An innovative and accessible way to begin teaching Latin to children of any age Narrated by the chatty and imaginative Roman poet Ovid (who lived in Rome during the first century BC), this new course takes young learners on a journey through some of the tales from Ovid's Metamorphoses. From Daedalus to the story of Orpheus, Lorna Robinson uses Ovid's stories to teach Latin grammar and vocabulary, exploring the relationship between Latin and English to enhance literacy as well as encouraging children's imaginations by asking them to discuss how Ovid's themes are still topical today. At the end of each chapter there are suggested activities to help learners reinforce what they have just learned. The illustrations bring Ovid's stories alive for a wide range of learners, making this book the ideal first introduction to Latin.

'I loved Greek myths and stories from a very young age, thanks largely to the Usborne Greek Myths and Legends, which my parents bought for me and my brother. I remember that it contained the most striking images and tales of strange creatures and vengeful gods. There was something unearthly and powerful about them, something that drew me in, and made me want to stay in that world to explore further. A ghostly Cerberus, a huge minotaur with twisting horns, the faces of gods and heroes, all these looked out at me from those pages and lured me inside.' - Lorna Robinson Telling Tales in Greek is narrated by the chatty and wily Greek hero Odysseus, who introduces readers to some of the best-loved stories from Greek mythology. Along the way, readers pick up Ancient Greece's alphabet and grammar, while exploring how Greek myths still speak to us today. Soham De's illustrations bring the stories alive for a wide range of learners. Telling Tales in Greek contain the vocabulary and grammar needed for the OCR Entry Level Greek qualification, making this book the ideal first introduction to Greek. The format appeals to a wide range of learners, with creative activities that update the stories around contemporary issues from history, geography, philosophy and literature.

Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results! "Once upon a time, there was a little girl called Little Yellow Riding Hood--" "Not yellow! It's Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale--or his version, at least--to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it's being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding readers that storytelling is not only a creative act of improvisation and interaction, but also a powerful pathway for connection and love. Telling Stories Wrong was written by Gianni Rodari, widely regarded as the father of modern Italian children's literature. It exemplifies his great respect for the intelligence of children and the kind of work he did as an educator, developing numerous games and exercises for children to engage and think beyond the status quo, imagining what happens after the end of a familiar story, or what possibilities open up when a new ingredient is introduced. This book is illustrated with great affection by the illustrious artist Beatrice Alemagna (Child of Glass), who counts Gianni Rodari as one of her "spiritual fathers."

Cameos showcase Tiberius in private and Augustus in court, with Pompey the Great on campaign and Phaedrus himself struggling against prejudice and persecution, and tales feature all sorts - a toadying slave, wicked servant, vain musician, effeminate soldier, sexy poet, and rogue quack. These forgotten tales tell short and clear Roman parables of power and powerlessness. Humorous and acute, they explain, and protest at, the Caesars, and they sit perfectly among Aesop's sadistic lions, murderous wolves, and apes in purple."--Jacket.

Teaches children the basics of Latin grammar and vocabulary, as well as Roman British history and culture, through vocabulary lists, mythical tales, and illustrations.

Storytelling is relationship. Stories become the threads that bind a family. We all tell stories about our experiences and daily life. When we die, it is our stories that are remembered. Family stories remembered and shared help the family, and the individuals who comprise it, to survive and flourish. Storytelling within the family provides quality time; creating bonds, increasing listening skills, and fostering communication. Enrich your family life, connect with your children, and celebrate your ancestors by learning to tell family stories, folktales, and nursery rhymes. Telling Tales: Storytelling in the Family is a fascinating guide to the art of gathering and telling stories. Written by three renowned storytellers, Telling Tales includes personal stories, how-to tips and extensive resource lists, and builds upon the success of the acclaimed first edition. Storytelling is contagious. Telling stories helps us make sense of what is happening around us and within ourselves. Stories are our powerful gift to the younger generation.

Germany has had a profound influence on English stories for children. The Brothers Grimm, The Swiss Family Robinson and Johanna Spyri's Heidi quickly became classics but, as David Blamires clearly articulates in this volume, many other works have been fundamental in the development of English chilren's stories during the 19th Centuary and beyond. Telling Tales is the first comprehensive study of the impact of Germany on English children's books, covering the period from 1780 to the First World War. Beginning with The Adventures of Baron Munchausen, moving through the classics and including many other collections of fairytales and legends (Musaus, Wilhelm Hauff, Bechstein, Brentano) Telling Tales covers a wealth of translated and adapted material in a large variety of forms, and pays detailed attention to the problems of translation and adaptation of texts for children. In addition, Telling Tales considers educational works (Campe and Salzmann), moral and religious tales (Carove, Schmid and Barth), historical tales, adventure stories and picture books (including Wilhelm Busch's Max and Moritz) together with an analysis of what British children learnt through textbooks about Germany as a country and its variegated history, particularly in times of war.

SHORTLISTED FOR THE TED HUGHES PRIZE 2015 Tabard Inn to Canterb'ry Cathedral, Poet pilgrims competing for free picks, Chaucer Tales, track by track, it's the remix From below-the-belt base to the topnotch; I won't stop all the clocks with a stopwatch when the tales overrun, run offensive, or run clean out of steam, they're authentic and we're keeping it real, reminisce this: Chaucer Tales were an unfinished business. In Telling Tales award-winning poet Patience Agbabi presents an inspired 21st-Century remix of Chaucer's Canterbury Tales retelling all of the stories, from the Miller's Tale to the Wife of Bath's in her own critically acclaimed poetic style. Celebrating Chaucer's Middle-English masterwork for its performance element as well as its poetry and pilgrims, Agbabi's newest collection is utterly unique. Boisterous, funky, foul-mouthed, sublimely lyrical and bursting at the seams, Telling Tales takes one of Britain's most significant works of literature and gives it thrilling new life.

Over one hundred stories showcasing the wisdom and artistry of one the world’s richest folktale traditions—the first panoramic anthology of Hispano-American folk narratives in any language. Gathered from twenty countries and combining the lore of medieval Europe, the ancient Near East, and pre-Columbian America, the stories brought together here represent a core collection of classic Latin American folktales. Among the essential characters are the quiet man's wife who knew the Devil's secrets, the three daughters who robbed their father's grave, and the wife in disguise who married her own husband—not to mention the Bear's son, the tricksters Fox and Monkey, the two compadres, and the classic rogue Pedro de Urdemalas. Featuring black-and-white illustrations throughout, this Pantheon Fairy Tale and Folklore Library edition is unprecedented in size and scope, including riddles, folk prayers, and fables never before translated into English.

In recent decades, literary studies have shown great interest in issues concerning the elements of narrative. Narratology, with its most vocal exponents in the writings of Bal, Genette, and Ricoeur, has also emerged as an increasingly important aspect of classical scholarship. However, studies have tended to focus on genres that are deemed straightforwardly narrative in form, such as epic, history, and the novel. This volume of heretofore unpublished essays explores how theories of narrative can promote further understandings and innovative readings of a genre that is not traditionally seen as narrative: Roman elegy. While elegy does not tell a continuous story, it does contain many embedded tales—narratives in their own right—located within and interacting with the primarily nonnarrative structure of the external frame-text. Latin Elegy and Narratology is the first volume entirely dedicated to the analysis of Latin elegy through the prism of theories of narrative. It brings together an international range of classicists whose specialties include Roman elegy, Augustan literature more generally, and critical theory. Among the questions explored in this volume are: Can the inset narratives of elegy, with their distinctive narrative strategies, provide the key to a poetics of elegiac story telling? In what ways does elegy renegotiate the linearity and teleology of narrative? Can formal theories of narratology help to make sense of the temporal contradictions and narrative incongruities that so often characterize elegiac stories? What can the reception of Roman elegy tell us about narratives of unity, identity, and authority? The essays contained in this volume provide provocative new readings and an enhanced understanding of Roman elegy using the tools of narratology.