As the host of the immensely popular America's Most Wanted, John Walsh has been instrumental in the capture of nearly four hundred and fifty of this country's most dangeroues fugitives. However, few know the full story of the personal tragedy behind his public crusade: the 1981 abduction and murder of his six-year-old son, Adam. Here, for the first time, Walsh, his wife Revé, and their closest friends tell the wrenching tale of Adam's death -- and the infuriating conspiracy of events that have kept America's No. 1 crime fighter from obtaining justice and closure for himself and his family. "I've never really spoken about these things to anyone before, but I want to talk about Adam before he died. I want people to know just exactly how horrible it is to lose your child, how painful it is. But I also want to talk about how people can help you, and how you can help yourself. About how to come to terms with life when you think you're dying of a broken heart." -- John Walsh "I remember thinking, 'our son's been murdered, and now we've got to be the ones to do something about it' It was a sad thing for this country that the fight had to be led by two broken-down parents of a murdered child. But we had to, because no one else was going to do it." -- Revé Walsh

A Unique, Nail-Biting Fantasy in a World You Will Not Soon Forget On her 21st birthday, in a moment of great need, Julianna frees an ancient god of vengeance--Grandfather Shadow--from his thousand-year prison. In gratitude for his freedom, Grandfather Shadow names Julianna his high priest and commands her to unite his scattered followers and lead his people to greatness once again. But among Julianna's people it is a crime to worship the ancient greater gods--a crime punishable by execution and the destruction of her soul. While avoiding followers of the God of Death and Inquisitors of the Kingdom of the Sun, Julianna must come to terms with her new place in the world...because refusing a command from the god of vengeance is not a viable choice.

“A hard-hitting sermon on the racial divide, directed specifically to a white congregation.” —Kirkus Reviews, starred review A New York Times, Los Angeles Times, Washington Post, and Boston Globe Bestseller As the country grapples with racial division at a level not seen since the 1960s, Michael Eric Dyson’s voice is heard above the rest. In Tears We Cannot Stop, a provocative and deeply personal call or change, Dyson argues that if we are to make real racial progress, we must face difficult truths, including being honest about how Black grievance has been ignored, dismissed, and discounted. In the tradition of James Baldwin’s The Fire Next Time—short, emotional, literary, powerful—this is the book that all Americans who care about the current and long-burning crisis in race relations need to read. Praise for Tears We Cannot Stop Named a Best/Most Anticipated Book of 2017 by: The Washington Post • Bustle • Men’s Journal • The Chicago Reader • StarTribune • Blavity• The Guardian • NBC New York’s Bill’s Books • Kirkus Reviews • Essence “Elegantly written and powerful in several areas: moving personal recollections; profound cultural analysis; and guidance for moral redemption. A work to relish.” —Toni Morrison “Here’s a sermon that’s as fierce as it is lucid . . . If you’re black, you’ll feel a spark of recognition in every paragraph. If you’re white, Dyson tells you what you need to know—what this white man needed to know, at least. This is a major achievement. I read it and said amen.” —Stephen King “One of the most frank and searing discussions on race . . . a deeply serious, urgent book, which should take its place in the tradition of Baldwin’s The Fire Next Time and King’s Why We Can’t Wait.” —The New York Times Book Review

"The portrait that emerges is one in which people are much more sensually, intimately, and aesthetically bound up in the landscapes of their lives than previous scientific studies would suggest. In fact, Katz argues that emotions are most directly understood as transformations of the ongoing aesthetic foundations of the self."--BOOK JACKET.

A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.

Called “powerful and provocative" by Dr. Ibram X. Kendi, author of the New York Times bestselling How to be an Antiracist, this explosive book of history and cultural criticism reveals how white feminism has been used as a weapon of white supremacy and patriarchy deployed against Black and Indigenous women, and women of color. Taking us from the slave era, when white women fought in court to keep “ownership” of their slaves, through the centuries of colonialism, when they offered a soft face for brutal tactics, to the modern workplace, White Tears/Brown Scars tells a charged story of white women’s active participation in campaigns of oppression. It offers a long overdue validation of the experiences of women of color. Discussing subjects as varied as The Hunger Games, Alexandria Ocasio–Cortez, the viral BBQ Becky video, and 19th century lynchings of Mexicans in the American Southwest, Ruby Hamad undertakes a new investigation of gender and race. She shows how the division between innocent white women and racialized, sexualized women of color was created, and why this division is crucial to confront. Along the way, there are revelatory responses to questions like: Why are white men not troubled by sexual assault on women? (See Christine Blasey Ford.) With rigor and precision, Hamad builds a powerful argument about the legacy of white superiority that we are socialized within, a reality that we must apprehend in order to fight. "A stunning and thorough look at White womanhood that should be required reading for anyone who claims to be an intersectional feminist. Hamad’s controlled urgency makes the book an illuminating and poignant read. Hamad is a purveyor of such bold thinking, the only question is, are we ready to listen?" —Rosa Boshier, The Washington Post

The action-packed third book in the Dragonships fantasy series by New York Times bestselling authors Weis and Hickman

NEW YORK TIMES BESTSELLER Troy Turner and Rand Duchay were barely teenagers when they murdered a younger child. While Troy died violently behind bars, the hulking, slow-witted Rand managed to survive his stretch. Now, at age twenty-one, he’s emerged a haunted, rootless man with a pressing need: to talk—once again—with psychologist Alex Delaware. But when Rand’s life comes to a brutal end, his words die with him. LAPD homicide detective Milo Sturgis suspects that either karma or revenge caught up with Rand, but Delaware’s suspicions run darker. As Delaware and Sturgis retrace their steps through a grisly murder case that devastated a community, they discover madness, suicide, and even uglier truths waiting to be unearthed. And the nearer they come to understanding an unspeakable crime, the more harrowingly close they get to unmasking a monster hiding in plain sight. BONUS: This edition contains an excerpt from Jonathan Kellerman's Guilt.

Say “the Sixties” and the images start coming, images of a time when all authority was defied and millions of young Americans thought they could change the world—either through music, drugs, and universal love or by “putting their bodies on the line” against injustice and war. Todd Gitlin, the highly regarded writer, media critic, and professor of sociology at the University of California, Berkeley, has written an authoritative and compelling account of this supercharged decade—a decade he helped shape as an early president of Students for a Democratic Society (SDS) and an organizer of the first national demonstration against the Vietnam war. Part critical history, part personal memoir, part celebration, and part meditation, this critically acclaimed work resurrects a generation on all its glory and tragedy.

"Anger has a bad reputation. Many people think that it is counterproductive, distracting, and destructive. It is a negative emotion, many believe, because it can lead so quickly to violence or an overwhelming fury. And coming from people of color, it takes on connotations that are even more sinister, stirring up stereotypes, making white people fear what an angry other might be capable of doing, when angry, and leading them to turn to hatred or violence in turn, to squelch an anger that might upset the racial status quo"--