In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.

Signs and wonders are not a gift but a promise to all believers. For over 40 years Frans has walked in the miraculous. His life is a stirring testimony to the power of God's supernatural provision, revelation, intervention, healing and, most of all, His loving, abiding and never failing presence, not only for himself and his family, but for many others as well. Contrary to the views of many, Frans insists, signs and wonders should be as normal for the church today as they were for the New Testament church in the days of the apostles. Miracles are not reserved for the super-spiritual, but should be the bread and butter of daily life for the ordinary believer. In a season for miracles, Frans proves his point through powerful vignettes drawn from his own life experiences and testimonies that will have you laughing, crying, shouting, praising, and worshiping in awestruck silence the God of miracles, mercy, and grace. Most importantly, Frans' stories will strengthen your faith, building up in you that confident conviction that you too can walk in the miraculous.

Your spiritual glass is half empty if your Christian life consists only of good theology, good works, and just attending church without a truly supernatural lifestyle. Many believers, even those who are Spirit-filled, cannot claim to possess a fully supernatural life. Happy with an occasional taste of Heaven, they assume that such a goal is out of reach. In this well written and easy to understand manual, author Ryan Wyatt explains the interplay of the physical and spiritual worlds in a fresh way that shows you—beyond doubt—that a supernatural lifestyle is available to you as well.

Washington, D.C.-based rock 'n' roll antihero Ian F. Svenonius provides an unparalleled and exquisitely provocative how-to guide for rock bands.

Brings together authors of fiction with philosophers and academics in Early Modern England and compares their ways of describing and understanding the world; Explores popular culture as well as the culture of the learned and elite; Examines the intellectual consequences of the Reformation and compares the spiritual and doctrinal practices of the occult to those of orthodoxy. Magic and the supernatural are common themes in the philosophy and fiction of the sixteenth and seventeenth centuries. Supernatural Fiction in Early Modern Drama and Culture explores varieties of scepticism and belief exhibited by a selection of philosophers and playwrights, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton, explicating how each author defines the supernatural, whether he assumes magic to operate in the world, and how he uses occult principles to explain what can be known and what is ethical. Beliefs and claims concerning impossible phenomena and superhuman agency require literary historians to determine whether an occult system of magical operation is being described in a given text. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. By examining works of fiction, it is possible to explore fantastic settings which were not intended to be synonymous with the early modern audiences everyday experience, settings where magic exists and operates according to the playwrights designs. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.

Analyzes the portrayal of German fairy-tale figures in contemporary North American media adaptations. Craving Supernatural Creatures: German Fairy-Tale Figures in American Pop Culture analyzes supernatural creatures in order to demonstrate how German fairy tales treat difference, alterity, and Otherness with terror, distance, and negativity, whereas contemporary North American popular culture adaptations navigate diversity by humanizing and redeeming such figures. This trend of transformation reflects a greater tolerance of other marginalized groups (in regard to race, ethnicity, ability, age, gender, sexual orientation, social class, religion, etc.) and acceptance of diversity in society today. The fairy-tale adaptations examined here are more than just twists on old stories—they serve as the looking glasses of significant cultural trends, customs, and social challenges. Whereas the fairy-tale adaptations that Claudia Schwabe analyzes suggest that Otherness can and should be fully embraced, they also highlight the gap that still exists between the representation and the reality of embracing diversity wholeheartedly in twenty-first-century America. The book's four chapters are structured around different supernatural creatures, beginning in chapter 1 with Schwabe's examination of the automaton, the golem, and the doppelganger, which emerged as popular figures in Germany in the early nineteenth century, and how media, such as Edward Scissorhands and Sleepy Hollow, dramatize, humanize, and infantilize these "uncanny" characters in multifaceted ways. Chapter 2 foregrounds the popular figures of the evil queen and witch in contemporary retellings of the Grimms' fairy tale "Snow White." Chapter 3 deconstructs the concept of the monstrous Other in fairy tales by scrutinizing the figure of the Big Bad Wolf in popular culture, including Once Upon a Timeand the Fables comic book series. In chapter 4, Schwabe explores the fairy-tale dwarf, claiming that adaptations today emphasize the diversity of dwarves' personalities and celebrate the potency of their physicality. Craving Supernatural Creaturesis a unique contribution to the field of fairy-tale studies and is essential reading for students, scholars, and pop-culture aficionados alike.

Publisher Description

This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans. Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.

Journey along! Selecting forty invigorating excerpts from their popular books, Bill Johnson and his associates have created another cup of spiritual java—an excellent blend of inspiration, encouragement and humor. Take a deep whiff of what Bill, his wife Beni, and their friends Danny Silk, Kevin Dedmon, Banning Liebscher, Chris Overstreet, Judy Franklin, Eric Johnson and Paul Manwaring have brewed specially for you. The cappuccino-sized stories are guaranteed to lift your spirit and sooth your mind. Flavorful chapter titles include: Taking Captive Every Scary Thought Lifeguards Must Be Swimmers Too Stupid to be Loved Post-Katrina Miracles Faith Is Spelled R-I-S-K Are You a Chevette or a Lamborghini? As you sip through each chapter, relax in God’s presence, learn to listen to His voice, and follow His directions. God will take you into exciting new territory, and your explorations will not end with the final page of this enjoyable book.