Visit the world of Super Sema in this fun, STEAM-filled 8x8! When a baby elephant slips from the herd and makes his way into Dunia, Sema vows to reunite him with his mom. But before she can host the family reunion, the Bongolalas kidnap the elephant for Tobor, who wants to keep him as a pet! Will Sema be able to technovate a way to help the baby elephant escape from Tobor and reunite him with his mom? Read along and find out!

"For Tembo the elephant and her herd, life on the African savanna is busy. There is the daily search for food and water and some surprising encounters with other animals"--Jacket.

"Very satisfying!! In 1968 Walter Cravens, a big game hunter, is pursuing a mysterious bull elephant across the Serengeti plains. Accompanied by his Masai native guide, Cravens will stop at nothing in his pursuit of the elephant's ivory tusks. Even a dire warning from an old woman won't stop him from seeking the elephant's destination, Tembo Makaburi, the elephant graveyard. Jones captured me again with this story about a man's greed and arrogance. In just a few paragraphs he sketched out the setting and placed me there, baking under the African sun. It's very well written, and as always, has the perfect twist of an ending. If you're hesitating about picking up the book because you're an animal lover or don't like to read about hunting, you'll be ok with this read. It had me googling elephants and their habits, and I love stories that make me want to read more about the subject. Great read! A brutal indictment of big game hunting!" -- Amazon Reviewer.

During the interwar period Osa and Martin Johnson became famous for their films that brought exotic and far-off locations to the American cinema. Before the advent of mass tourism and television, their films played a major part in providing the means by which large audiences in the US and beyond became familiar with distant and 'wild' places across the world. Taking the celebrity of the Johnsons as its case study, this book investigates the influence of these new forms of visual culture, showing how they created their own version of America's imperial drama. By representing themselves as benevolent figures engaged in preserving on film the world's last wild places and peoples, the Johnsons' films educated US audiences about their apparent destiny to rule, contributing significantly to the popularity of empire. Bringing together research in the fields of film and politics - including gender and empire, historical anthropology, photography and visual studies - this book provides a comprehensive evaluation of the Johnsons, their work and its impact. It considers the Johnsons as a celebrity duo, their status as national icons, how they promoted themselves and their expeditions, and how their careers informed American expansionism, thus providing the first scholarly investigation of this remarkable couple and their extensive output over nearly three decades and across several continents.

Martin and Osa Johnson thrilled American audiences of the 1920s and 30s with their remarkable movies of far-away places, exotic peoples, and the dramatic spectacle of African wildlife. Their own lives were as exciting as the movies they made--sailing through the South Sea Islands, dodging big game at African waterholes, flying small planes over the veldt, taking millionaires on safari. Osa Johnson's ghostwritten autobiography, I Married Adventure, became a national bestseller. The 1939 film version was billed as "the story of World Exploration's First Lady, whose indomitable daring would be stayed by neither snarling lion nor crouching leopard, tropic tempest nor savage tribesman " Heroes to millions, Osa and Martin seemed to embody glamor, daring, and the all-American ideal of self-reliance. Probing beneath the glamor of the Johnsons' public image, Pascal and Eleanor Imperato explore the more human side of the couple's lives--and ways the Johnsons shaped, for better and for worse, America's vision of Africa. Drawing on many years of research, access to a wealth of letters and archives, interviews with many who worked closely with the Johnsons, and their own deep knowledge of Africa, the authors present a fascinating and intimate portrait of this intrepid couple.