The surprising roots of the self-defense movement and the history of women’s empowerment. At the turn of the twentieth century, women famously organized to demand greater social and political freedoms like gaining the right to vote. However, few realize that the Progressive Era also witnessed the birth of the women’s self-defense movement. It is nearly impossible in today’s day and age to imagine a world without the concept of women’s self defense. Some women were inspired to take up boxing and jiu-jitsu for very personal reasons that ranged from protecting themselves from attacks by strangers on the street to rejecting gendered notions about feminine weakness and empowering themselves as their own protectors. Women’s training in self defense was both a reflection of and a response to the broader cultural issues of the time, including the women’s rights movement and the campaign for the vote. Perhaps more importantly, the discussion surrounding women’s self-defense revealed powerful myths about the source of violence against women and opened up conversations about the less visible violence that many women faced in their own homes. Through self-defense training, women debunked patriarchal myths about inherent feminine weakness, creating a new image of women as powerful and self-reliant. Whether or not women consciously pursued self-defense for these reasons, their actions embodied feminist politics. Although their individual motivations may have varied, their collective action echoed through the twentieth century, demanding emancipation from the constrictions that prevented women from exercising their full rights as citizens and human beings. This book is a fascinating and comprehensive introduction to one of the most important women’s issues of all time. This book will provoke good debate and offer distinct responses and solutions.

Suzanne Brockmann’s wildly popular Troubleshooters series showcases this master storyteller’s rare gift for blending intense adventure with sensuous romance. And it all begins with The Unsung Hero, a heart-pounding tale of love that reveals hidden truths and brings two solitary people together against all odds. BONUS: This edition contains an excerpt from Suzanne Brockmann’s Born to Darkness. After a near-fatal head injury, Navy SEAL lieutenant Tom Paoletti catches a glimpse of an international terrorist in his New England hometown. When he calls for help, the Navy dismisses the sighting as injury-induced imaginings. In a last-ditch effort to prevent disaster, Tom creates his own makeshift counterterrorism team, assembling his most loyal officers, two elderly war veterans, a couple of misfit teenagers, and Dr. Kelly Ashton. As the town’s infamous bad boy, Tom was always in love with Kelly, a sweet “girl next door” who has grown into a remarkable woman. Now he has one final chance for happiness, one last chance to win her heart, and one desperate chance to save the day. “Thanks to Suzanne Brockmann’s glorious pen, we all get to revel in heartstopping adventure and blistering romance.”—RT Book Reviews

The Invention of Suspicion argues that the English justice system underwent changes in the sixteenth century that, because of the system's participatory nature, had a widespread effect and a decisive impact on the development of English Renaissance drama. These changes gradually made evidence evaluation a popular skill: justices of peace and juries were increasingly required to weigh up the probabilities of competing narratives of facts. At precisely the same time, English dramatists were absorbing, from Latin legal rhetoric and from Latin comedy, poetic strategies that enabled them to make their plays more persuasively realistic, more 'probable'. The result of this enormously rich conjunction of popular legal culture and ancient forensic rhetoric was a drama in which dramatis personae habitually gather evidence and 'invent' arguments of suspicion and conjecture about one another, thus prompting us, as readers and audience, to reconstruct this 'evidence' as stories of characters' private histories and inner lives. In this drama, people act in uncertainty, inferring one another's motives and testing evidence for their conclusions. As well as offering an overarching account of how changes in juridical epistemology relate to post-Reformation drama, this book examines comic dramatic writing associated with the Inns of Court in the overlooked decades of the 1560s and 70s. It argues that these experiments constituted an influential sub-genre, assimilating the structures of Roman comedy to current civic and political concerns with the administration of justice. This sub-genre's impact may be seen in Shakespeare's early experiments in revenge tragedy, history play and romance comedy, in Titus Andronicus, Henry VI and The Comedy of Errors, as well as Jonson's Every Man in his Humour, Bartholomew Fair and The Alchemist. The book ranges from mid-fifteenth century drama, through sixteenth century interludes to the drama of the 1590s and 1600s. It draws on recent research by legal historians, and on a range of legal-historical sources in print and manuscript.

Sixteen year-old Ewan Mao knows one thing for certain: according to prophecy, it's his destiny to kill the evil tyrant whose dark reign has terrorized Britain for as long as he can remember. Although he's just a normal boy, deep down Ewan is confident that he has exactly what it takes to be a hero. But when Ewan's big moment comes and his best friend, the clever and talented Oliver Abrams, defeats the villain for him, Ewan's bright future crumbles before his eyes. Five years later, while Ewan is living at home and working a minimum wage job, Oliver has a job as an Unusual in the government's Serious Magical Crimes Agency, the life he and Ewan always dreamed of. A routine investigation leads him and his partner, Sophie Stuart, to uncover a dangerous and powerful cult... one that seems to have drawn his former best friend into a plot to end the world. A deftly plotted, hysterically funny journey through magical London and beyond, A Hero at the End of the World expertly walks the fine line between satire and sincerity. Its sensitive depiction of a broken friendship and wry takedown of unfairly great expectations will appeal to all readers of modern fantasy.

Acclaimed author Rick Bass decided to thank all of his writing heroes in person, one meal at a time, in this "rich smorgasbord of a memoir . . . a soul-nourishing, road-burning act of tribute" (New York Times Book Review). From his bid to become Eudora Welty's lawn boy to the time George Plimpton offered to punch him in the nose, lineage has always been important to Rick Bass. Now at a turning point -- in his midfifties, with his long marriage dissolved and his grown daughters out of the house -- Bass strikes out on a journey of thanksgiving. His aim: to make a memorable meal for each of his mentors, to express his gratitude for the way they have shaped not only his writing but his life. The result, an odyssey to some of America's most iconic writers, is also a record of self-transformation as Bass seeks to recapture the fire that drove him as a young man. Along the way we join in escapades involving smuggled contraband, an exploding grill, a trail of blood through Heathrow airport, an episode of dog-watching with Amy Hempel in Central Park, and a near run-in with plague-ridden prairie dogs on the way to see Lorrie Moore, as well as heartwarming and bittersweet final meals with the late Peter Matthiessen, John Berger, and Denis Johnson. Poignant, funny, and wistful, The Traveling Feast is a guide to living well and an unforgettable adventure that nourishes and renews the spirit.

#1 NEW YORK TIMES BESTSELLER • A decorated former Air Force pilot. A pregnant flight attendant. A dedicated TSA agent. The fates of these three, and many others, converge in Danielle Steel’s gripping new novel—a heart-stopping thriller that engages ordinary men and women in the fight of their lives during a flight from New York to San Francisco. On a beautiful May morning at New York’s John F. Kennedy airport, two planes have just departed for San Francisco—one a 757, another a smaller Airbus A321. At a security checkpoint, TSA agent Bernice Adams finds a postcard of the Golden Gate Bridge bearing an ambiguous—perhaps ominous—message. Her supervisor dismisses her concerns, but Bernice calls security and soon Ben Waterman arrives. A senior Homeland Security agent, still grappling with guilt after a disastrous operation in which hostages were killed, Ben too becomes suspicious. Who left the postcard behind, which flight is that person on, and what exactly does the message mean? As Ben scans the passenger manifests, his focus turns to the A321, with Helen Smith as its senior pilot. Helen’s military service and her tenure with the airline have been exemplary. But her husband’s savage death in Iraq was more than anyone should bear, leaving her widowed with three children. A major film star is on board. So is an off-duty pilot who has just lost his forty-year career. So is a distraught father, traveling with the baby son he has abducted from his estranged wife. Sifting through data and relying on instinct, Ben becomes convinced that someone on Helen’s plane is planning something terrible. And he’s right. Passengers, crew, and experts on the ground become heroes out of necessity to try to avert tragedy at the eleventh hour. In her stunning novel, Danielle Steel combines intense action with stories of emotionally rich, intertwined lives. As the jet bears down on its destination of San Francisco, strangers are united, desperate choices are made, and futures will be changed forever by a handful of accidental heroes.

In her first novel, beloved author Shirley Hughes presents a World War II adventure proving that in extraordinary circumstances, people are capable of extraordinary things. Italy, 1944: Florence is occupied by Nazi forces. The Italian resistance movement has not given up hope, though — and neither have thirteen-year- old Paolo and his sister, Costanza. As their mother is pressured into harboring escaping POWs, Paolo and Costanza each find a part to play in opposing the German forces. Both are desperate to fight the occupation, but what can two siblings — with only a bicycle to help them — do against a whole army? Middle-grade fans of history and adventure will be riveted by the action and the vividly evoked tension of World War II.

London, 1817 Devon, the Earl of Malton, is a hero for his deeds at the Battle of Waterloo. But he suffers terrible nightmares, and drinks himself to sleep most nights. A habit he vows to break when he awakes one morning to find a woman sharing his bed, no memory of how she got there, and her angry brother at his door. Cathleen is mortified when her wastrel brother and his greedy wife propose a blackmail scheme involving the earl, but as a penniless war widow she's at their mercy. She goes along with the plan and sneaks into Devon's bed one night, and ends up comforting him through a night terror. Charmed by her beauty and kindness, Devon determines that rather than pay the blackmail, he will offer his hand in marriage to Cathleen. Although she is deeply attracted to the stoic earl, Cathleen cannot understand why Devon would want to marry her. What she doesn't know is that Devon owes her a debt that can never fully be repaid… 34,000 words

Eva Nine has finally found what she has always been looking for; other human beings. Having been rescued by Hailey, Eva couldn't be happier, and now Hailey is taking Eva and her friends to the human colony New Attica, where humans of all shapes and sizes live in apparent peace and harmony. But all is not as idyllic as it seems in New Attica, and soon Eva and her friends realize that something very bad is going on ~ and if they don't find a way to stop it, it could mean the end of everything and everyone on Orbona.