Presents an account of the rise of the Beach Boys and sheds light on their rivalry with the Beatles, the release of the influential "Pet Sounds" album, and the nervous breakdown of Brian Wilson, the group's creative genius.

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This interdisciplinary book addresses the highly relevant debates about authenticity in North America, providing a contemporary re-examination of American culture, tourism and commodification of place. Blending social sciences and humanities research skills, it formulates an examination of the geography of authenticity in North America, and brings together studies of both rurality and urbanity across the country, exposing the many commonalities of these different landscapes. Relph stated that nostalgic places are inauthentic, yet within this work several chapters explore how festivals and visitor attractions, which cultivate place heritage appeal, are authenticated by tourists and communities, creating a shared sense of belonging. In a world of hyperreal simulacra, post-truth and fake news, this book bucks the trend by demonstrating that authenticity can be found everywhere: in a mouthful of food, in a few bars of a Beach Boys song, in a statue of a troll, in a diffuse magical atmosphere, in the weirdness of the ungentrified streets. Written by a range of leading experts, this book offers a contemporary view of American authenticity, tourism, identity and culture. It will be of great interest to upper-level students, researchers and academics in Tourism, Geography, History, Cultural Studies, American Studies and Film Studies.

The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s is chock full of entertaining essays to inform and delight you about an era that shaped our culture and future musical trends. This unique book will surprise and enchant even the most zealous music buff with facts and information on the songs that reflected America’s spirit and captured a nation’s attention. The Classic Rock and Roll Reader is offbeat, somewhat irreverent, ironic, and ancedotal as it discusses hundreds of rock and non-rock compositions included in rock history era. The songs offer you information on: Rock’s Not So Dull Predecessors (for example, “Bewitched, Bothered, and Bewildered” and “The Cry of the Wild Goose”) The Pioneering Rock Songs (such as “Rock Around the Clock” and “Shake, Rattle, and Roll” ) Older Style Songs Amidst the Rocks (for example, “I Could Have Danced All Night” and “Rocky Mountain High” ) The Megastars and Megagroups (such as “Blue Suede Shoes,” “Respect,” and “Surfin’USA” ) The Best Songs that Never Made No. 1 (for example,“ I Feel Good” and “ Tie a Yellow Ribbon Round the Ole Oak Tree” ) The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s also examines the music which preceded early rock, the music which followed early rock, and the numerous non-rock songs which flourished during the classic rock period. A wide spectrum of music is discussed in well over 100 essays on various songs. Musicians, librarians, and the general audience will be taken back to the birth of rock and roll and the various contributing influences. Analyzing each song’s place in rock history and giving some background about the artists, The Classic Rock and Roll Reader offers even the most avid music enthusiast new and unique information in this thorough and interesting guide.

Inside the Music of Brian Wilson is, as author Phillip Lambert writes in the prologue "completely, and intensely, focused on the music of Brian Wilson, on the musical essence of his songs and the aesthetic value of his artistic achievements. It acknowledges the familiar biographical contexts of his songs, but it tells completely new stories about the birth and evolution of his musical ideas, identifying important musical trends in his work, heretofore undisclosed inter-song connections within his music, or between his music and that of others, and the nature and extent of his artistry. It aims not just to identify great songs, but to explain exactly what makes them so." Lambert, a renowned musicologist, brings to this work to life with both his professional expertise and an infectious personal appreciation of the power of pop music. His clear, engaging tone and accessible writing style allows even a musically inexperienced reader to follow him as he traces Wilson's musical evolution, with a particular focus on the years leading up to the writing and recording of Pet Sounds and SMiLE, albums which many consider to be the masterpieces of his oeuvre. Inside the Music of Brian Wilson is the definitive book on Wilson's music and is essential reading for fans of Brian Wilson, the Beach Boys, and great pop music. Includes THREE amazing Appendixes: Appendix 1: Brian Wilson Song Chronology* Appendix 2: Four Freshmen Albums, 1955-1961 Appendix 3: Favorite Songs and Influences Through 1961 *The most complete song chronology ever published.

The Frankster & Co, Party To Go. Professional Mobile lighting, live sound, DJ & Karaoke. Top of the line equipment and modern music, with paid subscriptions for current, high quality song selections and up to date karaoke. Sound for basic bands, plus available slideshows, videos, music videos, sent to TV's or projectors. From casual to formal, from the barn to the country club, The Frankster and his wife Tammy bring high quality fun to any event. Also at any given time there are assistants and friends that help make the party. Anytime, Anywhere... The Frankster & Co, Party to Go!

The Little Black Songbook returns to give you all the complete lyrics and chords to 90 incredible songs by one of the most talented bands of all time: The Beach Boys. This handy chord songbook is perfect for any aspiring guitarist, ideal for group singalongs, a spot of busking or simply to explore the majesty and complexity of the pop perfection created by the brothers Wilson. This little book includes: - ’Til I Die - All Summer Long - Cabinessence - California Girls - Dance, Dance, Dance - Disney Girls (1957) - Forever - God Only Knows - Good Vibrations - Heroes And Villains - I Get Around - I Just Wasn’t Made For These Times - I’m Waiting For The Day - In My Room - Kiss Me, Baby - Little Deuce Coupe - Please Let Me Wonder - Sloop John B - Surf’s Up - Surfin’ U.S.A. - That’s Not Me - The Warmth Of The Sun - When I Grow Up (To Be A Man) - Wonderful - Wouldn’t It Be Nice - You Still Believe In Me And many, many more!

The Little Black Book Of 3-Chord Songs is a collection of over 80 songs, all of which use no more than 3 chords! From favourites that have stood the test of time, such as Jolene (Dolly Parton) and Three Little Birds (Bob Marley), to contemporary hits like Paper Planes (M.I.A.) and Best Song Ever (One Direction), this varied selection is sure to include something for everyone. Perfect for any feldgling guitarist looking to quickly add some classic songs to their repertoire, each piece is arranged in the same keys as the original recordings with chord symbols, Guitar chord diagrams and complete lyrics.