Often seen combing the shoreline of the River Thames at low tide, groups of archaeology enthusiasts known as 'mudlarks' continue a tradition that dates back to the eighteenth century. Over the years they have found a vast array of historical artefacts providing glimpses into the city's past. Objects lost or discarded centuries ago – from ancient river offerings such as the Battersea Shield and Waterloo Helmet, to seventeenth-century trade tokens and even medals for bravery – have been discovered in the river. This book explores a fascinating assortment of finds from prehistoric to modern times, which collectively tell the rich and illustrious story of London and its inhabitants.

The London Stone at Staines marks the ancient western boundary of the jurisdiction of the City of London. The Lord Mayor and Corporation’s conservancy of the Thames extended east from there as far as Yantlet in Kent. This is the stretch of the river documented in 'Liquid History'. Drawing on the resources of English Heritage’s unrivalled photographic archives, the book records a journey along the length of the tidal river and over almost 150 years. We see the rural Thames as it approaches London, riverside towns, the civic and commercial development of the riverbanks, the working docks and warehouses, the development of the web of bridges that now links north and south, barges, sailing ships and warships, the great flood defences and a tiny beach that flourished briefly at the Tower of London. Featuring the work of pioneers of photography and some of the great topographical photographers of the 20th century, and with a fascinating commentary by Stephen Croad, 'Liquid History' chronicles the ebb and flow of the life of the river.

Just as Peter Ackroyd's bestselling London is the biography of the city, Thames: Sacred River is the biography of the river, from sea to source. Exploring its history from prehistoric times to the present day, the reader is drawn into an extraordinary world, learning about the fishes that swim in the river and the boats that ply its surface; about floods and tides; hauntings and suicides; miasmas and malaria; locks, weirs and embankments; bridges, docks and palaces. Peter Ackroyd has a genius for digging out the most surprising and entertaining details, and for writing about them in the most magisterial prose; the result is a wonderfully readable and captivating guide to this extraordinary river and the towns and villages which line it.

The River Thames is an often undiscovered haven of stunning scenery, wonderful wildlife and brilliant natural beauty. As well as the famous stretches passing through our biggest cities and towns, there is a hidden side to the river - wild and natural, but surprisingly accessible. This guidebook, compiled by the two major Thames charities, contains a wealth of information on over 150 of the best places to explore the real Thames wilderness, along with enjoyable walks and activities along its course. Organised geographically, the book gives information on the history and character of each stretch of the river and the featured sites within it, travelling from source to sea. Illustrated with maps and photos, the text highlights which plants and wildlife to watch out for, activities you can do, how to get there and nearby moorings, cycle paths and car parks. Each section features a circular walk, tying together several of the sites and accompanied by an enchanting hand-drawn map. An essential source of ideas for days out and handy for on the go, Exploring the Thames Wilderness opens up the beauty of the Thames to everyone.

_______________ WINNER OF THE INDIE BOOK AWARD FOR NON-FICTION THE TOP 2 SUNDAY TIMES BESTSELLER A BBC RADIO 4 BOOK OF THE WEEK AN OBSERVER BOOK OF THE YEAR _______________ Mudlark (/'mAdla;k/) noun A person who scavenges for usable debris in the mud of a river or harbour Lara Maiklem has scoured the banks of the Thames for over fifteen years, in pursuit of the objects that the river unearths: from Neolithic flints to Roman hair pins, medieval buckles to Tudor buttons, Georgian clay pipes to Victorian toys. These objects tell her about London and its lost ways of life. Moving from the river's tidal origins in the west of the city to the point where it meets the sea in the east, Mudlarking is a search for urban solitude and history on the River Thames, which Lara calls the longest archaeological site in England. As she has discovered, it is often the tiniest objects that tell the greatest stories. _______________ 'Enchanting' - Sunday Times 'Driven by curiosity, freighted with mystery and tempered by chance, wonders gleam from every page' - Melissa Harrison 'Brilliant. No one has looked at these odd corners since Sherlock Holmes' - Sunday Telegraph 'The very best books that deal with the past are love letters to their subject, and the very best of those are about subjects that love their authors in return. Such books are very rare, but this is one' - Ian Mortimer 'Fascinating. There is nothing that Maiklem does not know about the history of the river or the thingyness of things' - Guardian 'A treasure. One of the best books I've read in years' - Tracy Borman

The Thames is the longest river that runs entirely through England and its valley contains not only Britain's capital but also many other large settlements. There are also a great many historic features that bear testament to the river's historic and continuing importance for the surrounding areas, and indeed Britain and the world.

By the former editor of the London Times, a vivid, evocative, and deeply knowledgeable history of this unique world capital. London: a settlement founded by the Romans, occupied by the Saxons, conquered by the Danes, and ruled by the Normans. This transformative place became a medieval maze of alleys and courtyards, later to be checkered with grand estates of Georgian splendor. It swelled with industry and became the center of the largest empire in history. And having risen from the rubble of the Blitz, it is now one of the greatest cities in the world. From the prehistoric occupants of the Thames Valley to the preoccupied commuters of today, Simon Jenkins brings together the key events, individuals and trends in London's history to create a matchless portrait of the capital. He masterfully explains the battles that determined how London was conceived and built—and especially the perennial conflict between money and power. Based in part on his experiences of and involvement in the events that shaped the post-war city, and with his trademark color and authority, Simon Jenkins shows above all how London has taken shape over more than two thousand years. Fascinating for locals and visitors alike, this is narrative history at its finest, from the most ardent protector of British heritage.

In this perfect companion to London: The Biography, Peter Ackroyd once again delves into the hidden byways of history, describing the river's endless allure in a journey overflowing with characters, incidents, and wry observations. Thames: The Biography meanders gloriously, rather like the river itself. In short, lively chapters Ackroyd writes about connections between the Thames and such historical figures as Julius Caesar and Henry VIII, and offers memorable portraits of the ordinary men and women who depend upon the river for their livelihoods. The Thames as a source of artistic inspiration comes brilliantly to life as Ackroyd invokes Chaucer, Shakespeare, Turner, Shelley, and other writers, poets, and painters who have been enchanted by its many moods and colors.

David Hockney reflects upon life and art as he experiences lockdown in rural Normandy in this inspiring book which includes conversations with the artist and his latest artworks. On turning eighty, David Hockney sought out rustic tranquility for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year earlier, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot Be Cancelled is an uplifting manifesto that affirms art’s capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney’s new Normandy drawings and paintings alongside works by Van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years, yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, color, space, perception, water, trees. He has much to teach us, not only about how to see . . . but about how to live.