Regional characteristics and regional language feature prominently in discussions of Thai identity, but there is little mention of regional literatures. In northeastern Thailand's Isan region, authors write primarily in Thai, but it is possible nonetheless to identify an Isan literature, which played a significant and at times pivotal role in the development of Thai literature in the second half of the twentieth century, as authors grappled with how their origins and experiences related to the Thai centre. Martin Platt's account of Isan literature is an important first step toward a broader study of regional literatures in Thailand, and shapes a model that has relevance for examining literary works in other Asian countries.

Fourteen papers on Thai literature presented at Fifth International Conference on Thai Studies held at School of Oriental and African Studies, University of London, July 1993.

"A house in the center of Bangkok becomes the point of confluence where lives are shaped by upheaval, memory, and the lure of home. Witness to two centuries' flux in one of the world's most restless cities, a house plays host to longings and losses past, present, and future. A nineteenth-century missionary doctor pines for the comforts of New England even as he finds the vibrant foreign chaos of Siam increasingly difficult to resist. A post-war society woman marries, mothers, and holds court, little suspecting the course of her future. A jazz pianist is summoned in the 1970s to conjure music that will pacify resident spirits, even as he's haunted by ghosts of his former life. Not long after, a young woman gives swimming lessons in the luxury condos that have eclipsed the old house, trying to outpace the long shadow of her political past. And in the post-submergence Bangkok of the future, a band of savvy teenagers guides tourists and former residents past waterlogged, ruined landmarks, selling them tissues to wipe their tears for places they themselves do not remember. Time collapses as these stories collide and converge, linked by blood, memory, yearning, chance, and the forces voraciously making and remaking the amphibian, ever-morphing city itself"--Provided by publisher.

A History of Thailand offers a lively and accessible account of Thailand's political, economic, social and cultural history. This book explores how a world of mandarin nobles and unfree peasants was transformed and examines how the monarchy managed the foundation of a new nation-state at the turn of the twentieth century. The authors capture the clashes between various groups in their attempts to take control of the nation-state in the twentieth century. They track Thailand's economic changes through an economic boom, globalisation and the evolution of mass society. This edition sheds light on Thailand's recent political, social and economic developments, covering the coup of 2006, the violent street politics of May 2010, and the landmark election of 2011 and its aftermath. It shows how in Thailand today, the monarchy, the military, business and new mass movements are players in a complex conflict over the nature and future of the country's democracy.

Written in the twelfth century, the Naisadhiyacarita (The Adventures of Nala, King of Nisadha) is a seminal Sanskrit poem beloved by South Asian literary communities for nearly a millennium. This volume introduces readers to the poem’s author, his reading communities, the modes through which the poem has been read and used, the contexts through which it became canonical, its literary offspring, and the emotional power it still holds for the culture that values it. The study privileges the intellectual, affective, and social forms of cultural practice informing a region’s people and institutions. It treats literary texts as traditions in their own right and draws attention to the critical genres and actors involved in their reception.

An innovative new social history of Thailand told through the lens of changing ideals of manners, civility and behaviour.

The most enjoyable way to learn about an unfamiliar culture is through its stories--especially when they're told in two languages! Thai Stories for Language Learners introduces 28 entertaining Thai stories with bilingual Thai and English versions presented on facing pages. The stories are adapted from traditional folktales with roots in the Thai oral tradition, classic Thai literature, and Thai versions of the Indian Jataka Tales--which describe the past lives of the Buddha. The stories in this book include: "The Frightened Rabbit" is a well-known story about rabbit who hears a loud thundering sound and concludes it is a landslide, without investigating further. He runs about telling others of the landslide, thus causing unnecessary panic. "A Horse-faced Woman" is one of the most popular folktales in Thailand because the heroine's appearance and character differ vastly from other Thai heroines. Her equine appearance, unpopularity with fellow villagers, and passionate desires to marry the handsome Prince Pin Thong collide. "A Myth of Phra Ruang" is a classic tale popular among Thai people. It tells the story of a legendary hero--Phra Ruang--who frees the people of Lavo (Lopburi) from the ancient Khmer rulers. When the Khmer king tries to kill him, Phra Ruang escapes and is ordained as a monk. And many more! Alongside each story, readers will find: A list of key vocabulary in the Thai script, Romanized form, and the English meanings A set of questions and writing activities A Thai pronunciation guide Online audio recording in order to improve pronunciation and comprehension. This book will be of interest to learners who are beginning to read and write the Thai language and would like additional practice, as well as to general readers interested in learning about Thai culture.

Based on author's doctoral thesis, Macquarie University, Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, 2012.

Focusing on one of the most significant poets of the twentieth century, Angkarn Kallayanapong (1926–2012), this book makes a unique contribution to understandings of non-Western literary modernity. Arnika Fuhrmann investigates how the Thai poet adapts Buddhist understandings of time to create a modern Asian aesthetic imaginary. While Angkarn's poetry conjures the image of an early modern Thai cosmopolitanism, it also pioneers a poetics reflective of present-day globalization. The result is an experiment in Buddhist cosmopolitan aesthetic modernity. Teardrops of Time contextualizes the poet's work in the literary history and cultural politics of his time, tracing the transformation of a modern Thai cultural and political imaginary through the political history of the country's authoritarian governance since the late 1950s and the exigencies of an increasingly globalized economy since the 1980s. As Angkarn's work aligns itself with contemporaneous global trends in poetry, the book reads it alongside the work of Paul Celan and Allen Ginsberg.

This book introduces readers to modern Thai literature through the themes of modernity, nationalism, identity and gender. In the cultural, political and social transformations that occurred in Thailand during the first half of the twentieth century, Thai literature was one of the vehicles that moved the changes. Taking seriously ‘read till it shatters’, a Thai phrase that instructs readers to take apart the text, to break it down, to deconstruct it, Thak Chaloemtiarana challenges the Thai literary canon from the margins and suggests ways of expanding and enriching it. Thai literature is scarce in translation and requires the skills of a scholar fluent in Thai to comprehend it. Thak is a political scientist turned literary scholar who is bilingual in Thai and English and an avid reader of Thai fiction by authors up and down the social scale. Here he offers lively insights into his favourite literary genres with fresh readings of early Thai novels, Sino-Thai biographies and memoirs of the rich and famous. ‘Thak Chaloemtiarana is an inquisitive man. Late in his career he switched from politics to literature. In these chapters, he draws on a lifetime of reading about writers and writing in Thailand over the past century. He nods towards the usual big names—King Vajiravudh, Luang Wichit, Kulap Saipradit, Kukrit Pramoj—but spends more time on those found in the lesser visited stacks of the libraries, the secondhand bookstalls, and the shelf by the supermarket checkout. His themes are familiar—Thailand and the West, Thai nationalism, the Thai-Chinese, and women under patriarchy—but the angles of vision are original. With a cast ranging from motor-racing princes through sexy Egyptian mummies and a feminist serial murderer to starlets touting breast-enhancement techniques, this book educates, enlightens, and entertains.’