First published in 1969, this title examines the works of Jonathan Swift from both a literary and an historical perspective. W. A. Speck first presents Swift in his historical context, analysing in particular the interplay between his religious and political views. Light is thrown on the early pamphlets as well as on A Tale of a Tub and Gulliver’s Travels, alongside a fascinating chapter by Philip Roberts considering Swift’s poetry. This illuminating title will be of value to any literature students with an interest in the writings of Swift and the historical context in which he worked.

First published in 1984, this biography gives an account of Jonathan Swift’s political ideas and provides a critical commentary on his major works. With its emphasis on Swift as a political writer, the title offers a revision of the prevailing view of Swift’s politics and its application in the study of his works. Alan Downie argues that in terms of the party politics of the day Swift is neither a Whig nor Tory. Swift thought of himself as an ‘Old Whig’, and said he was ‘of the old Whig principles, without the modern articles and refinements’. Downie shows how Swift’s writings consistently make political points about society’s deviation from an ideal. As Swift’s views on morality, religion and politics are so closely linked, an understanding of his political ideas is vital; this reissue provides a detailed analysis of this aspect of Swift’s writings and views, and as such will be of great interest to any students researching his satire.

First published in 1984, this biography gives an account of Jonathan Swift's political ideas and provides a critical commentary on his major works. With its emphasis on Swift as a political writer, the title offers a revision of the prevailing view of Swift's politics and its application in the study of his works.

Originally published in 1973, Gulliver and the Gentle Reader critically examines the writing of Jonathan Swift. The book is predominately concerned with what Rawson coins 'the "unofficial" energies' which work below the surface of Swift's conscious themes. Alongside this discussion, Rawson provides detailed studies on historical, cultural and psychological relationships, and the connections that exist between these areas and more extreme writers of the later period such as Breton, Mailer, and Yeats, as well as the connections with the writers such as his contemporary Pope, and those that followed such as Johnson, and Sterne. This book will be of interest to students of literature, as well as those researching in the area of literature.

Originally published in 1991, Gulliver and the Gentle Reader critically examines the writing of Jonathan Swift. The book is predominately concerned with what Rawson coins ‘the "unofficial" energies’ which work below the surface of Swift’s conscious themes. Alongside this discussion, Rawson provides detailed studies on historical, cultural and psychological relationships, and the connections that exist between these areas and more extreme writers of the later period such as Breton, Mailer, and Yeats, as well as the connections with the writers such as his contemporary Pope, and those that followed such as Johnson, and Sterne. This book will be of interest to students of literature, as well as those researching in the area of literature.

First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature. Although the modern term ‘Grub Street’ has declined into vague metaphor, for the Augustan satirists it embodied not only an actual place but an emphatic lifestyle. Pat Rogers shows that the major satirists – Pope, Swift and Fielding – built a potent fiction surrounding the real circumstances in which the scribblers lived, and the importance of this aspect of their writing. The author first locates the original Grub Street, in what is now the Barbican, and then presents a detailed topographical tour of the surrounding area. With studies of a number of key authors, as well as the modern and metaphorical development of the term ‘Grub Street’, this book offers comprehensive insight into the nature of Augustan literature and the social conditions and concerns that inspired it.

First published in 1984, this biography gives an account of Jonathan Swift's political ideas and provides a critical commentary on his major works. With its emphasis on Swift as a political writer, the title offers a revision of the prevailing view of Swift's politics and its application in the study of his works. As Swift's views on morality, religion and politics are so closely linked, an understanding of his political ideas is vital; this reissue provides a detailed analysis of this aspect of Swift's writings and views, and as such will be of great interest to any students researching his satire.