Ranging from Chretien de Troyes to Shakespeare, this study proposes that the chivalric romance is characterized by a centerless structure, self-conscious fictionality and a propensity for irony. The form is tied to historical reality, yet represents the archetype of imaginative literature, declaring its fictional status without claiming to embody fixed truths. Through use of irony, the chivalric romance precludes conclusive interpretations, inviting readers to inhabit multifold fantasy worlds while uncompromisingly showing that an ideal world is only a fiction. Thus the reader is enjoined to confront the suspension of truth in their own lives.

Philothée O'Neddy, one of the most flamboyant and outspoken members of the defiantly and insistently eccentric group of French writers known as the Jeunes France, whose members included Théophile Gautier, Petrus Borel and Gérard de Nerval, produced little fiction during his lifetime, but that he did produce was of the highest order. His longest prose work, Histoire d'un anneau enchanté, roman de chevalerie (1841), here translated into English for the first time by Brian Stableford as The Enchanted Ring: A Romance of Chivalry is one of the most remarkable products of the French Romantic imagination. Although the proto-Baudelairean aspects of the author's collection of poetry Feu et flamme have helped to maintain that volume's reputation at a higher level, Histoire d'un anneau enchanté, roman de chevalerie has an equal claim to be considered its author's masterpiece, with its marked unconventionality and admirable zest, which maintain its readability very well into the twenty-first century.

Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.

The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."

Eisenberg's book dealing with the Spanish Romances of chivalry, the most popular fiction of the Spanish Renaissance, and the preferred reading of Don Quijote, is finally back in print. Originally published in 1982, this important work has been out of print for a number of years. "Dan Eisenberg's work is our best source of knowledge about the Spanish romances of chivalry." -Sydney P. Cravens Texas Tech University "Daniel Eisenberg tiene un profundo conocimiento de los secretos de los libros de caballermas." -Martmn de Riquer Real Academia Espaqola

Follows Sir Launcelot of the Round Table as he rescues Queen Guinevere, fights in the tournament at Astolat and pursues other adventures.

Some of the most fascinating and exciting stories about King Arthur and his knights have been almost completely overlooked. The Book of Arthur offers an extensive selection of these forgotten tales with an introduction detailing their origins and their place in the Arthurian tradition.

Re-tells the epic sagas of King Arthur, Roland, William Short Nose, Diarmid, Robin Hood, Wayland the Smith, and Grettir the Strong.