There are a million tales of the Mythos. Here are some of mine.” - C.T. Phipps Author C.T. Phipps wrote the post-apocalypse meets H.P. Lovecraft novel Cthulhu Armageddon in 2015 but he had been a fan of the Cthulhu Mythos for far longer. Having written stories ranging from Assassins in Acre to detectives in the Dreamlands, he’s tackled every part of the sinister tentacle-filled world that has been influenced by authors ranging from authors Robert E. Howard and Brian Lumley to film directors George Miller and Stuart Gordon. TALES OF AN ELDRITCH WASTELAND collects over a dozen of his short stories, novelettes, and novellas set both before as well as after the Great Old Ones’ rising. Stories of action, horror, and everything in between. “I’m a sucker for anything C.T. Phipps. I can’t get enough of his style of writing.” - Brian’s Book Blog “Dark and sinister with a side order of action.” - The Bookwyrm Speaks “Phipps [...] should appeal to those who like full kitchen sink Cthulhu Mythos stories and the attendant sports of restructuring the Mythos.” - Marzaat.com

"Give me the incredibly short summary of what the hell is going on, please. The kind you could fit into a movie trailer." “You’re trapped in a video game world based on a hack dark fantasy author’s rip-off of better books.” “Uh huh. Maybe you could be a bit more detailed.” Aragorn "Aaron" Bartkowski was a programmer working at Epic DungeoneeringTM, the world's largest fantasy video game company. Much to his surprise, he was selected to pick up the latest manuscript from reclusive author Larry C.C. Weis. Weis had been working on his newest book for over a decade and the good folk at Aaron's company had dibs on adapting it. Unfortunately, Weis was also a wizard and sent Aaron to the world that inspired his books. Aaron proceeded to find himself in a Slavic mythology themed world where he's believed to be Weis' main character, Garland of Nowhere. Equipped with the powers of a RPG protagonist, Aaron must accumulate experience and equipment while navigating a setting that seems worse off than Game of Thrones and Dark Souls put together. LORDS OF DRAGON KEEP is a LitRPG progression fantasy isekai that takes the grim out of grimdark with biting humor as well as intelligent exploitation of the rules. It has excellent world-building, a great supporting cast, a bit of romance, and lots of laughs. Oh and there's a talking raven.

The Cthulhu Mythos lives on in series Danforth: Eldritch Tales of WWII. In this Lovecraftian tale of horror and espionage, Tomb of the Black Pharaoh follows Robert B. Danforth, a former Miskatonic University scholar still reeling from the horrific events in At the Mountains of Madness. Now part of the newly formed Office of the Coordinator of Information (COI) - the predecessor of the soon-to-be Office of Strategic Services (OSS) - Danforth is dispatched to Cairo to thwart a Nazi plot to recover the Talisman of the Nephren-ka, buried deep within the tomb of the Black Pharaoh. Said to grant unspeakable power, the artifact could tip the scales of World War II in the Nazis' favor. As Danforth delves into the ancient tomb, he faces cults devoted to Nephren-ka, Nazi occultists, and cosmic horrors that strain the limits of his sanity. Danforth must battle not only the looming threat of the Nazis but also the terrifying implications of the Amulet’s power. As eldritch forces close in and the boundaries between reality and madness begin to crumble, Danforth realizes the cost of failure may be far greater than even the war—humanity itself may be at stake. This heart-pounding mix of Lovecraftian horror and historical espionage will captivate fans of cosmic terror and WWII thrillers alike, immersing readers in a world where ancient gods and modern warfare collide in a fight for ultimate power.

As both an extra-terrestrial and a terrestrial migrant, the alien provides a critical framework to help us understand the interactions between cultures and to explore the transgressive force of travel over geographical, cultural or linguistic borders. Offering a perspective on the alien that connects to scholarship on immigration and globalization, Alien Imaginations brings together canonical and contemporary works in the literature and cinema of science fiction and transnationalism. By examining the role of the alien through the themes of language, anxiety and identity, the essays in this collection engage with authors such as H.G. Wells, Eleanor Arnason, Philip K. Dick and Yoko Tawada as well as directors such as Neill Blomkamp, James Cameron and Michael Winterbottom. Focusing on works that are European and North American in origin, the readings in this volume explore their critical intent and their potential to undermine many of the central notions of Western hegemonic discourses. Alien Imaginations reflects upon contemporary cultural imaginaries as well as the realities of migration, labor and life, suggesting models of resistance, if not utopian horizons.

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor. Join us for a collection of novellas written by some of the best Neo-Lovecraftian authors today: Matthew Davenport (Andrew Doran, The Trials of Obed Marsh), David Hambling (Harry Stubbs, The Dulwich Horror), David J. West (Porter Rockwell, Redneck Eldritch), David Niall Wilson (The Call of Distant Shores), and C.T. Phipps (Cthulhu Armageddon) in telling stories of this mysterious book. Find out where the nightmares began!

When he died in 1937, destitute and emotionally as well as physically ruined, H. P. Lovecraft had no idea that he would one day be celebrated as the godfather of modern horror. A dark visionary, his work would influence an entire generation of writers, including Stephen King, Clive Barker, Neil Gaiman, and Anne Rice. Now, the most important tales of this distinctive American storyteller have been collected in a single volume by National Book Award-winning author Joyce Carol Oates. In tales that combine the nineteenth-century gothic sensibility of Edgar Allan Poe with a uniquely daring internal vision, Lovecraft fuses the supernatural and mundane into a terrifying, complex, and exquisitely realized vision, foretelling a psychically troubled century to come. Set in a meticulously described New England landscape, here are harrowing stories that explore the total collapse of sanity beneath the weight of chaotic events—stories of myth and madness that release monsters into our world. Lovecraft's universe is a frightening shadow world where reality and nightmare intertwine, and redemption can come only from below.

***TOP TEN SELECTION FOR BOOKLIST BEST OF HORROR 2016*** The Gods of H.P. Lovecraft: a brand new anthology that collects the twelve principal deities of the Lovecraftian Mythos and sets them loose within its pages. Featuring the biggest names in horror and dark fantasy, including many NY Times bestsellers, full of original fiction and artwork, and individual commentary on each of the deities by Donald Tyson. About the book: Lovecraft's bestiary of gods has had a major influence on the horror scene from the time these sacred names were first evoked. Cthulhu, Azathoth, Nyarlathotep, Yog-Sothoth--this pantheon of the horrific calls to mind the very worst of cosmic nightmares and the very darkest signs of human nature. The Gods of H.P. Lovecraft brings together twelve all-new Mythos tales from: Cthulhu (Adam Nevill) - Yog-Sothoth (Martha Wells) - Azathoth (Laird Barron) - Nyarlathotep (Bentley Little) - Shub-Niggurath (David Liss) - Tsathoggua (Brett Talley) - The Mi-Go (Christopher Golden & James A. Moore) - Night-gaunts (Jonathan Maberry) - Elder Things (Joe Lansdale) - Great Race (Rachel Caine) - Yig (Douglas Wynne) - The Deep Ones (Seanan McGuire)

The title story of this collection — a devilishly ironic riff on H. P. Lovecraft’s “Pickman’s model” — was nominated for a World Fantasy Award, while “Probiscus” was nominated for an International Horror Guild award and reprinted in The Year’s Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

For more than a century, Mars has been at the center of debates about humanity’s place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s. Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers—H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril—responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.

An anthology prepared in tribute to the career of Jack Vance features original tales inspired by "The Dying Earth" and includes contributions by such genre masters as Neil Gaiman, Tanith Lee, and Robert Silverberg.