"Taxidermy without a Teacher" by Walter Porter Manton is a comprehensive guide that provides step-by-step instructions for preparing and preserving birds, animals, and fishes. Perfect for beginners, it offers expert techniques, tips, and insights, helping readers explore the taxidermy world.

DigiCat Publishing presents to you this special edition of "Taxidermy without a Teacher" (Comprising a Complete Manual of Instruction for Preparing and Preserving Birds, Animals and Fishes) by Walter Porter Manton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Taxidermy and the Gothic: The Horror of Still Life is the first extended study of the Gothic’s collusion with taxidermy. It tells the story of the emergence in the long nineteenth century of the twin golden ages of the Gothic genre and the practice of taxidermy, and their shared rhetorical and narratological strategies, anxieties, and sensibilities. It follows the thread into twentieth- and twenty-first-century culture, including recent horror film, fiction, television, and visual arts to argue that the Gothic and taxidermy are two discursive bodies, stuffed and stitched together. Moving beyond the well-worn path that treats taxidermy as a sentimental art or art of mourning, this book takes readers down a new dark trail, finding an overlooked but rich tradition in the Gothic that aligns it with the affective and corporeal work of horror and the unsettling aesthetics, experiences, and pleasures that come with it. Over the course of four chapters, it argues that in addition to entwined origins, taxidermy’s uncanny appearance in Gothic and horror texts is a driving force in generating fear. For taxidermy embodies the phenomenological horror of stuckness, of being there. In sum, taxidermy’s imbrication with the Gothic is more than skin deep: these are rich discourses stuffed by affinities for corporeal transgressions, the uncanny, and the counterfeit.

Tales of a champion surfcaster: the education of a young woman hell-bent on following her dream and learning the mysterious and profound sport, and art, of surfcasting, on the island of Martha’s Vineyard. Janet Messineo knew from the get-go that she wanted to become a great fisherman. She knew she was as capable as any man of catching and landing a huge fish. It took years—and many terrifying nights alone on the beach in complete darkness, in search of a huge creature to pull out of the sea—for her to prove to herself and to the male-dominated fishing community that she could make her dream real. Messineo writes of the object of her obsession: striped bass and how it can take a lifetime to become a proficient striped bass fisherman; of stripers as nocturnal feeders, hard-fighting, clever fish that under the cover of darkness trap bait against jetties or between fields of large boulders near shorelines, or, once hooked, rub their mouths against the rocks to cut the line. She writes of growing up in Lawrence, Massachusetts, and Salem, New Hampshire, the granddaughter of textile mill workers, tagging along with her father and brother as they cast off of jetties; of going to art school, feeling from a young age the need to escape, and finding herself, one summer, on the Vineyard. She describes the series of jobs that supported her fishing—waitressing at the Black Dog, Helios, and the Home Port, among other restaurants. She writes of her education in patience and the technique to land a fish; learning the equipment—hooks, sinkers, her first squid jig; buying her first one-ounce Rebel lure. She re-creates the thrill of fishing at night, of being buffeted by the island’s harsh winds and torrential rains; the terror of hooking something mysterious in the darkness that might pull her into water over her head. She gives us a rich portrait of island life and writes of its history and of Chappaquiddick’s (it belonged to the Wampanoags, who originally called it Cheppiaquidne—“separate island”); of the Martha’s Vineyard Derby: its beginning in 1946 as a way to bring tourism to the island during the offseason, and the Derby’s growing into one of the largest tournaments in the world. Messineo describes her dream of becoming a marine taxidermist, of learning the craft and perfecting the art of it. She writes of the men she’s fished with and the women who forged the path for others (among them, Lorraine “Tootie” Johnson, who fished Vineyard waters for more than sixty years, and Lori VanDerlaske, who won the Derby shore division in 1995). And she writes of her life commingled with fishing—her marriage to a singer, poet, activist; their adopting a son with Asperger’s; and her teaching him to fish. She writes of the transformative power of fishing that helped her to shake off drugs and alcohol, and of her profound respect for fish as a magnificent animal. With eighteen of the author’s favorite fish recipes, Casting into the Light is a book about following one’s dreams and about the quiet reckoning with self in the long hours of darkness at the water’s edge, with the sounds of the ocean, the night air, and the jet-black sky.