Ursula Becker's operatic star is on the rise in Nazi Berlin...until she discovers that she is one-quarter Jewish, a mischling of the second degree. Although Hitler is aware of her lineage, her popularity and exquisite voice protect her and her family from persecution. As Ursula's violin-prodigy half-sister comes of age, she comes to the attention of the Führer, who welcomes the awestruck teenager into his elite, private circle. When William Patrick Hitler arrives in Germany and is offered employment by his doting Uncle Adolf, a chance encounter with Ursula leads to a romantic relationship that further shields the young diva from mistreatment. But for how long? Restrictions on Hitler's perceived enemies tighten, and Ursula is ordered to sing at Hitler's Berghof estate. There she throws down a gauntlet that unleashes the wrath of the vindictive megalomaniacal leader. Fearing for her life, Ursula and Willy decide to emigrate to England. But as the ship is about to sail, Ursula disappears. Desperately hoping that Ursula is still alive, Willy crosses the globe in an effort to find her, even as his obsessive uncle taunts him, relishing in the horror of the murderous cat-and-mouse game.

In Elizabeth B. Splaine's latest thriller, Blind Order, Dr. Julian Stryker has rebuilt his life after being robbed of his eyesight in a horrific attack. Even though it was a patient who blinded him, Stryker still feels compelled to help desperate people. It's this desire that leads him to Dr. Linda Sterling, a troubled physician struggling to maintain the fa�ade of a perfect life. The reality is that her foster mother lay dying in a nursing home and she is barely able to keep herself together. As Stryker reaches out to Linda, his homicide detective girlfriend, Alex, is busy with a situation of her own. She thinks that a serial killer may be on the loose in New England, but doesn't have the evidence to prove it. Enlisting the aid of Stryker and their FBI agent friend, Vinny Marcozzi, the three soon discover the twisted connection between the spate of unnatural deaths and Linda herself. Linda isn't just Stryker's patient, and she isn't just stressed about the realities of her life. Driven by vicious ghosts from her past, Linda is staring down a dark tunnel, and Stryker may not be able to stop her before she fully embraces the demons within.

Cosmopolitan Spaces in Odesa: A Case Study of an Urban Context is the first book to explore Odesa’s cosmopolitan spaces in an urban context from the nineteenth to twenty-first centuries. Leading scholars shed new light on encounters between Jewish, Ukrainian, and Russian cultures. They debate different understandings of cosmopolitanism as they are reflected in Odesa’s rich multilingual culture, ranging from intellectual history and education to music, opera, and literature. The issues of language and interethnic tensions, imperialist repression, and language choice are still with us today. Moreover, the book affords a historical view of what lay behind the Odesa myth, as well as insights into the Jewish and Ukrainian cultural revivals of the early twentieth century.

An ardent follower of a famous modern prima donna relates information obtained from the singer and her friends and relatives on the struggles, loves, sorrows, and joys of her life and international career

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Foreword by Ben Stiller Afterword by Perry Farrell Jewish achievement in the sciences? Celebrated. Jews in literature? Lionized. But until now, there's been no record of the massive contributions of Jews in Rock n' Roll. Jews Who Rock features 100 top Jewish rockers, from Bob Dylan to Adam Horowitz, Courtney Love (yes, she's half Jewish) to John Zorn, with a concise page of essential data and a biography of each one. Includes the complete lyrics to "The Chanukah Song" by Adam Sandler

In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.

This is the absolutely indispensable guide to worthwhile cinema. It includes over 10,000 entries on the best of film and video that a real film lover might actually want to see.