If you think you know what cross stitch is, look again! Jamie Chalmers, aka Mr X Stitch, shows you how to cross stitch using simple step-by-step instructions and also takes you to the frontiers of cross stitch design. The book is aimed at stitchers of all abilities, from absolute beginners looking to learn a new craft to embroiderers and cross stitchers who want to do something different in cross stitching. For many, cross stitch conjures up images of cute kittens and country cottages, but this book shows people that theres a different side to cross stitching that its an art in its own right, and will encourage them to be a little braver with their art. Jamies writing style is fun, entertaining and highly inspirational. The book aims to appeal to men as well as women, encouraging one and all to take up the ancient craft. It teaches the basics of cross stitching, including information on materials, tools, techniques and colour blending, but also puts Jamies own individual spin on it, with urban flavours and the introduction of different materials such as glow-in-the-dark threads and stitching on metal. As well as providing exciting designs to stitch, there is guidance on how to create cross stitch designs of your own, for example by using photographs and other images for reference. Jamie also showcases the work of other contemporary cross stitchers who are pushing the boundaries of their craft, and introduces more than 20 stunning cutting-edge projects to make, showing that beauty, innovation and 'craftivism' are alive and kicking in this inspirational book.

An evocative exploration of how travel - local and far away - can inform, inspire and enhance textile art. Travel has always featured heavily in textile art, from artists’ ‘travelling sketchbooks’ to large-scale installations mapping coastal erosion or the effects of climate change. In this book, renowned textile artist Anne Kelly shows how to capture your travels, past and present, in stitch, with practical techniques sitting alongside inspiring images. She begins the book by discussing maps in textile art, including their iconography as well as incorporating actual maps into textile work. She then goes on to explore the influence of different cultures from across the globe on textile art. From India and Peru to Scotland and Scandinavia, the book shows how to harness traditional techniques, fabrics, motifs and colours for use in your own work. The chapter ‘Stopping Places’ captures the moments in time on a journey that can be distilled, remembered and documented to create stitched postcards, sketchbooks and other pieces. The final chapter, ‘Space and the Imagination’, explores the possibilities of space travel as a source of inspiration, and covers inner space too, with artists mapping their own emotional journeys. Including a wealth of practical tricks and techniques as well as exquisite photography of both Anne’s own work and that of other leading textile artists, this fascinating book will inspire all textile artists, embroiderers and makers to use past travels to influence their work.

Features forty-four coverlets and two quilts made by hand weavers who lived in Western North Carolina, Eastern Kentucky, East Tennessee, and Southwest Virginia. Ms. Wilson has spent many years researching southern Appalachian overshot coverlet weaving.

In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.

Using colorful fabric scraps as your canvas, and paints, needles and threads for brushes, author-artist Janet Bolton shows you how to compose beautiful works of patchwork fold art. Every fascinating step of picture making is covered, with plenty of watercolor illustrations and eye-catching examples of Janet's extraordinary work to inspire you. Readers can put their new skills to practice with a workshop at the end of each chapter. From fabric selection and composition, to exciting techniques for free-hand cutting and stitching, to choosing the perfect finishing touches and frame, she makes the entire process seem easy. Full-size templates are provided allowing the reader to reproduce the wonderfully charming floral still life and farmyard schemes. Those who prefer to use their imagination to create completely original pictures will find all the guidance, inspiration and helpful hints they need.

An inspirational guide to using nature in textile art, with step-by-step projects Plants, flowers, gardens, insects and birds are a rich source of inspiration for artists and designers of all kinds. This beautiful guide demonstrates how to get the most out of your surroundings to create original and unique pieces in textiles. Beginning with a chapter on drawing from nature, the book demonstrates how to use sketchbooks and create mood boards to explore your local environment and landscape. The author demonstrates how to make small pieces such as folding books based on observational drawing and stitch. Moving on to a section on floral inspiration, the author shows how to use plants and flowers in your work, from using stencilled flower motifs as embellishment to printing with plants onto fabric and making simple relief prints. Finally, the taking flight chapter demonstrates how to move into three-dimensions and sculptural work with birds and insects made from cloth. Featuring step-by-step projects as well as work from contemporary artists, makers and collaborative groups throughout, this practical and beautiful guide shows how practitioners of all kinds can draw from the natural world for making and inspiration.

This title provides an accessible introduction to folk art, an established subject in many countries, but in Britain the genre remains elusive.

Discover the tapestries of Hannah Ryggen, one of the most influential Scandinavian artists of the 20th century. Hannah Ryggen created numerous monumental tapestries in her lifetime. Originally trained as a painter, Ryggen began weaving on a standing loom on her self-sufficient farm on the West coast of Norway. She challenged the formal traditions of Norwegian 17th- and 18th-century textile folk art, combining figurative and abstract elements. She also experimented with and developed colors using local plants and other materials she foraged. Her tapestries bravely tackled the social issues of the time, from the atrocities of war to the abuse of power. She created work in direct response to Hitler, Franco, and Mussolini and made powerful statements of support to the victims of Fascism and Nazism. This book features about 25 of Ryggen's signature tapestries including Etiopia (Ethiopia), Drømmedød (Death of Dreams), and Vi lever på en stjerne (We Are Living on a Star). It shows her work representing a different kind of modernism where elements of folk art and mythology are mixed with contemporary life. Haunting and powerful, Ryggen's work was unprecedented at the time, as it expressed her political messages to the public.

This book invites readers to understand and invest in the living legacy of folk art as a way to participate in the human story of the handmade -- and to make a meaningful impact on lives world-wide. The Work of Art by Carmella Padilla (Available July, 2013) examines the role of folk artists in the twenty-first century, recognising their power as creative and socially responsible champions for global change, connection, and cultural sustainability. Through interviews with folk artists from Mali to Madagascar to Cuba, Peru, Afghanistan, Uzbekistan, and beyond, Padilla introduces us to individuals and communities who are using their handmade traditions to overcome poverty, gender inequity, environmental degradation, ethnic conflict, and limited opportunities for political, educational, and social advancement.