Behind the scenes of America’s first TV war. “With the proliferation of televisions, news networks strived to have the most exciting, dramatic, and attractive stories. They competed for the finest reporters, highest-rated equipment, and largest number of viewers. … For the first time in American history, the news from the front lines was brought straight into the living room.” - Jessie Kratz, Historian of the National Archives As American families sat down for dinner in front of their TV sets 50 years ago, horrific stories from Vietnam flashed across the screen. It was one of the country’s bloodiest conflicts and we had a front-row seat 10,000 miles away Vietnam has been the subject of hundreds of books, movies and commentaries for decades. But we know little about how these stories were gathered and told, nor about the men and women who risked everything to tell them. Our gaze back then was on the fighting at a time when the war everyone hated and feared reached a climax. “Tales from Monkey Mountain: Stories of the Vietnam War” is a different account of Vietnam. It is a war seen through the eyes of a young Navy press escort officer stationed in DaNang, not far from the Demilitarized Zone separating the Vietnamese north and south. Mike Hoyt became immersed in almost every aspect of the war and in the telling of its stories. A trained journalist, Hoyt takes us into the heart of the conflict for a rare look behind the scenes at how the news media went about covering the fighting. “Tales from Monkey Mountain” takes us on a journey through the strange, uncharted waters of news gathering in combat. We follow Hoyt down dangerous rivers, into smoky bars, through enemy attacks, onto the flight decks of aircraft carriers, on Swift Boats and river patrols, lumbering Navy supply boats dodging mines and into furious Naval gunfire support missions on the South China Sea. We glimpse the inner world of Vietnam and its remote, ancient villages and hamlets with names such as Cua Viet, Dong Ha, Quang Tri, Hoi An, Chu Lai and Tam Toa. There are stories of killing and hardship, of love and kindness, of unbridled heroism, of loss and laughter in a war-torn place that changed America forever. Through a series of often humorous vignettes, Hoyt pulls back the curtain on a war that was never liked or understood. You’ll climb aboard patrol boats, helicopters and ships as warfighters go about the job of confronting a fierce enemy who could kill from a passing motorbike. It delivers a firsthand look at the uncertain life and times of reporters and those who accompanied them into and around the battlefield. This is a yet untold story filled with irony, fleeting terror and looming questions about life, death and survival. It is a soul-searching, often humorous, remembrance of a brutal, unforgiving time in the life of a young man confronting his own fears and a search for truth. “Tales from Monkey Mountain” probes the ironies of men fighting and dying, while others drink beer and revel in racy stage shows just miles away. It is about war at its best and worst. About ordinary men and women who were turned into heroes when they least expected it and who left part of themselves behind in a small country far away. So now, see the Vietnam War from the inside out in a way that perhaps you never imagined.

This book is a detailed study of monkey parks in Japan. It describes how the parks manage free-ranging macaque troops for touristic display and examines the various problems that arise, as well as proposals for park reform.

This Oxford companion provides an authoritative reference source for fairy tales, exploring the tales themselves, both ancient and modern, the writers who wrote and reworked them and related topics such as film, art, opera and even advertising.

These new essays explore the ways in which contemporary dramatists have retold or otherwise made use of myths, fairy tales and legends from a variety of cultures, including Greek, West African, North American, Japanese, and various parts of Europe. The dramatists discussed range from well-established playwrights such as Tony Kushner, Caryl Churchill, and Timberlake Wertenbaker to new theatrical stars such as Sarah Ruhl and Tarell Alvin McCraney. The book contributes to the current discussion of adaptation theory by examining the different ways, and for what purposes, plays revise mythic stories and characters. The essays contribute to studies of literary uses of myth by focusing on how recent dramatists have used myths, fairy tales and legends to address contemporary concerns, especially changing representations of women and the politics of gender relations but also topics such as damage to the environment and political violence.

For contents, see Author Catalog.

Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), this collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Painted Skin and Dragon Princess. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. To further enhance cultural understanding, the tales are supplemented with historical and cultural background, notes on storytelling, crafts and games, recipes, proverbs, color photos, a map, a glossary, and more. In the past decades, the doors between China and the West have been flung open. Explosive economic growth and massive increases in travel and immigration have engendered curiosity and interest in this burgeoning nation. Yet modernization has a dark side too, threatening traditional Chinese culture, including stories and storytelling. This new gathering of stories from a variety of sources, captures the fading storytelling traditions of a vast and diverse country. Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), the collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Dragon Princess and Painted Skin. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. Tales are organized into seven sections: Animal Tales; Tales of Magic, Love and Romance; Myths, Legends and Immortals; Moral Stories; How Things Came to Be; and Proverbial Tales. To further enhance cultural understanding, the stories are supplemented with historical and cultural background, notes on storytelling and other folk traditions, recipes, proverbs, color photos, a map, a glossary, and more. All grade levels.

Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points. In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.

A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.

The Caribbean islands have a vibrant oral folklore. In Jamaica, the clever spider Anansi, who outsmarts stronger animals, is a symbol of triumph by the weak over the powerful. The fables of the foolish Juan Bobo, who tries to bring milk home in a burlap bag, illustrate facets of traditional Puerto Rican life. Conflict over status, identity and power is a recurring theme--in a story from Trinidad, a young bull, raised by his mother in secret, challenges his tyrannical father who has killed all the other males in the herd. One in a series of folklore reference guides by the author, this volume shares summaries of 438 tales--some in danger of disappearing--retold in English and Creole from West African, European, and slave indigenous cultures in 24 countries and territories. Tales are grouped in themed sections with a detailed subject index and extensive links to online sources.

Charles Chesnutt (1858-1932) was the first African American writer of fiction to win the attention and approval of America's literary establishment. Looking anew at Chesnutt's public and private writings, his fiction and nonfiction, and his well-known and recently rediscovered works, Dean McWilliams explores Chesnutt's distinctive contribution to American culture: how his stories and novels challenge our dominant cultural narratives--particularly their underlying assumptions about race. The published canon of Chesnutt's work has doubled in the last decade: three novels completed but unpublished in Chesnutt's life have appeared, as have scholarly editions of Chesnutt's journals, his letters, and his essays. This book is the first to offer chapter-length analyses of each of Chesnutt's six novels. It also devotes three chapters to his short fiction. Previous critics have read Chesnutt's nonfiction as biographical background for his fiction. McWilliams is the first to analyze these nonfiction texts as complex verbal artifacts embodying many of the same tensions and ambiguities found in Chesnutt's stories and novels. The book includes separate chapters on Chesnutt's journal and on his important essay "The Future American." Moreover, Charles W. Chesnutt and the Fictions of Race approaches Chesnutt's writings from the perspective of recent literary theory. To a greater extent than any previous study of Chesnutt, it explores the way his texts interrogate and deconstruct the language and the intellectual constructs we use to organize reality. The full effect of this new study is to show us how much more of a twentieth-century writer Chesnutt is than has been previously acknowledged. This accomplishment can only hasten his reemergence as one of our most important observers of race in American culture.