt and rapture, of flames and raised fists, of napalm and tear gas, of people desperate to make history even as others fought fiercely to stop them. More than thirty years after the assassination of John F. Kennedy, this book grounds our understanding of the terrible events of that era by linking them to our country's grand projects of previous decades: the forging of a national system of social provision in the New Deal; our new agenda as global superpower after World War II; the creation of the national security state; and the maturation of a national consumer-driven mass-mediated marketplace. Farber's account, based on years of research in archives and oral histories as well as in the historical literature, deals in full not only with nation building in Vietnam, the 1964 Civil Rights Act, the 1965 Watts riot, and the War on Poverty, but with the entertainment business, the drug culture, and much more.

This volume serves as an invaluable study guide covering all of the key political, social, and cultural concepts of the turbulent 1960s. The 1960s were a polarizing decade, beginning brightly and with hope but ending in disappointment and disarray. By the end, traditional values had been subverted, political institutions had been overturned, and marginalized groups had battled their own government to win equal rights and freedoms. The clear-cut foreign policies of the postwar era brought mixed results, and the world's mightiest nation became mired in a war it could not win. This overview of the 1960s covers all of the key political, social, and cultural concepts of the decade through topical and biographical entries, primary documents, a sample document-based essay question and top tips, and period-specific learning objectives. The book contains an Introduction that presents the historical themes of the period. Alphabetical encyclopedic entries relating to the period specific themes comprise the core reference material in the book. The book also contains a range of primary documents with their own introductions and a sample document-based essay question. Other features include a list of "Top Tips," a thematically tagged chronology, and a list of specific learning objectives readers can use to gauge their working knowledge and understanding of the period.

Debating the 1960s explores the decade through the controversies between radicals, liberals, and conservatives. The focus is on four main areas of contention: social welfare, civil rights, foreign relations, and social order. The book also examines the emergence of the New Left and the modern conservative movement. Combining analytical essays and historical documents, the book highlights the polarization of the era and assesses the enduring importance of the 1960s on contemporary American politics and society.

Traces the history of the United States during the 1960s through such primary sources as memoirs, letters, contemporary journalism, and official documents.

The Vietnam War, the Cuban Missile Crisis, the Civil Rights Movement, and the Summer of Love--the 1960s were one of the most turbulent decades in US history. These years launched an unprecedented public debate over the meaning of "America," dividing US society in deep and troubling ways. Yet despite the passage of time, the contemporary crises in the "American way of life" and the political system that sustain it might well make one wonder: to what degree are we still living on the outskirts of the '60s? By examining crucial events, trends, and individuals from the civic, social, political, intellectual, cultural, and economic spheres across a range of disciplines, this volume offers a nuanced and pluralist account of the longest decade in America.