Analyzes the portrayal of German fairy-tale figures in contemporary North American media adaptations. Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories—they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Timeand the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creaturesis a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.

Welcome to the world of Supernatural Fairy Tales. There are 18 paranormal short stories inspired by classic fairy tales including Cinderella, Rapunzel, Little Red Riding Hood, Thumbelina, and more. Inside you will find: a warlock's indecent proposal, vengeful ghosts, pill-popping wolves, merfolk (Are they just misunderstood?), trees in love, cowboys and dwarfs, mind reading thieves, a bratty princess, wicked grannies, a vampire strolling about town doing lunch, fairy dust, werewolves tamed by muffins, luck for sale, and a morbidly romantic zombie tale. Fair Warning: They don't always have a happy ending.Also included: 13 fairy tale inspired poems."They are full of clever twists and some are just down right freaky and creepy, which is a good thing."

A bitterly jealous brother, a samurai who makes the ultimate sacrifice, a cold-hearted husband, a monk who mistakes desire for piety, a fraudulent merchant who meets his match in a supernatural river otter — the motives underlying these traditional Japanese folktale characters are explored with haunting results. Prompted by the sometimes illogical and perplexing actions of folktale characters (Why doesn’t the wolf kill Little Red Riding Hood right away?), master storyteller Rui Umezawa revisits eight popular Japanese folktales, delving beneath their sometimes baffling plot lines to highlight the psychological motivations behind the characters’ actions. In “Betrayal,” a treacherous husband poisons his wife so he can marry another woman. In “Paradise,” a young man saves the life of a sea turtle, who takes him to a luxurious underwater palace, where his every whim is fulfilled. A brother in “Rage” is consumed by jealousy when his brother’s dog digs up a cache of gold. In “Honor,” a samurai kills himself to keep a promise made to his blood brother. Tales of addiction, bravery, sex, greed, abuse and control — these stories take their inspiration from the great Japanese storytelling traditions, as well as from Noh and Kabuki. Sometimes laced with ironic humor, sometimes truly horrifying, these stories of the strange and supernatural will appeal to readers of all ages, but they particularly speak to teenagers. Evocative and haunting illustrations by the stunningly talented Mikiko Fujita add to the eerie beauty of this collection. A detailed afterword outlines the author’s storytelling approach and provides source material for each tale.

Once upon a time Granny was attacked by a werewolf. Eighteen years later her grandson, Aiden Young, arrives in Indiana for his aunt's funeral, and his unfortunate discovery of the family secret leads to a fatal mistake. Before the weekend is over, he's trapped by a blizzard along with his superstitious cousin, Diesel, and Scarlet, Diesel's manipulative girlfriend. In his grandmother's spooky, old house in the middle of the woods, the teen faces life and death decisions: who can be trusted, and who needs to be saved? However, he must first figure out what the true monster is... werewolf or fear. Because in this Little Red Riding Hood-inspired supernatural fairy tale, the roles of prey and predator become interchangeable.

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

A hit man who kills with coincidence... A detective caught in a war between two worlds... A man whose terrible appetites hide an even darker secret . . . Dark Horse once again teams up with Hugo and Bram Stoker award-winning editor Ellen Datlow (Lovecraft Unbound) to bring you this masterful marriage of the darkness without and the darkness within. Supernatural Noir is an anthology of original tales of the dark fantastic from twenty modern masters of suspense, including Brian Evenson, Joe R. Lansdale, Caitlin R. Kiernan, Nick Mamatas, Gregory Frost, Jeffrey Ford, and many more.

This marvelous collection of fairy tales, some moral, some satirical, some bizarre, reflects the popularity and scope of this enduring and versatile genre. Featuring tales written by figures as diverse as Charles Dickens and Ursula Le Guin, this anthology will appeal to the child that exists in every adult.

Tales of terror and the supernatural hold an honored position in the Jewish folkloric tradition. Howard Schwartz has superbly translated and retold fifty of the best of these folktales. Gathered from countless sources ranging from the ancient Middle East to twelfth-century Germany and later Eastern European oral tradition, these captivating stories include Jewish variants of the Pandora and Persephone myths.

In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them, Kate Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.

This version of the familiar story in which a mistreated step-child finds happiness with the man of her dreams is set in the old-growth forest and features Bigfoot characters