Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

. Renewal of Life by Transmission. The most notable distinction between living and inanimate things is that the former maintain themselves by renewal. A stone when struck resists. If its resistance is greater than the force of the blow struck, it remains outwardly unchanged. Otherwise, it is shattered into smaller bits. Never does the stone attempt to react in such a way that it may maintain itself against the blow, much less so as to render the blow a contributing factor to its own continued action. While the living thing may easily be crushed by superior force, it none the less tries to turn the energies which act upon it into means of its own further existence. If it cannot do so, it does not just split into smaller pieces (at least in the higher forms of life), but loses its identity as a living thing. As long as it endures, it struggles to use surrounding energies in its own behalf. It uses light, air, moisture, and the material of soil. To say that it uses them is to say that it turns them into means of its own conservation. As long as it is growing, the energy it expends in thus turning the environment to account is more than compensated for by the return it gets: it grows. Understanding the word "control" in this sense, it may be said that a living being is one that subjugates and controls for its own continued activity the energies that would otherwise use it up. Life is a self-renewing process through action upon the environment.

A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

A beautifully told and intriguing mystery about two generations of Scottish women united by blood, an obsession with the past, and a long-hidden body, from the author of The House Between Tides. Libby Snow has always felt the pull of Ullaness, a headland on Scotland’s sea-lashed western coast where a legend has taken root. At its center is Ulla, an eighth-century Norsewoman whose uncertain fate was entangled with two warring brothers and a man who sought to save her. Libby first heard the stories from her grandmother, who had learned it from her own forebear, Ellen, a maid at Sturrock House. The Sturrocks have owned the land where Ulla dwelled for generations, and now Libby, an archaeologist, has their permission to excavate a mysterious mound, which she hopes will cast light on the legend’s truth. But before she can begin, storms reveal the unexpected: the century-old bones of an unidentified man. The discovery triggers Libby’s memories of family stories about Ellen, of her strange obsession with Ulla, and of her violent past at Sturrock House. As Libby digs deeper, she unravels a recurring story of love, tragedy, and threads that bind the past to the present. And as she learns more of Rodri Sturrock, the landowner’s brother, she realizes these forces are still at work, and that she has her own role to play in Ulla’s dark legend.

"Soul's Beauty" is an anthology curated by Mariya, featuring a collection of captivating and thought-provoking pieces that delve into the depths of the human soul. This anthology explores the beauty that lies within each individual, showcasing a diverse range of perspectives and emotions. From poignant poetry to poignant prose, each piece in this anthology is a testament to the unique and multifaceted nature of the human spirit. Prepare to be moved, inspired, and reminded of the inherent beauty that resides within us all.

These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.