Succinct and factual text follows chimney swifts as they arrive on a Texas farm, build their nest, lay eggs, ready for fledglings to take flight, and eventually prepare to migrate back to South America. In a parallel, wordless story, a mom, dad, and young girl on the farm watch the chimney swifts throughout the summer and fall, even as they build a new crib and ready for the new baby they're expecting. As they enjoy their baby's first months, they also celebrate the fledglings' first flight and bid the birds good-bye until next year. Nicole Gsell's soft illustrations follow the tales of both families—bird and human—from each unique perspective. A beautiful addition to bird lovers' collections, as well as classrooms and libraries.

"In The Swifts, Walker Rumble, himself a printer and printing historian, follows the trail of these colorful compositors who became famous by winning typesetting races. Tellingly, at the same time that the most celebrated contests were taking place, technological and cultural forces were threatening the Swifts' way of life. First, women printers vied for shopfloor legitimacy; then, in the mid-1880s, typesetting machines such as Mergenthaler's Linotype arrived, replacing the artisans forever."--BOOK JACKET.

Swifts live almost entirely in the air. They eat, drink, sleep, mate and gather their nesting materials on the wing, fly thousands of miles across the world, navigating their way around storms, never lighting on tree, cliff or ground, until they return home with the summer.

The Kyles share their knowledge and provide a peek into the secret life of these beneficial, insect-eating birds, and practical guidelines for homeowners to coexist peacefully with these remarkable birds.

Chimney Swifts, birds that nest and roost in chimneys, have been historically abundant in North America. But by the late 1980s, the number of swifts migrating to North America from the Amazon River Basin had declined. A growing number of people across North America are now constructing nesting towers and conducting Chimney Swift conservation projects in their own communities. With Chimney Swift Towers, concerned bird conservationists have a step-by-step guide to help them create more habitat for these beneficial, insect-eating birds. Chimney Swift experts Paul and Georgean Kyle give directions for building freestanding wooden towers, wooden kiosk towers, masonry towers, and other structures. Included are - design basics, - lists of materials needed, - useful diagrams and photographs, - and detailed instructions on site preparation, tower construction, installation, and maintenance. Anyone with basic woodworking or masonry skills and an interest in wildlife conservation will find this publication helpful. That includes do-it-yourselfers, homeowners involved in creating backyard habitat for wildlife, landscape and structural architects, park and wildscape managers, wildlife management area professionals, nature centers, garden centers, scout troops, and other civic organizations in search of community service projects.

The New York Times–bestselling author of H is for Hawk explores the human relationship to the natural world in this “dazzling” essay collection (Wall Street Journal). In Vesper Flights, Helen Macdonald brings together a collection of her best loved essays, along with new pieces on topics ranging from nostalgia for a vanishing countryside to the tribulations of farming ostriches to her own private vespers while trying to fall asleep. Meditating on notions of captivity and freedom, immigration and flight, Helen invites us into her most intimate experiences: observing the massive migration of songbirds from the top of the Empire State Building, watching tens of thousands of cranes in Hungary, seeking the last golden orioles in Suffolk’s poplar forests. She writes with heart-tugging clarity about wild boar, swifts, mushroom hunting, migraines, the strangeness of birds’ nests, and the unexpected guidance and comfort we find when watching wildlife.

This novel of love in the world of 1950s vaudeville is a masterwork of literary magic from the Booker Prize-winning author of Last Orders and Mothering Sunday It is 1959 in Brighton, England, and the theater at the end of the famous pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing a full house every night. And Jack is everyone’s favorite master of ceremonies, holding the whole show together. But as the summer progresses, the drama among the three begins to overshadow their success onstage, setting in motion events that will reshape their lives. Vividly realized, tenderly comic, and quietly shattering, Here We Are is a masterly work of literary magic.

What does it mean to be Mi’kmaq? And if Swift Fox can’t find the answer, will she ever feel like part of her family? When Swift Fox’s father picks her up to go visit her aunties, uncles, and cousins, her belly is already full of butterflies. And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger. Though her father reassures her that Mi’kmaq is who she is from her eyes to her toes, Swift Fox doesn’t understand what that means. Her family welcomes her with smiles and hugs, but when it’s time to smudge and everyone else knows how, Swift Fox feels even more like she doesn’t belong. Then she meets her cousin Sully and realizes that she’s not the only one who’s unsure—and she may even be the one to teach him something about what being Mi’kmaq means. Based on the author’s own experience, with striking illustrations by Maya McKibbin, Swift Fox All Along is a poignant story about identity and belonging that is at once personal and universally resonant.

TOM IS IN DEEP-SEA TROUBLE... Tom. Bud, and Yo are on the S.S. Nestor, a Swift Enterprises research vessel, to witness Mr. Swift testing his submersible, the Verne-1. Mr. Swift plans to use the Verne-1 to place a network of seismometers on the sea floor to detect underwater earthquakes, volcanic eruptions, and other phenomena that might generate tidal waves on the ocean's surface. But when an unexpected storm hits and the S.S. Nestor looses contact with the Verne-1, it's up to Tom to save his father.

Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish Studies Renowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century. Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.