This is a new release of the original 1930 edition.

This book is essential for anyone who wishes to learn Gregorian Chant. Few words are necessary to introduce the present work to English speaking students of plainsong. Such a handbook has long been needed and is sure of its welcome. Neither the well known Stan brook Grammar of Plainsong nor Madame Ward's valuable school courses cover so much ground as Dom Gregory Sunol in his Spanish "Metoda”. The book first appeared in 1905, prefaced by a commendatory letter from Dom Andre Mocquereau, the famous director of the Solesmes School. Its author has many years of teaching experience behind him, as well as sound theoretical knowledge of his subject. His work has proved its popularity and practical usefulness by going through a number of editions in the original Spanish, besides being translated into French and German. Indeed by compressing the Solesmes teaching within the narrow limits of a general text book Dom Sunol has rendered good service to the Gregorian cause. Not everyone has access to the monumental publications of Solesmes, the Monographies gregoriennes or the Paleographie Musicale, and countless students will be glad to find the subject matter of this latter work, especially the important seventh volume on Gregorian Rhythm, here summed up and analysed, while the extensive quotations from Dom Mocquereau's Nombre Musical gregorien, with which the Spanish author has enriched his later editions, will make them desirous of seeing this fascinating synthesis of the whole subject brought out in English. The French translation of Dom Suf'lol's work was made by Dom Maur Sablayrolles who tells us in his preface that he inserted a few additional chapters and altered and developed his original here and there in inconsiderable ways, always with the author's permission. The present English version is a faithful rendering of the sixth French edition, and except for some extension of the note on Latin pronunciation, now embodied in the text, nothing of any importance has been added. But the work has been prepared under the direct supervision of the Solesmes Benedictine Fathers at Quarr Abbey who have supplied invaluable help on almost every page, mainly in the direction of ensuring greater accuracy, clearing up obscure· passages, simplifying technical points and generally making the book more accessible to the ordinary student of plainsong. The Spanish handbook was placed under the patronage of our Lady of Montserrat. In its English dress it is offered to our Lady of Quarr with the prayer that she may everywhere bless the work of those who are teaching the Catholic world to sing the praises of her Divine Son.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Presents the "Solesmes Method" in two parts. The first part sets forth the principles that constitute the method. The second part presents the actual rules for singing.

This book provides an introduction to current work and new directions in the study of medieval liturgy. It focuses primarily on so-called occasional rituals such as burial, church consecration, exorcism and excommunication rather than on the Mass and Office. Recent research on such rites challenges many established ideas, especially about the extent to which they differed from place to place and over time, and how the surviving evidence should be interpreted. These essays are designed to offer guidance about current thinking, especially for those who are new to the subject, want to know more about it, or wish to conduct research on liturgical topics. Bringing together scholars working in different disciplines (history, literature, architectural history, musicology and theology), time periods (from the ninth to the fifteenth centuries) and intellectual traditions, this collection demonstrates the great potential that liturgical evidence offers for understanding many aspects of the Middle Ages. It includes essays that discuss the practicalities of researching liturgical rituals; show through case studies the problems caused by over-reliance on modern editions; explore the range of sources for particular ceremonies and the sort of questions which can be asked of them; and go beyond the rites themselves to investigate how liturgy was practised and understood in the medieval period.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.