In a masterful work of cultural history, Charles Sprawson, himself an obsessional swimmer and fluent diver, explores the meaning that different cultures have attached to water, and the search for the springs of classical antiquity. In nineteenth-century England bathing was thought to be an instrument of social and moral reform, while in Germany and America swimming came to signify escape. For the Japanese the swimmer became an expression of samurai pride and nationalism. Sprawson gives is fascinating glimpses of the great swimming heroes: Byron leaping dramatically into the surf at Shelley’s beach funeral; Rupert Brooke swimming naked with Virginia Woolf, the dark water “smelling of mint and mud”; Hart Crane swallow-diving to his death in the Bay of Mexico; Edgar Allan Poe’s lone and mysterious river-swims; Leander, Webb, Weissmuller, and a host of others. Informed by the literature of Swinburne, Goethe, Scott Fitzgerald, and Yukio Mishima; the films of Riefenstahl and Vigo; the Hollywood “swimming musicals” of the 1930s; and delving in and out of Olympic history, Haunts of the Black Masseur is an enthralling assessment of man—body submerged, self-absorbed. It is quite simply the best celebration of swimming ever written, even as it explores aspects of culture in a heretofore unimagined way.

"An immediate classic when first published in Redbook in 1975, Swimmer in the Secret Sea went on to be included in Prize Stories 1975: The O. Henry Awards and then published separately as a paperback. We are proud to restore to print this popular and critically acclaimed novella about Laski and Diane, a sculptor and his wife, and their struggle to bring a new life into the world, set against the backdrop of a cold Maine winter. Author William Kotzwinkle, well-known for his many enduring children's books such as Trouble in Bugland and his novelization of the movie E.T. The Extraterrestrial, is equally adept at writing seriously and poetically about life in extremis. This story of a father-to-be and his painful love for his wife and stillborn son will stay with readers for a lifetime."--Publisher's website.

Inspired by John Cheever's classic short story, 'The Swimmer', Roger Deakin set out from his home in Suffolk to swim through the British Isles. The result of his journey is this personal view of an island race.

Fiction. Short Stories. LGBTQIA Studies. Women's Studies. Sharp and stylistic, the trifecta of diptychs that is SWIMMERS IN WINTER swirls between real and imagined pasts and futures to delve into our present cultural moment: conflicts between queer people and the police; the impact of homophobia, bullying, and PTSD; the dynamics of women's friendships; life for queer women in Toronto during WWII and after; experiences of economic precarity and precarious living conditions; the work of being an artist; and dystopian worlds. These are soul-searching, plot-driven character studies. "Faye Guenther lovingly tells the stories of ordinary women whose lives have yet been mostly ignored by literature. Each character in this collection is a planet unto herself: the stories part the mists and show the miles to the surface. Dizzying, precise, and beautiful."--Thea Lim "Faye Guenther's writing is fully given over to both the heart and mind. Her clear-eyed observations of the secrets we keep and the confessions we make lend the stories in SWIMMERS IN WINTER uncommon grace and raw beauty. Guenther traces the paths of women in the city, struggling to survive, keep themselves fed and afloat, while also falling hard for each other. In turns sexy and tender, tough and head-swirling, these characters will leave you changed."--Emily Schultz

Set in the ‘90s, this lyrical autobiographical novel follows the relationship that develops between a recent college grad and a young widow during their nightly swims in Lake Michigan “[A] mosaic of uncanny photographs and rediscovered diaries, fresh correspondence between ex-lovers, meditations on childhood and parenthood, an amphibious dance between the past and the present”—Karen Russell “Swimming at night, to compare its slipperiness to that of a dream would be to ignore the work of staying afloat, the mesmerism brought on by the rhythm, the repetition of the strokes.” Beneath the surface of Lake Michigan there are vast systems: crosscutting currents, sudden drop-offs, depths of absolute darkness, shipwrecked bodies, hidden places. Peter Rock’s stunning autobiographical novel begins in the ’90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells and carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears. Twenty years later, the narrator—now married with two daughters—tries to understand those months, his forgotten obsessions and dreams. Digging into old notebooks and letters, as well as clippings he’s preserved on the “psychic photography” of Ted Serios and scribbled quotations from Rilke and Chekhov, the narrator rebuilds a world he’s lost. He also looks for clues to the fate of Mrs. Abel, and begins once again to swim distances in dark water.

The feel-good underdog story of the first American swimmer to win Olympic gold, set against the turbulent rebirth of the modern Games, that “bring[s] to life an inspiring figure and illuminate[s] an overlooked chapter in America’s sports history” (The Wall Street Journal) “Once or twice in a decade, one of these stories . . . like Laura Hillenbrand’s Unbroken [or] Daniel Brown’s The Boys in the Boat . . . captures the imagination of the public. . . . Add The Watermen by Michael Loynd to this illustrious list.”—Swimming World Winner of the International Swimming Hall of Fame’s Paragon Award and the Buck Dawson Authors Award In the early twentieth century, few Americans knew how to swim, and swimming as a competitive sport was almost unheard of. That is, until Charles Daniels took to the water. On the surface, young Charles had it all: high-society parents, a place at an exclusive New York City prep school, summer vacations in the Adirondacks. But the scrawny teenager suffered from extreme anxiety thanks to a sadistic father who mired the family in bankruptcy and scandal before abandoning Charles and his mother altogether. Charles’s only source of joy was swimming. But with no one to teach him, he struggled with technique—until he caught the eye of two immigrant coaches hell-bent on building a U.S. swim program that could rival the British Empire’s seventy-year domination of the sport. Interwoven with the story of Charles’s efforts to overcome his family’s disgrace is the compelling history of the struggle to establish the modern Olympics in an era when competitive sports were still in their infancy. When the powerful British Empire finally legitimized the Games by hosting the fourth Olympiad in 1908, Charles’s hard-fought rise climaxed in a gold-medal race where British judges prepared a trap to ensure the American upstart’s defeat. Set in the early days of a rapidly changing twentieth century, The Watermen—a term used at the time to describe men skilled in water sports—tells an engrossing story of grit, of the growth of a major new sport in which Americans would prevail, and of a young man’s determination to excel.

The New York Times bestselling inspirational story of impoverished children who transformed themselves into world-class swimmers. In 1937, a schoolteacher on the island of Maui challenged a group of poverty-stricken sugar plantation kids to swim upstream against the current of their circumstance. The goal? To become Olympians. They faced seemingly insurmountable obstacles. The children were Japanese-American and were malnourished and barefoot. They had no pool; they trained in the filthy irrigation ditches that snaked down from the mountains into the sugarcane fields. Their future was in those same fields, working alongside their parents in virtual slavery, known not by their names but by numbered tags that hung around their necks. Their teacher, Soichi Sakamoto, was an ordinary man whose swimming ability didn't extend much beyond treading water. In spite of everything, including the virulent anti-Japanese sentiment of the late 1930s, in their first year the children outraced Olympic athletes twice their size; in their second year, they were national and international champs, shattering American and world records and making headlines from L.A. to Nazi Germany. In their third year, they'd be declared the greatest swimmers in the world. But they'd also face their greatest obstacle: the dawning of a world war and the cancellation of the Games. Still, on the battlefield, they'd become the 20th century's most celebrated heroes, and in 1948, they'd have one last chance for Olympic glory. They were the Three-Year Swim Club. This is their story.

In this stunning memoir of life after loss, the open-water swimming legend and bestselling author tells of facing the one challenge that no amount of training could prepare her for. A celebrated athlete who set swimming records around the world, Lynne Cox achieved astonishing feats of strength and endurance. She was the first to swim the frigid waters of the Bering Strait, the Strait of Magellan, and the coast of Antarctica, and she was the fastest to swim the English Channel. But it is a different kind of struggle that pushes her to the brink. In a short period of time, Lynne loses her father, and then her mother, and then Cody, her beloved Labrador retriever. Soon after, Lynne herself is diagnosed with a life-threatening heart condition that leaves her unable to swim and barely able to walk. But against all odds, and with the support of her friends and family, Lynne begins the slow pull toward recovery, reaching always for the open waters that give her the freedom and mastery that mean everything to her. What follows is a beautifully poignant meditation on loss and an exhilarating celebration of life as, to Lynne’s surprise, she begins to find, within the unfamiliar space of vulnerability, the greatest treasures—like falling in love.