Recommended by the National Library Board, Singapore and Ministry of Communications and Information A woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. From Cyril Wong, award-winning author of The Last Lesson of Mrs de Souza, comes another beautiful book about characters in crisis, with two stories crossing intriguingly into creative autobiography.

Twelve-year-old Madeline believes she can perform miracles. And her biggest one to date is saving her father from an avalanche. But, unmiraculously, he divorces Madeline's mother after his recovery, writes a book about the avalanche, becomes a celebrity, and marries Ava Pomme, a renowned tart maker.When he leaves, Madeline is left with her mother, who is slowly coming undone; her hypochondriac little brother, who spends his days worrying about air-bag safety; a house that is falling apart around her; and no clue how to perform the miracle that will fix it all.Amidst ballet lessons, insufferable recipe experiments for her mother's Family magazine column, and a life-changing trip to Italy, Madeline learns the true meaning of faith and family in this moving novel by acclaimed author Ann Hood.

“You will devour these beautifully written—and very important—tales of honesty, pain, and resilience” (Elizabeth Gilbert, New York Times bestselling author of Eat Pray Love and City of Girls) from fifteen brilliant writers who explore how what we don’t talk about with our mothers affects us, for better or for worse. As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize that she was actually trying to write about how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. This gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything. As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in acknowledging how what we couldn’t say for so long is a way to heal our relationships with others and, perhaps most important, with ourselves. Contributions by Cathi Hanauer, Melissa Febos, Alexander Chee, Dylan Landis, Bernice L. McFadden, Julianna Baggott, Lynn Steger Strong, Kiese Laymon, Carmen Maria Machado, André Aciman, Sari Botton, Nayomi Munaweera, Brandon Taylor, and Leslie Jamison.

A couple's cat leaves offerings of dead birds freighted with mysterious import. A foreign worker helps construct a concert hall that reawakens his musical longings. A young diver hunts venomous cone snails for a lovelorn researcher. With disarming simplicity, Barrie Sherwood charts how the complex bonds between lovers are unravelled to the point of breaking, and the often strange and touching ways we define ourselves and our relationships in a fluctuating world.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three gathers the finest Singaporean stories published in 2015 and 2016, selected by guest editor Cyril Wong from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. This volume features short story contributions from Eva Aldea, Joelyn Alexandra, Jennifer Anne Champion, Andrew Cheah, Clara Chow, Noelle Q. de Jesus, Melissa De Silva, SC Gordon, Jon Gresham, Philip Holden, Amanda Lee Koe, Su Leong, Leonora Liow, Manish Melwani, Sam Ng, Nuraliah Norasid, O Thiam Chin, Jollin Tan, Verena Tay, Jason Wee, Daryl Qilin Yam, Yeo Wei Wei, Yeoh Jo-Ann, Yeow Kai Chai, Ovidia Yu, and Andrew Yuen.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two gathers twenty-four of the finest stories from Singaporean writers published in 2013 and 2014, selected from hundreds published in journals, magazines, anthologies and single-author collections. These pieces examine life in Singapore, as well as beyond its borders to Toronto, California, Shanghai, Andhra Pradesh, Pyongchon and Paris, as well as to the distant past and the far future. Accompanying the stories are the editor’s introduction and an extensive list of honourable mentions for further reading.

This book examines the dynamic landscape of creative educations in Asia, exploring the intersection of post-coloniality, translation, and creative educations in one of the world’s most relevant testing grounds for STEM versus STEAM educational debates. Several essays attend to one of today’s most pressing issues in Creative Writing education, and education generally: the convergence of the former educational revolution of Creative Writing in the anglophone world with a defining aspect of the 21st-century—the shift from monolingual to multilingual writers and learners. The essays look at examples from across Asia with specific experience from India, Singapore, China, Hong Kong, the Philippines and Taiwan. Each of the 14 writer-professor contributors has taught Creative Writing substantially in Asia, often creating and directing the first university Creative Writing programs there. This book will be of interest to anyone following global trends within creative writing and those with an interest in education and multilingualism in Asia.

The loving, witty, yet brutally honest memoir of the daughter of comedy legend Richard Pryor. Rain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children. Rain’s father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era, a man whose self-destructiveness was as legendary as his groundbreaking comedy. Jokes My Father Never Taught Me is an intimate, harrowing, poignant, and often hilarious memoir that explores the divided heritage and the forces that shaped a wildly schizophrenic childhood. It is the story of a girl who grew up adoring her father even as she feared him—and feared for him, as his drug problems got worse. Both lovingly told and painfully frank, it is an unprecedented look at the life of a comedy icon, told by a daughter who both understood the genius and knew the tortured man within. Praise for Jokes My Father Never Taught Me “Rain Pryor pulls no punches . . . Using the same profanity-laced wit her father perfected, she unspools darkly comic stories . . . but never devolves into self-pity or bitterness.” —Entertainment Weekly “Vital, entertaining and appalling, Pryor has fleshed out a familiar dysfunctional family refrain—”It was a lot easier to love him if you didn’t know him”—with bravery and wit.” —Publishers Weekly

Since the nation-state sprang into being in 1965, Singapore literature in English has blossomed energetically, and yet there have been few books focusing on contextualizing and analyzing Singapore literature despite the increasing international attention garnered by Singaporean writers. This volume brings Anglophone Singapore literature to a wider global audience for the first time, embedding it more closely within literary developments worldwide. Drawing upon postcolonial studies, Singapore studies, and critical discussions in transnationalism and globalization, essays unearth and introduce neglected writers, cast new light on established writers, and examine texts in relation to their specific Singaporean local-historical contexts while also engaging with contemporary issues in Singapore society. Singaporean writers are producing work informed by debates and trends in queer studies, feminism, multiculturalism and social justice -- work which urgently calls for scholarly engagement. This groundbreaking collection of essays aims to set new directions for further scholarship in this exciting and various body of writing from a place that, despite being just a small ‘red dot’ on the global map, has much to say to scholars and students worldwide interested in issues of nationalism, diaspora, cosmopolitanism, neoliberalism, immigration, urban space, as well as literary form and content. This book brings Singapore literature and literary criticism into greater global legibility and charts pathways for future developments.