Swifty King and Kyle Faust are lured by a former nemesis into the search for a program that progressively influences behaviors and could threaten the world. Aided by a tough, smart pal named Kelly, the fellows chase all over the world, searching for the Synthenet and its financial master. In their quest, the boys use another former adversary as bait and almost get her and Swifty killed. Kyle takes out his first bad guys, and both guys screw up their love lives. What’s new? Just another (figurative) day at the office for Swifty and Kyle. This time, their office turns out to have the smell of cordite and salt. Swifty King gets lonesome, so he invited his pal Kyle Faust into the “advice” business. It turns out that Kyle fits well because they are both a little nuts. Kyle is busy trying to solve a problem for the son of one of his ex-wives when he and Swifty eventually discover there is a nexus between the kid’s dilemma and this strange Synthenet thing. In the process, Swifty has a near-death experience, and Kyle ends up having to shoot back when he encounters bad guys. As usual, with these gents, it is mile-a-minute fun and games with a twist around every corner. Imagine how a couple of senior citizens who still think they are thirty deal with the aches and pains of age while they measure up to the challenges of today. The adventures are never in short supply with Swifty Inc., and neither are the convoluted switches and changes. Come join us again!

Swifty King’s adventures have been detailed in five previous novels. He is the proprietor of Swifty King, Advice (SKA), and along with his partner, retired businessman Kyle Faust, he provides the kind of advice and negotiation that governments and private citizens cannot do on their own. Recently, the two men, along with some special colleagues, put a stop to an international conspiracy to influence minds using all forms of media, including video games. The intent was to inspire creative souls on the edge to work together to upend society as we know it. The evil mind behind this plan was thwarted once, but now he is back. Somehow, he has gained release and has continued his evil plan. Swifty and Kyle are involuntarily sucked into this world again. Swifty is kidnapped, tortured, and reintroduced to an old friend by a sadistic enforcer. The “brain’s” new man really enjoys inflicting pain and indiscriminate murder. All the while, the guys have to deal with the business, which includes bailing out a movie producer and finding an answer to the kidnapping of his wife. It is an almost insurmountable challenge that takes these characters halfway around the world and nearly costs Swifty his life! Along the way, Swifty bonds with a former target, and Kyle finds a new love. It is harrowing, dangerous, and sometimes fun but never dull. Swifty and Conspiracy Control is intense and fast. Enjoy it!

SWIFTY KING and his partner KYLE FAUST are in the ADVICE business. The “Razzle Dazzle” has them advising a woman with a sordid past how to deal with an anonymous threat, received in a mysterious, Chanel laced, Pink Envelop. As she struggles to protect her family business and a high powered son, who plays fast and loose in high finance, the boys have to pull the truth from the family in order to protect them. The effort leads them into strange territory. While dealing with Millie Corkley’s issues, the guys have a challenge with Kyle’s former corporate pilot, who is on the run from partners who have hired a “hit man” to force him to conform with an agreement. The Pilot, Marco, makes it tough for our heroes as he gets mixed up with a female felon who is very hard to handle. Both adventures, lead Swifty and Kyle to employ the “Razzle Dazzle” in order to deal with this convoluted mess.

Laced with intrigue and surprise, this Swifty adventure takes the hero into the depths of Somali Pirate country, back to Vegas, and into the inner workings of an exotic criminal organization. Blackmail, betrayal, mystery, and secrecy abound in this tale of friendships gone awry and family members shunned and exploited for pay. Swifty spent two years in federal lock up and was forced to change his name. Unable to find a regular job, Swifty put his jail house education to work. His profession takes him to strange places, but it is right back home when he tries to help his old friend, Count Montecello the Magician, that he finds himself immersed in a caldron of corruption he may never escape. Swifty is aided by the usual cast of characters who enrich this tale of deceit, murder, blackmail . . . and strange friendships.

In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante. In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and vulnerable. Colacello gives us, as no one else can, a riveting portrait of this extraordinary man: brilliant, controlling, shy, insecure, and immeasurably influential. When Holy Terror was first published in 1990, it was hailed as the best of the Warhol accounts. Now, some two decades later, this portrayal retains its hold on readers—as does Andy’s timeless power to fascinate, galvanize, and move us.

What is terrorism? Academics search in vain for the unholy grail: the definition of terrorism that will exonerate or condemn American officials. There are many vying definitions and no tribunal to resolve the contest. In this unique essay, Ron Hirschbein analyzes conflicts in which officials themselves called their actions “terrorist.” He reveals that terrorism didn’t always get bad press. In fact, terror bombing was indispensable to winning World War II. Not only did the Allied Forces bombed German cities, but they also used the nuclear bomb in Japan, killing many noncombatant civilians. During the Cold War, the threat of nuclear annihilation became the strategy to deter war between the superpowers. Many ironies are brought to light in revisiting these conflicts, such as the fact that it was accepted that safety depended upon the willingness to detonate weapons of mass destruction. Not even American citizens enjoyed noncombatant immunity during the Cold War as they were held hostage to mutually assured destruction and marked for sacrifice in various strategic scenarios. Indeed, their lives were risked in confronting crises in Berlin and Cuba. Subsequent conflicts in Korea, Vietnam and Iraq, as well as the War on Terror itself, are also examined. Like World War II, all involved killing noncombatants by accident or design. Casting these conflicts in an ironic light reveals incongruities in language and situations in which triumphant dreams become self-defeating realities (as with the second Iraq war). The War on Terror, now rebranded as an “Overseas Contingency Plan” seems to be the answer to a Jihadist’s prayer. Further, U.S.-led covert attacks and assassinations by drones raise many discussions of legalities. And today the curse of terrorism is fodder for captivating primetime entertainment, enjoyed even by the president of the United States.

Former soldier Ken Wharton witnessed the troubles in Northern Ireland first hand. 'Bloody Belfast' is a fascinating oral history given a chilling insight into the killing grounds of Belfast's streets. Wharton's work is based on the first hand accounts from the soldiers. The reader can walk the darkened, dangerous streets of the Lower Falls, the Divis Flats and New Lodge alongside the soldiers who braved the hate-filled mobs on the newer, but no less violent streets of the 'Murph, Turf Lodge and Andersonstown. The author has interviewed UDR soldier Glen Espie who survived being ambushed and shot by the IRA not once, but twice and Army Dog Handler Dougie Durrant, who, through the incredible ability of his dog, tracked an IRA gunman fresh from the murder of a soldier to where he was sitting in a hot bath in the Turf Lodge, desperately trying to wash away the forensic evidence. Wharton's reputation for honesty established from previous works has encouraged more former soldiers of Britain's forgotten army to come forward to tell their stories of 'Bloody Belfast'. The book continues the story of his previous work, presenting the truth about a conflict which has sometimes been deliberately underplayed by the Establishment.

Ti-Jean and his Brothers was Derek Walcott's first venture into musical plays and is still his most popular work. A lilting St Lucian folk-tale, it tells the story of a poor family who dwell on the edge of a magical forest haunted by the devil's spirits. The brilliance of Walcott's writing draws us into the realms of fantasy where the actual and the miraculous collide. Dennis Scott's An Echo in the Bone is set during a traditional Nine-Night Ceremony held to honour the spirit of the dead. Shattering sequential time in a series of dreamlike episodes the play takes us back to the time of plantations and slavery - and the savage murder of the white estate owner. Who killed Mr. Charles? The answers lie deep in the racial memory, they 'echo in the bone'. The giddy atmosphere of carnival is the setting for Errol Hill's Man Better Man, a rumbustious, colourful comedy musical about stickfighters. With dance and song the battling troubadours and the calypsonian weave a tale of braver, superstition and fraudulence. When first performed the Times described it as 'a blazing electrifying feast of rhythm and colour'.

Connections: Four people with nothing in common. A young girl dreams of the fairground; a woman needs to quit smoking and a detective drinks too much as he listens to tales of dead men who walk. Dr Harrison waits in the dark place for a sign. He has little else to do having passed away over thirty years ago. Elsewhere, a hypnotist's light blinks its slow soporific beat in a darkened room off a Kings Cross back street and somewhere, in another world, a dead man shields his eyes from the glare. Connections: A journey that starts with a young girl's dreams and a young woman's hopes and finishes across time and across reality into the very darkest of wastelands. A place where demons walk and the light cannot exist and where a seven-year old girl, dressed only in pyjama's, must stand tall and fight for us all.

Show Me the Moneyis a business reporting textbook offering hands-on advice and examples on doing the job of a business journalist. Author Chris Roush draws on his own business journalism background to explain how to cover businesses and industries, and where to find sources of information for stories. He includes examples of business stories demonstrating how reporters take financial information and turn it into relevant facts that explain a topic to readers. With numerous examples of documents and stories in the text, it is an essential guide for doing business journalism. This definitive business journalism text: *provides real-world examples of business articles; *presents complex topics in a form easy to read and understand; *offers examples of where to find news stories in SEC filings ; *discusses, in full-length chapters, how to write stories on mergers and acquisitions, as well as bankruptcy court filings; *gives comprehensive explanations and reviews of corporate financial, balance sheet, and cash flow statements, dissected so reporters at all levels of experience can understand them; *provides tips on finding sources, such as corporate investors and hard-to-find corporate documents; and *gives a comprehensive listing of Web sites for business journalists to use. Show Me the Moneyis essential for graduate and undergraduate students with an interest in business journalism, and will also serve professional reporters and editors new to the field of business journalism or needing a refresher. In addition, it will be of value to public relations students and professionals, particularly those who are in the corporate communications field.*gives comprehensive explanations and reviews of corporate financial, balance sheet, and cash flow statements, dissected so reporters at all levels of experience can understand them; *provides tips on finding sources, such as corporate investors and hard-to-find corporate documents; and *gives a comprehensive listing of Web sites for business journalists to use. Show Me the Moneyis essential for graduate and undergraduate students with an interest in business journalism, and will also serve professional reporters and editors new to the field of business journalism or needing a refresher. In addition, it will be of value to public relations students and professionals, particularly those who are in the corporate communications field.