The nav̐e wooden puppet comes to life through illustrations that use a detailed woodblock and etching technique.

The baobab tree story, which I wrote (the church version) is actually based upon a true story, told by Limakatso Nare, a Lutheran pastor who is currently serving a congregation in Louisiana. When he was growing up in his native Africa, he gathered for Sunday school under the baobab tree. Here he learned the Biblical stories of Noah and the ark, Jonah and the big fish, and the parables of Jesus. His Sunday school experiences inspired my story, Under the Baobab Tree.

Set in Africa during the Christmas season, this is the story of a village preparing for a celebration - the birth of a child. The story is told in verse inspired by the traditional carol The Twelve Days of Christmas, but in this version by the author Catherine House the gifts are: 1 stork in a baobab tree, 2 thatched huts, 3 woven baskets, 4 market traders, 5 bright khangas, 6 women pounding, 7 children playing, 8 wooden carvings, 9 grazing goats, 10 drummers drumming, 11 dancers dancing and 12 storytellers. This is a Christmas steeped in the atmosphere of African village life, including descriptions of the objects and activities mentioned in the text.

A rabbit, lost in the desert and saved by a baobab tree, outwits a stronger, envious neighbor.

Learning to survive in the harsh interior of Southern Africa, a former slave seeks shelter in the hollow of a baobab tree. For the first time since she was a young girl her time is her own, her body is her own, her thoughts are her own. In solitude, she is finally able to reflect on her own existence and its meaning, bringing her a semblance of inner peace. Scenes from her former life shuttle through her mind: how owner after owner assaulted her, and how each of her babies were taken away as soon as they were weaned, their futures left to her imagination. We are the sole witnesses to her history: her capture as a child, her tortured days in a harbor city on the eastern coast as a servant, her journey with her last owner and protector, her flight, and the kaleidoscopic world of her baobab tree. Wilma Stockenström's profound work of narrative fiction, translated by Nobel Prize winner J.M. Coetzee, is a rare, haunting exploration of enslavement and freedom.

A visual ode to trees rendered by tribal artists from India, in a handsome handcrafted edition.

Out of the sketchbook of a nine-year-old foster child, a Griot appears to teach a class about their family histories, from Africa, to slavery in America, to crime-ridden cities, urging the children to acknowledge the pain and the triumphs of the past so they can choose to make a better future.

When the gods create a talking tree, they soon regret it because it won’t be quiet. So they turn it upside down and bury its head in the dirt. The classic African folktale, specially retold as part of the Usborne Reading Programme for children just starting to read alone. This ebook includes audio and reading-related puzzles. "Crack reading and make confident and enthusiastic readers with this fantastic reading programme." - Julia Eccleshare

Coretta Scott King Honor winner Brenda Woods introduces introverted, daydream-prone Zoe, who’s afraid her real life will never be as exciting as her imaginary one. Zoe Reindeer considers herself “just Zoe”—never measuring up to her too-perfect older sister or her smarty-pants little brother. Truthfully, though, she’d rather just blend in with the plants at the family business, Doc Reindeer’s Exotic Plant Wonderland. She does have one friend, Q, and he’s the best one ever—but he’s moving away, leaving Zoe to fend for herself, and she doesn’t know what she’ll do without him. That is until a tall astronomer from Madagascar comes to the nursery looking for a Baobab tree. His visit starts a ball rolling that makes Zoe long for real adventures, not just imaginary ones—and shows her that perhaps her first real adventure is finally beginning.