An unexpected experience that takes place during a professional exchange and I find myself living the sex stories of others, secretly spying on them and participating in their pleasure. I never expected to experience situations where sexual intercourse takes place before my eyes and inside my ears, a few days and the encounters multiply making me experience moments of great sexual intensity and discover sensations such as to enjoy myself like the others . ​​​​​​​NO READING FOR MINORS

The controversial chronicle of a motel owner who secretly studied the sex lives of his guests by the renowned journalist and author of Thy Neighbor’s Wife. On January 7, 1980, in the run-up to the publication of his landmark bestseller Thy Neighbor’s Wife, Gay Talese received an anonymous letter from a man in Colorado. “Since learning of your long-awaited study of coast-to-coast sex in America,” the letter began, “I feel I have important information that I could contribute to its contents or to contents of a future book.” The man—Gerald Foos—hen divulged an astonishing secret: he had bought a motel outside Denver for the express purpose of satisfying his voyeuristic desires. Underneath its peaked roof, he had built an “observation platform” through which he could peer down on his unwitting guests. Over the years, Foos sent Talese hundreds of pages of notes on his guests, work that Foos believed made him a pioneering researcher into American society and sexuality. Through his Voyeur’s motel, he witnessed and recorded the harsh effects of the war in Vietnam, the upheaval in gender roles, the decline of segregation, and much more. In The Voyeur’s Motel. “the reader observes Talese observing Foos observing his guests.” An extraordinary work of narrative journalism, it is at once an examination of one unsettling man and a portrait of the secret life of the American heartland over the latter half of the twentieth century (Daily Mail, UK). “This is a weird book about weird people doing weird things, and I wouldn’t have put it down if the house were on fire.” —John Greenya, Washington Times

The Blue Split Compartments is a complex and powerful sequence of lyric poems exploring the relationships between military drone operators and their victims. Drawing on chatroom logs, military policy manuals, pattern of life archives, and accounts by witnesses around the world, these poems document the consequences of the perpetual and 'everywhere war.' With its sophisticated interplay of diction, rhetoric, syntax, positioning, allusion, and sonic quality, this book offers a linguistically virtuosic and deeply humane x-ray of the discursive and militaristic systems that join us in mutual dissolution. Excerpt from "Opened" This is the box, frozen against hierarchy at a value of some $10m, simply a form of being; surgeon's box, patient's wound, an idea of enclosure that can fit any medium. The gaze is on the side of things. The angel of evil could not have done that. A child is in heaven. The box is empty, saying nothing but "construction." It really is like swatting flies; we can do it forever easily and you feel nothing.

Andy Cohan, a computer geek fresh out of college, lands a job as a virtual reality programmer at United States Satellite Television, America’s largest HDTV provider. Learning that USS-TV will provide a massive bonus to any employee who comes up with a new blockbuster reality television show and wanting to impress the co-worker who’s won his heart, Andy creates the reality series “By the People.” “By the People” is catapulted to success with Andy’s Video Ion Refractor (VIR), a device that intercepts video ion radiation from HDTV, uses it to identify the viewer, and sends the information back to USS-TV’s master computer. The VIR then identifies whether the viewer is a registered voter. Unlike the Internet, VIR information cannot be hacked, which means people can safely, securely, and conveniently vote in political elections through their TV set. Beyond the show, the implications for Andy’s technology are mind-boggling. VIR could empower ordinary American citizens to take the government away from the politicians and turn it back over to the people who can keep a watchful eye on the state of the nation and vote, right on the spot, about what they want done. What begins as one young man’s simple attempt to snag a bonus and get the girl could end in Andy gaining the potentially unenviable power to control the destiny of the entire world.

The seventies in Seattle: XXX-rated theatres on First Avenue and a dramatic economic meltdown that swamped the street activism of the sixties and led to the famous billboard lament: Will the last person leaving Seattle turn out the lights. The blonde with blatant curves sheathed in a green wool dress hired Eddie Hummel for a job that seemed nuttier than a boatload of pecans headed for Brazil. But it was too wet in the Rainy City for any husbands to be straying, and his creditors were making strained noises in their collection departments. Before it was over he would be knee-deep in bodies....

This book is the story of L. J. Shwartz's journey from childhood through physical, emotional, and sexual abuse; years of sexual addiction; and subsequent recovery in his early forties. About the Author L. J. Schwartz resides in Ft. Lauderdale, Florida, with his wife and two pugs. He is currently sponsoring other addicts with their recovery. He also created and monitors an internet website for sex addiction: www.recoverymonologue.com

Written by an expert in media, popular culture, gender, and sexuality, this book surveys the common archetypes of Internet users—from geeks, nerds, and gamers to hackers, scammers, and predators—and assesses what these stereotypes reveal about our culture's attitudes regarding gender, technology, intimacy, and identity. The Internet has enabled an exponentially larger number of people—individuals who are members of numerous and vastly different subgroups—to be exposed to one other. As a result, instead of the simple "jocks versus geeks" paradigm of previous eras, our society now has more detailed stereotypes of the undesirable, the under-the-radar, and the ostracized: cyberpervs, neckbeards, goths, tech nerds, and anyone with a non-heterosexual identity. Each chapter of this book explores a different stereotype of the Internet user, with key themes—such as gender, technophobia, and sexuality—explored with regard to that specific characterization of online users. Author Lauren Rosewarne, PhD, supplies a highly interdisciplinary perspective that draws on research and theories from a range of fields—psychology, sociology, and communications studies as well as feminist theory, film theory, political science, and philosophy—to analyze what these stereotypes mean in the context of broader social and cultural issues. From cyberbullies to chronically masturbating porn addicts to desperate online-daters, readers will see the paradox in popular culture's message: that while Internet use is universal, actual Internet users are somehow subpar—less desirable, less cool, less friendly—than everybody else.

In this dystopian novel set in the 2030s, a man suffering from a gunshot wound is trying to remember what happened to him in the years since Trump got elected. Fimple is an alcoholic psychological counselor suffering from post-traumatic amnesia. As he recovers in the hospital, he tries to reconstruct his past, but can’t recognize the America his country has become. As his memory slowly returns, he realizes the hospital is owned by his half-uncle, a Trump-like corporatist who wants to run for president and has hired Fimple to babysit three sexually addicted young people to keep them out of the news. This is necessary because a sex scandal in the evangelical right-wing post-Trump era could weaken his run for president. But in counseling the three young addicts locked up in a halfway house, Fimple comes to love them. When they beg him to set them free, he is tempted. Fimple can’t afford to lose his job, but feels morally obligated to aid in their escape. What should he do? “While Walker’s prose is never flashy, his careful grounding of details and patient efforts in constructing character and setting create a universe of flaws and possibilities, and his stories unfold with a cumulative, occasionally wrenching emotional effect.” – Kirkus review of Tom Walker’s book Signed Confessions (2013)

What should be a cozy cottage weekend for Ellie and Neil Patterson turns nightmarish after a friendly encounter with their new neighbour leads to their violent kidnapping. Insisting he’s Ellie’s soulmate, the stranger gives her three chances to say his name.

Domestic servitude is a widespread phenomenon in countries like India, Pakistan, Sri Lanka, where even lower-middle class homes rely on domestic workers (mostly women and children). While social scientists have begun to study this unregulated and exploitative "informal sector," literary critics have not paid attention to servants in South Asian literatures or examined their political or literary significance. Postcolonial Servitude argues that a new generation of writers has begun to rethink this culture of servitude and to devise new forms of writing designed to prompt change in normalized ways of seeing and being. It is the first to offer a sustained exploration of servitude and servants in South Asian English literature, from the early 20th century to the present.