Sylvester Sound, the Somnambulist is an unchanged, high-quality reprint of the original edition of 1887. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

A collection of essays “filled with pleasantly rambling opinions about everything from self-help books to erotica” from the celebrated Canadian author (The Chronicle Journal). An urbane, robust, and wonderfully opinionated voice from Canada, sometimes called “America’s attic,” speaks here of the delights of reading, and of what mass education has done to readers today, to taste, to books, to culture. With his usual wit and breadth of vision, Robertson Davies ranges through the world of letters—books renowned and obscure, old and recent; English, Irish, Canadian, and American writers both forgotten and fondly remembered. “Sweet reason in the raiment of well-woven prose? Most assuredly. Good humor agraze over broad literary demesnes? No doubt of it. Forgotten popular favorites rescued and rehabilitated? Certainly. A parade of agreeable prejudices? He would not be a true Canadian if he did not have them. Lightheartedness where needed? Yes. Seriousness where it counts? Yes. Wit, satirical touches, firm indignations, sound sense, good taste, judiciousness, cosmopolitan breadth of view, urbanity, sanity, unexpected eccentricities, educated humanism? By all means. It is indeed by all these means and more that this book of essays and observations bestows its multiple benefactions, and anyone picking it up is bound north to pleasure and profit.”—The New York Times

Presents the candid diary of Thomas Macaulay, Victorian statesman, historian and author of "The History of England". This work shows how, spanning the period 1838 to 1859, the journal is the longest work from Macaulay's pen. It states that these unique manuscripts held at Trinity College, Cambridge, are most revealing of all his writings.

Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kind of questions which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice. He tracks his subject from its first recorded beginnings in ancient Israel and Greece, through the fulminations of early Christian writers against the unholy (and, they believed, obscenely produced) practices of pagan divination, the aberrations of the voice in mysticism, witchcraft and possession, and the strange obsession with the vagrant figure of the ventriloquist, newly conceived as male rather than female, during the Enlightenment. He retrieves the stories of some of the most popular and versatile ventriloquists and polyphonists of the nineteenth century, and investigates the survival of ventriloquial delusions and desires in spiritualism and the 'vocalic uncanny' of technologies like telephone, radio, film, and internet. Learned but lucid, brimming with anecdote and insight, this is much more than an archaeology of one of the most regularly derided but tenaciously enduring of popular arts. It is also a series of virtuoso philosophical and psychological reflections on the problems and astonishments, the raptures and absurdities of the unhoused voice.