“Faithfully emulates van Vogt’s labyrinthine plot twists and energetic prose while answering questions. . . . that have burned in fans’ minds for decades.” —Booklist In this heart-stopping sequel to A.E. van Vogt’s World of Null-A, Gilbert Gosseyn, the superhuman amnesiac with a double brain, must pit his wits once more against the remorseless galactic dictator Enro the Red and the mysterious shadow-being known as The Follower. And he must do it while he is being hurled headlong through unimaginable distances in space, in time, and through alternate eternities to fend off the death and complete the rebirth of the Universe itself! Praise for John C. Wright “An exciting voice, adding richness to hard science fiction.” —David Brin, Hugo and Nebula Award–winning author of Existence

Undergraduate text offers an analysis of deformation and stress, covers laws of conservation of mass, momentum, and energy, and surveys the formulation of mechanical constitutive equations. 1992 edition.

The unpredictable cosmic entity known only as Q has plagued Captain Jean-Luc Picard and the crew of the Starship Enterprise™ since their very first voyage together. But little was known of Q's mysterious past or of the unearthly realm from which he hails. Until now. A brilliant scientist may have found a way to breach the energy barrier surrounding the Milky Way galaxy, and the Enterprise is going to put it to the test. The last thing Captain Picard needs is a surprise visit from Q, but the omnipotent trickster has more in mind than his usual pranks. Kidnapping Picard, he takes the captain back through time to the moment the Q Continuum faced its greatest threat. Now Picard must learn Q's secrets -- or all of reality may perish!

(Play It Like It Is). Mayer was recently lauded by Rolling Stone for his massive guitar talent. This folio features notes & tab for all 12 songs from his third CD, including the hits "Gravity" and "Waiting on the World to Change," plus his cover of Hendrix's "Bold as Love." Also includes an intro on the making of the album. Grammy Winner! Best Pop Vocal Album

Captain's log, Stardate Eleventy-leven eighty six point negative nine. Charted a blah blah blah with my blah blah crew today, collecting samples of blah blah blah... Aren't you tired of surveying all the brave new worlds and startling new civilizations of the galaxy with the safe, polite, politically correct members of the Federation? After all, they only have fun when they break their own rules and leave a communicator behind on a planet of curious mimics, or travel through time to play with tribbles. Wouldn't you rather travel the stars with me? Who am I? Spelled the same way front as back: Q! You've heard of me. All-seeing, all-knowing, dashing beyond comparison. The Q have been here since the dawn of time (and in some cases, a little before that, but that's another story), and we've seen it all. But I've put it all together in a form you can understand. The title? Q's Guide to the Continuum! (Well, what did you think I would call it? Picard's Incessant Droning About Stellar Gas Formations?) Want to know what the longest-lived race in the galaxy is? It's here. Ever wonder who is the greatest mass murderer of all time? I know that, too. And are you dying to find out if a certain relative of mine ever played the harpsichord while dressed like a Victorian nobleman? Well, there are some things I won't tell you, but the rest will be revealed in Q's Guide to the Continuum! (Love that title, don't you?) Prepare to be enlightened!

Concise classic by great mathematician and physicist deals with logic and mathematics of set and function, concept of number and the continuum. Bibliography. Originally published 1918.

Elise Morley is an expert on the past who's about to get a crash course in the future. For years, Elise has been donning corsets, sneaking into castles, and lying through her teeth to enforce the Place in Time Travel Agency's ten essential rules of time travel. Someone has to ensure that travel to the past isn't abused, and most days she welcomes the challenge of tracking down and retrieving clients who have run into trouble on their historical vacations. But when a dangerous secret organization kidnaps her and coerces her into jumping to the future on a high-stakes assignment, she's got more to worry about than just the time-space continuum. For the first time ever, she's the one out-of-date, out of place, and quickly running out of time.

This exploration of a notorious mathematical problem is the work of the man who discovered the solution. Written by an award-winning professor at Stanford University, it employs intuitive explanations as well as detailed mathematical proofs in a self-contained treatment. This unique text and reference is suitable for students and professionals. 1966 edition. Copyright renewed 1994.

Foucault and Fiction develops a unique approach to thinking about the power of literature by drawing upon the often neglected concept of experience in Foucault's work. For Foucault, an 'experience book' is a book which transforms our experience by acting on us in a direct and unsettling way. Timothy O'Leary develops and applies this concept to literary texts. Starting from the premise that works of literature are capable of having a profound effect on their audiences, he suggests a way of understanding how these effects are produced. Offering extended analyses of Irish writers such as Swift, Joyce, Beckett, Friel and Heaney, O'Leary draws on Foucault's concept of experience as well as the work of Dewey, Gadamer, and Deleuze and Guattari. Combining these resources, he proposes a new approach to the ethics of literature. Of interest to readers in both philosophy and literary studies, this book offers new insights into Foucault's mature philosophy and an improved understanding of what it is to read and be affected by a work of fiction.

In most of the sciences, introductory college courses focus on concepts rather than their practical application, with the latter reserved for more advanced study. An exception to this has been the fields of information systems and computer science, in which instruction has tended to focus directly on the tools of the trade, such as the technical aspects of word processing, spreadsheets, and databases. The philosophy of "The Computer Continuum, "however, is to concentrate on the "concepts" of information systems and computer science, such as data representation, operating systems, programming languages, and algorithms. While each chapter includes sections on software applications, and laboratory manuals are available to go with the text, the "concepts approach" of "The Computer Continuum" gives it a value that will last well beyond the current generation of computer tools. It builds a lasting foundation of fundamental concepts to prepare graduates for the future.Primarily for use in undergraduate introductory computer concepts courses offered by departments of information systems or computer science, "The Computer Continuum" is equally appealing to liberal arts majors and computer science majors. The text material has been tested on more than 10,000 college students in both large and small classes, and most of the concepts as presented can be expected to remain current for years to come. Furthermore, simulation and the associated computer concepts introduced in Chapter 11, "Simulation: Modeling the Physical World," are the foundation for a new approach to computer science, in addition to the theoretical and experimental approaches.