An irresistible love story by the acclaimed author of A Place of Stones where the cruel hand of fate destroys a newfound love. A young man and woman's passionate beginnings are ruined by a terrible secret that their parents buried for nearly two decades.

This illustrated study shows how frontier life shaped children's character.

Michael Foreman woke up when an incendiary bomb dropped through the roof of his Lowestoft home. Luckily, it missed his bed by inches, bounced off the floor and exploded up the chimney. So begins Michael's fascinating, brilliantly illustrated tale of growing up on the Suffolk frontline during World War II. He tells how he and his friends and family coped with bombing raids and deadly doodlebugs, how gas masks were great for making rude noises, and how nothing could beat rabbit pie! ' ... vivid, humorous and touching' Guardian.

A NEW YORK TIMES BEST SELLER • The moving story of an undocumented child living in poverty in the richest country in the world—an incandescent debut from an astonishing new talent • A TODAY SHOW #READWITHJENNA PICK In Chinese, the word for America, Mei Guo, translates directly to “beautiful country.” Yet when seven-year-old Qian arrives in New York City in 1994 full of curiosity, she is overwhelmed by crushing fear and scarcity. In China, Qian’s parents were professors; in America, her family is “illegal” and it will require all the determination and small joys they can muster to survive. In Chinatown, Qian’s parents labor in sweatshops. Instead of laughing at her jokes, they fight constantly, taking out the stress of their new life on one another. Shunned by her classmates and teachers for her limited English, Qian takes refuge in the library and masters the language through books, coming to think of The Berenstain Bears as her first American friends. And where there is delight to be found, Qian relishes it: her first bite of gloriously greasy pizza, weekly “shopping days,” when Qian finds small treasures in the trash lining Brooklyn’s streets, and a magical Christmas visit to Rockefeller Center—confirmation that the New York City she saw in movies does exist after all. But then Qian’s headstrong Ma Ma collapses, revealing an illness that she has kept secret for months for fear of the cost and scrutiny of a doctor’s visit. As Ba Ba retreats further inward, Qian has little to hold onto beyond his constant refrain: Whatever happens, say that you were born here, that you’ve always lived here. Inhabiting her childhood perspective with exquisite lyric clarity and unforgettable charm and strength, Qian Julie Wang has penned an essential American story about a family fracturing under the weight of invisibility, and a girl coming of age in the shadows, who never stops seeking the light.

A lonely boy's landscape encompasses the U. S. Middle West and California during the Great Depression 1930s through the World War II home front and late 1940s. Broken shards of youthful memory: rooming with strangers, moving from place to place with sudden frequency and continual uncertainty because of poverty and a mother's marital failures. Seen through a boy's eyes from six to sixteen, here are children and adults in the throes of financial hardship and tumultuous wartime: an empty house with deathly echoes, relatives swept into the cataclysm of war, a cousin gripped by suicidal grief, a family betrayed, and unexpected humor, friendship, hope and first love. He escapes into movies, comic books, adventurous imagination with fantasy excursions, and fascination with guns. Through it all is his mother, raised on dreams of a luxurious life but thwarted by doomed relationships as she searches for love and security when both are rationed or transient. He lives an adolescence not knowing who he is or where he belongs as events propel him toward the looming horizon of manhood.

A memoir of life on a backwoods Virginia farm in the first half of the 20th century. Virginia Bell Dabney recalls the hardships of the Depression, the fire that destroyed her home and how her mother struggled to make a life for her family, but also finds much to rejoice in her country childhood.

The celebrated Danish poet Tove Ditlevsen begins the Copenhagen Trilogy ("A masterpiece" —The Guardian) with Childhood, her coming-of-age memoir about pursuing a life and a passion beyond the confines of her upbringing—and into the difficult years described in Youth and Dependency Tove knows she is a misfit whose childhood is made for a completely different girl. In her working-class neighborhood in Copenhagen, she is enthralled by her wild, red-headed friend Ruth, who initiates her into adult secrets. But Tove cannot reveal her true self to her or to anyone else. For "long, mysterious words begin to crawl across" her soul, and she comes to realize that she has a vocation, something unknowable within her—and that she must one day, painfully but inevitably, leave the narrow street of her childhood behind. Childhood, the first volume in the Copenhagen Trilogy, is a visceral portrait of girlhood and female friendship, told with lyricism and vivid intensity.

This book explores the meaning of nation or nationalism in children’s literature and how it constructs and represents different national experiences. The contributors discuss diverse aspects of children’s literature and film from interdisciplinary and multicultural approaches, ranging from the short story and novel to science fiction and fantasy from a range of locations including Canada, Australia, Taiwan, Norway, America, Italy, Great Britain, Iceland, Africa, Japan, South Korea, India, Sweden and Greece. The emergence of modern nation-states can be seen as coinciding with the historical rise of children’s literature, while stateless or diasporic nations have frequently formulated their national consciousness and experience through children’s literature, both instructing children as future citizens and highlighting how ideas of childhood inform the discourses of nation and citizenship. Because nation and childhood are so intimately connected, it is crucial for critics and scholars to shed light on how children’s literatures have constructed and represented historically different national experiences. At the same time, given the massive political and demographic changes in the world since the nineteenth century and the formation of nation states, it is also crucial to evaluate how the national has been challenged by changing national languages through globalization, international commerce, and the rise of English. This book discusses how the idea of childhood pervades the rhetoric of nation and citizenship, and how children and childhood are represented across the globe through literature and film.

In "Country Ragamuffins," Maxine Bergerson Werner invites readers on a journey back to the 1950s as she recalls her upbringing as the oldest girl among eight siblings in a Norwegian farming community in rural Minnesota. To convey and preserve the experiences, values, and character of a typical Midwestern farm family of the time "before those memories grow dim and finally disappear," the author offers this chronicle laced with humor and appreciation. Werners parents cultivated a lifestyle that combined hard work, learning, and time for childhood fun and play in the surrounding fields, pastures, and woodlands. Connectedness was the theme in their happy life. Every member of the family participated in the functioning of the farm; siblings were best friends; and laughter and debate were welcome at the dinner table. The daily routines, the chores, the holiday festivities, and the births of siblings are recorded in scrapbook fashion.

The author of The Key to Happily Ever After—“a true gem filled with heart, laughs, and a cast of delightful characters” (Nina Bocci, USA TODAY bestselling author)—returns with a heartwarming and charming novel about a woman who travels to the Philippines to reconnect with her long-lost family…and manages to find herself along the way. Diana Gallagher-Cary is at a tipping point. As a Washington, DC, OB/GYN at a prestigious hospital, she uses her career to distract herself from her grief over her granny’s death and her breakup from her long-term boyfriend after her free-spirited mother moves in with her. But when she makes a medical decision that disparages the hospital, she is forced to go on a short sabbatical. Never one to wallow, Diana decides to use the break to put order in her life, when her mother, Margo, stumbles upon a box of letters from her grandfather, Antonio Cruz, to her grandmother from the 1940s. The two women always believed that Antonio died in World War II, but the letters reveal otherwise. When they learn that he lived through the war, and that they have surviving relatives in the Philippines, Diana becomes determined to connect with the family that she never knew existed, though Margo refuses to face her history. But Diana pushes on, and heads on a once-in-a-lifetime trip that challenges her identity, family history, and her idea of romantic love that could change her life forever. Infused with Tif Marcelo’s signature “sexy, adorable, and heartfelt” (Kate Meader, USA TODAY bestselling author) voice, Once Upon a Sunset is a moving and lyrical celebration of love, family, and second chances.