Based upon a rich array of rare documents, this book examines the local social and ethnic interest-group struggles that fueled the large-scale destruction and reconstruction of the city's former Jewish ghetto in 1887.

"A comprehensive history of the Jews of the Bohemian Lands whose goal is to narrate and analyze the Jewish experience in the Bohemian Lands as an integral and inseparable part of the development of Central Europe and its peoples from the sixteenth century to the present day"--

A poignant reflection on alienation and belonging, told through the lives of five remarkable people who struggled against nationalism and intolerance in one of Europe’s most stunning cities. What does it mean to belong somewhere? For many of Prague’s inhabitants, belonging has been linked to the nation, embodied in the capital city. Grandiose medieval buildings and monuments to national heroes boast of a glorious, shared history. Past governments, democratic and Communist, layered the city with architecture that melded politics and nationhood. Not all inhabitants, however, felt included in these efforts to nurture national belonging. Socialists, dissidents, Jews, Germans, and Vietnamese—all have been subject to hatred and political persecution in the city they called home. Chad Bryant tells the stories of five marginalized individuals who, over the last two centuries, forged their own notions of belonging in one of Europe’s great cities. An aspiring guidebook writer, a German-speaking newspaperman, a Bolshevik carpenter, an actress of mixed heritage who came of age during the Communist terror, and a Czech-speaking Vietnamese blogger: none of them is famous, but their lives are revealing. They speak to tensions between exclusionary nationalism and on-the-ground diversity. In their struggles against alienation and dislocation, they forged alternative communities in cafes, workplaces, and online. While strolling park paths, joining political marches, or writing about their lives, these outsiders came to embody a city that, on its surface, was built for others. A powerful and creative meditation on place and nation, the individual and community, Prague envisions how cohesion and difference might coexist as it acknowledges a need common to all.

Traces the history of the golem legend and its appropriations in German texts and film as well as in post-Holocaust Jewish-American fiction, comics, graphic novels, and television. First mentioned in the Book of Psalms in the Hebrew Bible, the golem is a character in an astonishing number of post-Holocaust Jewish-American novels and has served as inspiration for such varied figures as Mary Shelley’s monster in her novel Frankenstein, a frightening character in the television series The X-Files, and comic book figures such as Superman and the Hulk. In The Golem Redux: From Prague to Post-Holocaust Fiction, author Elizabeth R. Baer introduces readers to these varied representations of the golem and traces the history of the golem legend across modern pre- and post-Holocaust culture. In five chapters, The Golem Redux examines the different purposes for which the golem has been used in literature and what makes the golem the ultimate text and intertext for modern Jewish writers. Baer begins by introducing several early manifestations of the golem legend, including texts from the third and fourth centuries and from the medieval period; Prague’s golem legend, which is attributed to the Maharal, Rabbi Judah Loew; the history of the Josefov, the Jewish ghetto in Prague, the site of the golem legend; and versions of the legend by Yudl Rosenberg and Chayim Bloch, which informed and influenced modern intertexts. In the chapters that follow, Baer traces the golem first in pre-Holocaust Austrian and German literature and film and later in post-Holocaust American literature and popular culture, arguing that the golem has been deployed very differently in these two contexts. Where prewar German and Austrian contexts used the golem as a signifier of Jewish otherness to underscore growing anti-Semitic cultural feelings, post-Holocaust American texts use the golem to depict the historical tragedy of the Holocaust and to imagine alternatives to it. In this section, Baer explores traditional retellings by Isaac Bashevis Singer and Elie Wiesel, the considerable legacy of the golem in comics, Michael Chabon’s The Amazing Adventures of Kavalier and Clay, and, finally, "Golems to the Rescue" in twentieth- and twenty-first-century works of film and literature, including those by Cynthia Ozick, Thane Rosenbaum, and Daniel Handler. By placing the Holocaust at the center of her discussion, Baer illustrates how the golem works as a self-conscious intertextual character who affirms the value of imagination and story in Jewish tradition. Students and teachers of Jewish literature and cultural history, film studies, and graphic novels will appreciate Baer’s pioneering and thought-provoking volume.

Based upon a rich array of rare documents, this book examines the local social and ethnic interest-group struggles that fueled the large-scale destruction and reconstruction of the city's former Jewish ghetto in 1887.

After the Holocaust, the empty, silent spaces of bombed-out synagogues, cemeteries, and Jewish districts were all that was left in many German and Polish cities with prewar histories rich in the sights and sounds of Jewish life. What happened to this scarred landscape after the war, and how have Germans, Poles, and Jews encountered these ruins over the past sixty years? In the postwar period, city officials swept away many sites, despite protests from Jewish leaders. But in the late 1970s church groups, local residents, political dissidents, and tourists demanded the preservation of the few ruins still standing. Since the collapse of the Soviet Union in 1989, this desire to preserve and restore has grown stronger. In one of the most striking and little-studied shifts in postwar European history, the traces of a long-neglected Jewish past have gradually been recovered, thanks to the rise of heritage tourism, nostalgia for ruins, international discussions about the Holocaust, and a pervasive longing for cosmopolitanism in a globalizing world. Examining this transformation from both sides of the Iron Curtain, Michael Meng finds no divided memory along West-East lines, but rather a shared memory of tensions and paradoxes that crosses borders throughout Central Europe. His narrative reveals the changing dynamics of the local and the transnational, as Germans, Poles, Americans, and Israelis confront a built environment that is inevitably altered with the passage of time. Shattered Spaces exemplifies urban history at its best, uncovering a surprising and moving postwar story of broad contemporary interest.

In History of the Jews in the Bohemian Lands, Martin Wein traces the interaction of Czechs and Jews, but also of Christian German-speakers, Slovaks, and other groups in the Bohemian lands and in Czechoslovakia throughout the first half of the twentieth century. This period saw accelerated nation-building and nation-cleansing in the context of hegemony exercised by a changing cast of great powers, namely Austria-Hungary, France, Nazi Germany, and the Soviet Union. The author examines Christian-Jewish and inner-Jewish relations in various periods and provinces, including in Subcarpathian Ruthenia, emphasizing interreligious alliances of Jews with Protestants, such as T. G. Masaryk, and political parties, for example a number of Social Democratic ones. The writings of Prague’s Czech-German-Jewish founders of theories of nationalism, Hans Kohn, Karl W. Deutsch, and Ernest Gellner, help to interpret this history.

Was Israel founded by Czechoslovakia? A History of Czechs and Jews examines this question and the resulting findings are complex. Czechoslovakia did provide critical, secret military sponsorship to Israel around 1948, but this alliance was short-lived and terminated with the Prague Trial of 1952. Israel’s "Czech guns" were German as much as Czech, and the Soviet Union strongly encouraged Czechoslovakia’s help for Israel. Most importantly however, the Czechoslovak-Israeli military cooperation was only part of a much larger picture. Since the mid-1800s, Czechs and Jews have been systematically comparing themselves to each other in literature, music, politics, diplomacy, media, and historiography. A shared perception of similar fates of two small nations trapped between East and West, in constant existential danger, helped forge a Czech-Jewish "national friendship" amid periods of estrangement. Yet, this Czech-Jewish national friendship, an idea that can be traced from Masaryk and Kafka via Weizman and Ben Gurion to Havel and Netanyahu, was more myth than reality. Relations were often mixed and highly dependent on larger historical developments affecting Central Europe and the Middle East. As the Czech Republic emerges as Israel’s main EU ally, this book provides a timely analysis of this old-new alliance and is essential reading for students and scholars with an interest in History and Jewish Studies.

When Austria annexed Galicia during the first partition of Poland in 1772, the province's capital, Lemberg, was a decaying Baroque town. By the outbreak of the First World War in 1914, Lemberg had become a booming city with a modern urban and, at the same time, distinctly Habsburg flavor. In the process of the "long" nineteenth century, both Lemberg's appearance and the use of public space changed remarkably. The city center was transformed into a showcase of modernity and a site of conflicting symbolic representations, while other areas were left decrepit, overcrowded, and neglected. Habsburg Lemberg: Architecture, Public Space, and Politics in the Galician Capital, 1772–1914 reveals that behind a variety of national and positivist historical narratives of Lemberg and of its architecture, there always existed a city that was labeled cosmopolitan yet provincial; and a Vienna, but still of the East. Buildings, streets, parks, and monuments became part and parcel of a complex set of culturally driven politics.

Paths out of the Apocalypse uses violence as a prism through which to investigate the profound social, cultural, and political changes experienced by (post-) Habsburg Central Europe during and immediately after the Great War. It compares attitudes toward, and experiences and practices of,physical violence in the mostly Czech-speaking territories of Bohemia and Moravia, the German-speaking territories that would constitute the Republic of Austria after 1918, and the mostly German-speaking region of South Tyrol. Based on research in national and local archives and copious secondaryliterature, the study argues that, in the context of total war, physical violence became a predominant means of conceptualizing and expressing social-political demands as well as a means of demarcating various notions of community and belonging. The authors apply an interdisciplinary understandingof violence informed by sociological and psychological theories as well as by rigorous empirical historiographical approach. First, they examine the most severe kind of physical violence - murder - against the backdrop of shifting scientific and media discourses during the war and its immediateaftermath. Second, the authors use numerous cases of collective violence, ranging from less serious everyday conflicts to massive hunger demonstrations and riots, to unravel its 'language', thus deciphering the attitudes and values shared among an ever-growing group of perpetrators. Paths out of theApocalypse thus fundamentally rethinks some key topics currently debated in the scholarship on early twentieth-century Central Europe, the First World War, violence, nationalism, and modern European comparative social and cultural history.