When Joshua Samuel Brown first stepped out of the passenger terminal at Chiang Kai-shek International Airport in Taiwan, he was a stranger in a humid land with insufficient funds, zero job prospects and an over-packed suitcase. Like much else in his life up to that point, his decision to move to Taiwan was based largely on random occurrence and cosmic coincidence. He was twenty-four years old, thousands of miles away from home, and at that moment the happiest man alive. This anthology of short stories, travel essays, photographs, random meditations, and political meanderings grew out of his years on the island formerly known as Formosa.

A collection of eight short stories about different aspects of life in Taiwan.

"Taiwan's peaceful and democratic society is built upon on decades of authoritarian state violence that it is still coming to terms with. Following 50 years of Japanese colonization, Taiwan was occupied by the Chinese Nationalist Party (KMT) at the close of World War II in 1945. The party massacred thousands of Taiwanese while it established a military dictatorship on the island with the tacit support of the United States. Although early episodes of state violence (such as the 228 Incident in 1947) and post-1980s democratization in Taiwan have received a significant amount of literary and scholarly attention, relatively less has been written or translated about the White Terror and martial law period, which began in 1949. The White Terror was aimed at alleged proponents of Taiwanese independence as well as supposed communist collaborators wiped out an entire generation of intellectuals. Both native-born Taiwanese as well as mainland Chinese exiles were subject to imprisonment, torture, and execution. During this time, the KMT institutionally favored mainland Chinese over native-born Taiwanese and reserved most military, educational, and police positions for the former. Taiwanese were forcibly "re-educated" as Chinese subjects. China-centric national history curricula, forced Mandarin-language pedagogy and media, and the re-naming of streets and public spaces after places in China further enforced a representational regime of Chineseness to legitimize the authority of the KMT, which did not lift martial law until 1987. Taiwan's contemporary commitment to transitional justice and democracy hinges on this history of violence, for which this volume provides a literary treatment as essential as it is varied. This is among the first collection of stories to comprehensively address the social, political, and economic aspects of White Terror, and to do so with deep attention to their transnational character. Featuring contributions from many of Taiwan's most celebrated authors, and written in genres that range between realism, satire, and allegory, it examines the modes and mechanisms of the White Terror and party-state exploitation in prisons, farming villages, slums, military bases, and professional communities. Transitions in Taiwan: Stories of the White Terror is an important book for Taiwan studies, Asian Studies, literature, and social justice collections. This book is part of the Literature from Taiwan Series, in collaboration with the National Museum of Taiwan Literature and National Taiwan Normal University"--

Although there are many collections of Chinese folktales, few if any focus specifically on the tales of Taiwan, which have evolved in a tradition separate and distinct from that of mainland China. This wonderful sampling of more than 20 Taiwanese tales will appeal to all ages, illuminating Taiwanese culture and demonstrating Taiwanese values and ethics. In addition, readers will find a brief history of the island, discussion questions, and activity ideas to extend learning and enjoyment, as well as simple Taiwanese recipes, color photos, and traditional drawings. Stories can be read aloud to younger students, while older children will enjoy reading and performing them on their own. This delightful introduction to Taiwanese traditions is a superb educational tool, and a great addition to the storytelling shelf. Grades K-12.

Although there are many collections of Chinese folktales, few if any focus specifically on the tales of Taiwan, which have evolved in a tradition separate and distinct from that of mainland China. This wonderful sampling of more than 20 Taiwanese tales will appeal to all ages, illuminating Taiwanese culture and demonstrating Taiwanese values and ethics. In addition, readers will find a brief history of the island, discussion questions, and activity ideas to extend learning and enjoyment, as well as simple Taiwanese recipes, color photos, and traditional drawings. Stories can be read aloud to younger students, while older children will enjoy reading and performing them on their own. This delightful introduction to Taiwanese traditions is a superb educational tool, and a great addition to the storytelling shelf. Grades K-12.

What is it like living under an oppressive regime? How does an individual survive it? Should one rebel or compromise? What will be the consequences of resisting the power, and what will be the price of obeying it? Taiwan had been under the rule by Martial Law for 38 years(1949-1987), during this period of time, all publications were under strict censorship, public gatherings must apply for permits in advance, opinions against the ruler were silenced, demands for democracy were repressed. Worst of all, dissidents were persecuted. The 13 stories in this book are about the lives of ordinary people without freedom of expression or complete political rights, and what decisions they might make while faced with a dilemma. Additionally, these stories investigate the role of literary works in a society with all kinds of political taboos.

Chinese Children's Favorite Stories is a delightful selection of thirteen Chinese folktales as retold by author and illustrator Mingmei Yip. Inspired by her beloved father's nightly story-telling when she was a child, Yip hopes that by retelling some of these thousand-year-old Chinese stories she can pass along Chinese folklore and fables to international readers of all ages. These beautifully illustrated tales give children in other countries a glimpse into the traditions and culture of China, while emphasizing universal lessons about being kind and successfully overcoming obstacles. Readers will encounter many delightful characters--from an angry dragon to a wise cow--in stories such as: The Dream of the Butterfly--A sweet tale about accepting who you are and fully appreciating the world around you Carp Jumping Over the Dragon Gate--A popular story about the rewards of hard work Playing the Qin for the Water Buffalo--A musical tale that highlights empathy and understanding And many more! Recommended for children ages five to ten.

Forced into the war to save their remaining territory, the indigenous peoples join the Huhui in their continuing struggle against the Shan.".

The book that has captivated millions of Chinese readers, translated into English for the very first time. 'Hypnotic . . . A record of one person's fierce refusal to follow a path laid down for her by the rest of the world' Tash Aw, Paris Review Books of the Year Sanmao: author, adventurer, pioneer. Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara. Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless. At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures. 'Every story conveys Sanmao's infectious capacity for wonder' Sharlene Teo, author of Ponti 'Has endured for generations of young Taiwanese and Chinese women' New York Times 'Ground-breaking' Geographical 'A remarkable and brave book. Sanmao was a freewheeling feminist who broke all the rules and did so with a gleeful, mischievous smile' David Eimer, South China Morning Post

"Like many states emerging from oppressive political rule, Taiwan saw a cultural explosion in the late 1980s, when four decades of martial law under the Chinese National Party ended. As a multicultural, multilingual society with a complicated history of migration and colonization, Taiwanese people met their political transformation and newfound freedom with a host of stories waiting to be told and identities longing for expression. In Renegade Rhymes, ethnomusicologist Meredith Schweig shows how rap music has become a powerful outlet for exploring the complicated ethnic, cultural, and political history of Taiwan. Schweig draws on extensive ethnographic fieldwork to explain how rap's storytelling component became such a vital tool for working out Taiwanese identity and grappling with cultural history. She takes readers to rap festivals, music video sets, hip-hop clubs, and creative collectives in which members participate in rap battles and study under an experienced teacher. As Schweig shows, MCs from marginalized ethnic groups in Taiwan seized on this music of resistance, infusing it with important aspects of their own local identities, languages, and storytelling traditions. We see how these musicians localize rap as a way to challenge longstanding political mythologies and redeem individual and community narratives from the totalizing influence of government and commercial interests. Working against holes in the educational system and a neoliberal economy, new generations of rappers have used the artform to nurture associational bonds and rehearse rituals of democratic citizenship, making a new kind of sense out of their complicated present"--