A food lover's compendium.

How to Master Your Energy so You Can Have What You Desire Christy Whitman, transformational leader, founder of the Quantum Success Coaching Academy, and channel for The Divine Council unfolds the precise steps for bringing about the manifestation of any desire. The book is built around 7 Universal Principles for tapping into the divine energy stream that is the source of all things so that you can have more peace, prosperity, and joy. The Desire Factor shows you how to master your energy so you can create a life that you love despite what’s going on around you. When you harness the energy of The Desire Factor, you’ll understand: How to transform longing into joyful expectancy What alignment feels like and how to achieve it How to use the power of focus to manifest your desires The role that surrender plays in the manifestation process How to cultivate the energy of having, even before your desire has manifested The secret to infusing your external actions with spiritual power How to attract your desires through the power of love Christy Whitman’s philosophy is that YOU are the energy master of your own life; you embody healing energy and have the power to improve your circumstances; you direct this unlimited flow of energy wherever you want, allowing you to manifest; it is your Divine Nature to create—and this creation is invigorating! Whitman has applied her principles of energy mastery to train over three thousand life coaches to take their innate gifts and skills and turn them into profitable fulfilling businesses. And now in The Desire Factor she provides one of the most current, comprehensive, and easy to apply explorations into the realm of energy, and shows you how, by mastering your energy, you can bring any desire into physical form. Order your copy today.

Discover the essential thinking tools you’ve been missing with The Great Mental Models series by Shane Parrish, New York Times bestselling author and the mind behind the acclaimed Farnam Street blog and “The Knowledge Project” podcast. This first book in the series is your guide to learning the crucial thinking tools nobody ever taught you. Time and time again, great thinkers such as Charlie Munger and Warren Buffett have credited their success to mental models–representations of how something works that can scale onto other fields. Mastering a small number of mental models enables you to rapidly grasp new information, identify patterns others miss, and avoid the common mistakes that hold people back. The Great Mental Models: Volume 1, General Thinking Concepts shows you how making a few tiny changes in the way you think can deliver big results. Drawing on examples from history, business, art, and science, this book details nine of the most versatile, all-purpose mental models you can use right away to improve your decision making and productivity. This book will teach you how to: Avoid blind spots when looking at problems. Find non-obvious solutions. Anticipate and achieve desired outcomes. Play to your strengths, avoid your weaknesses, … and more. The Great Mental Models series demystifies once elusive concepts and illuminates rich knowledge that traditional education overlooks. This series is the most comprehensive and accessible guide on using mental models to better understand our world, solve problems, and gain an advantage.

An original collection of essays that presents a wide-ranging reassessment of the relationship between Hegel and Spinoza, the two major alternatives to mainstream Enlightenment thought.

Based on ethnographic research with Dominicans in New York City, a pioneering analysis of how gay immigrant men of color negotiate race, sexuality, and power in their daily lives.

1347. Calais has finally fallen and Alaun de Montisfryth, first Earl of Montisfryn, powerful Marcher lord and companion of Edward III, is dispatched back to England with orders to secure the Welsh border. Halfway home, pride tempts Montisfryn to attend a tournament held by his family's old foes at Versallet Castle. Eloise de Versallet, the widowed Lady de Cannar, rules her father's castle with a tongue sharper than any sword. She has no great opinion of men in general and of knights in particular. Montisfryn and Eloise meet and sparks fly. He is intrigued. She is irritated. He is under royal edict to wed. An experienced lady, well-born, still young, and exceedingly well-endowed with both wealth and beauty, Eloise is a matrimonial prize beyond compare--and has vowed to remain unwed. Potent and powerful, will Montisfryn be able to breach her walls, storm her castle, and succeed where all others have failed? Or will Eloise, haughty and defiant to the last, prevail? The gauntlet is flung, the challenge accepted. And desire enters the fray. A Novel of 140,000 words. A medieval historical romance in the classic style, this work contains multiple explicit love scenes. "When it comes to dishing up lusciously sensual, relentlessly readable historical romances, Laurens is unrivalled." Booklist "Laurens's writing shines." Publishers Weekly"One of the most talented authors on the scene today...Laurens has a real talent for writing sensuous and compelling love scenes." Romance Reviews "Stephanie Laurens never fails to entertain and charm her readers with vibrant plots, snappy dialogue, and unforgettable characters." Historical Romance Reviews "Stephanie Laurens plays into readers' fantasies like a master and claims their hearts time and again." Romantic Times Magazine

What makes something sexy? Why are some things regarded as sacred and others profane? Why do mourners face such difficulty in parting with their beloved’s possessions? Why do we often feel distraught when we lose something, even when the object has little real value? We spend our lives in a meaningful dialogue with things around us. Sometimes the conversation is loud, as in a collector’s passion for coins or art. More often, the exchange is subtle and muted, even imperceptible. We are surrounded by things, and they affect our emotions and impact our thoughts. The arrival of a dozen flowers from a lover or a letter from a grandchild makes our day; an old photo album or an afghan knitted by a favorite aunt offers comfort when we are troubled. From exploring what makes something “beautiful” to why we place such value on antiques and artifacts from the past, Objects of Our Desire offers insights, both deep and delightful, into the ways we invest things with meaning and the powerful roles they play in our lives. Notice the inviting contours of that sofa, the glint of a knife’s edge, the sparkle of a diamond ring. Feel the softness of the pashmina around that woman’s milky shoulders. Look at the majesty of a large jet plane. Take in the somberness of a gravestone. Put on an old pair of shoes. Clutch a warm mug of freshly brewed coffee. Sit on a rocking chair. Feel the sumptuous leather seats of a new car. We are surrounded by things. We are involved with them, indebted to them. We speak to things and things speak to us. To say that we are interdependent is banal. Let us be courageous. Let us admit it: we are lovers. —From Objects of Our Desire

There is more to identity than identifying with one's culture or standing solidly against it. Jose Esteban Munoz looks at how those outside the racial and sexual mainstream negotiate majority culture -- not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Munoz calls this process "disidentification, " and through a study of its workings, he develops a new perspective on minority performance, survival, and activism. Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. Whether examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, or television, Munoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America. Munoz calls attention to the world-making properties found in performances by queers of color -- in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag, " Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity, " and the political performance of Pedro Zamora, with AIDS, within the otherwise artificial a person environment of the MTV serial The Real World.