Originally published: New York: Thunder's Mouth Press, 2006.

Includes 53 Christian symbols and their meaning and historical significance.

Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.

How did a symbol such as the cross, which today is so commonly associated with Christianity, come to appear in the pre-Columbian art of Central America? Why does the crow stand for death, evil and bad luck in Europe - but signify a creative and civilising force in Native American culture? Every traditional symbol bears an elemental power that transcends boundaries and holds significance for many cultures. But the ways in which we interpret such power have varied tremendously around the world and through the ages. In Symbols and their Meanings, author and art historian Jack Tresidder explores core symbols from across global cultures, through themes common to the world's spiritual imagination. Thought-provoking and visually stunning, Symbols and their Meanings offers a uniquely accessible compendium of symbols and symbol systems, and shows how the profound messages conveyed by symbols have enriched the world's cultural and spiritual heritage.

Offers photograph illustrations and essays on numerous symbols and symbolic imagery, exploring their archetypal meanings as well as cultural and historical context for how different groups have interpreted them.

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

This wide-ranging compendium traces symbolism to its ancient roots, examining a vast variety of symbolic images.

Explores the culture, history, and psychology that lies behind a wide range of symbols.

This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the author's previous book, The Invention of Culture, is at once symbolic, philosophical, and evolutionary: meaning is a form of perception to which human beings are physically and mentally adapted. Using examples from his many years of research among the Daribi people of New Guinea as well as from Western culture, Wagner approaches the question of the creation of meaning by examining the nonreferential qualities of symbols—such as their aesthetic and formal properties—that enable symbols to stand for themselves.

According to the Ancient Egyptian Myth the hieroglyphic script was invented by the God Thoth. We all remember 1,000 distinct characters of formal writing system used by pharaohs. Now, cursive hieroglyphs were used for religious literature on papyrus and wood, this is what researchers now call “the Proto-Canaanite alphabet”, the term used for inscriptions older than around 1050 BC that later evolved into the Phoenician alphabet. Again, lots of countries, governments, scientists, religion leaders wish to claim the invention of the alphabet. What about Vinča's Neolithic (Serbian Danube) pottery scripts also found in China? Vinča's sophisticated carved statues signs, 100s of Canaan letters, Phoenicians Arabic, Ionic, Cyrillic, Aramaic, Chinese, Hebrew.