You're probably wondering why we're trying to be so quiet. Well there's a reason. A really BIG reason. He's standing over there--no--to your right--no, THROUGH the fence. Yes, on the other side of the big, nasty looking security fence that is literally shaking because of electric jolts. Yes, him. He's pretty scary looking, right? He's got to be six five, and he's got the face of a serial murderer. It's all sharp and needing shaved. And that whole skin tight prison body suit thing--it's really not fashionable at all, I admit. What? Why's he got a streak of white in his hair? Well, see, that's why we're here. He's a super villain. So why is an innocent little freshman like me and her annoying twin brother sneaking peeks at him through a prison fence? Well... He's our father. At least, that's what we think.

Penelope Akk wants to be a superhero. She's got superhero parents. She's got the ultimate mad science power, filling her life with crazy gadgets even she doesn't understand. She has two super powered best friends. In middle school, the line between good and evil looks clear. In real life, nothing is that clear. All it takes is one hero's sidekick picking a fight, and Penny and her friends are labeled supervillains. In the process, Penny learns a hard lesson about villainy: She's good at it. Criminal masterminds, heroes in power armor, bottles of dragon blood, alien war drones, shape shifters and ghosts, no matter what the super powered world throws at her, Penny and her friends come out on top. They have to. If she can keep winning, maybe she can clear her name before her mom and dad find out.

A girl with no special powers teams up with a so-called supervillain to investigate an insidious plot in their city in this action-packed YA debut.

When you live in a volcano, ride to school in a helicopter, and regularly see your dad on the news with the caption EVIL GENIUS underneath his picture, it takes a lot to rattle you. Until you get a message that says: We have your father. Deliver the NOVA in 24 hours or we will kill him. What's a NOVA, you ask? It's a nuclear bomb capable of turning the city into a radioactive mushroom cloud, and ever since Fiona's dad built it, it's caused nothing but grief. But telling him to stop building weapons is like telling Michelangelo to stop painting. And that's why thirteen-year-old Fiona has a flamethrower strapped to her arm. After all, who'd mess with a girl who can throw fireballs? Apparently, these guys. Big mistake.

A surprising and laugh-out-loud showdown between two pint-sized super-villains, perfect for young fans of Despicable Me. Dylan's parents, Mr. and Mrs. Snivels, have always told him that he is the very best and cleverest super-villain in the whole wide world. And Dylan's confident that it's true--until he starts school and meets Addison Van Malice. Sure, Dylan's costume is scary. But Addison Van Malice's is bone-chilling. And yes, Dylan's laugh is crazy. But Addison Van Malice's is bananas. And Dylan's inventions are certainly super-villainous. But Addison Van Malice's are demonic! When their teacher, Ms. Ick, announces a Diabolical Robot Building Contest, Dylan sees his opportunity to prove that he really is the most evil villain of all. But Addison's not giving in without a fight. And so begins a competition of skill and wits that doesn't go the way anyone expected...

John David Anderson returns to the world of superheroes he created in Sidekicked with an entirely new cast of characters in Minion, a funny and emotional companion to his first breakout tween novel—perfect for superhero fans who also love the work of bestselling authors Rick Riordan, Louis Sachar, and Frank Cottrell Boyce. Michael Morn might be a villain, but he's really not a bad guy. When you live in New Liberty, there are no Supers and only two kinds of people: those who turn to crime and those who suffer. Michael and his adoptive father spend their days building boxes—special devices with mysterious abilities—that they sell to the mob at a price. They provide for each other, they look out for each other, and they'd never betray each other. But then a Super comes to town, and Michael's world is thrown into disarray. The Comet could destroy everything Michael and his dad have built, the safe and secure life they've made for themselves. And now Michael and his father face a choice: to hold tight to their life or to let it unravel.

King of Bad Jeff Mean would rather set fires than follow rules or observe curfew. He wears his bad boy image like a favorite old hoodie; that is until he's recruited by Super Villain Academy - where you learn to be good at being bad. In a school where one kid can evaporate all the water from your body and the girl you hang around with can perform psychic sex in your head, bad takes on a whole new meaning. Jeff wonders if he's bad enough for SVA. He may never find out. Classmates vilify him when he develops good manners. Then he's kidnapped by those closest to him and left to wonder who is good and who is bad. His rescue is the climactic episode that balances good and evil in the super world. The catalyst - the girl he's crushing on. A girlfriend and balancing the supers is good, right? Or is it...bad? Polar Opposites The supers are balanced. Academies have altered their curriculum to teach both sides of the super power spectrum. All's well in the super world. Right? When Mystic kidnaps Oceanus, Jeff learns it isn't all right. Turning to the newly balanced supers for assistance, he panics to find they've done nothing to rescue Oceanus. When no ransom request follows, he worries Mystic's plan never included returning his girlfriend. Frustrated, he's forced to work with the only super willing to help. Oceanus' ex-villain, ex-boyfriend, Set. Mystic isn't the only one hiding something. Nothing about Jeff is balanced. Temper flares result in scorched clothing or flying furniture, and his charm has become an indiscriminating people-magnet. Jeff is convinced, or maybe just hopeful, that his lack of control is directly related to Oceanus being gone. But will he and Set find her before Jeff loses control completely and will they find her alive? Super Bad The world is in chaos. Violence and thievery reign. And with the supers still balanced, it's only getting worse. Without good versus evil, the supers care less and less. In order to restore purpose, the world needs its super heroes and its super villains, but the one who balanced them in the first place is missing. Sandra's concern over finding her brother Jeff, isn't her only problem. Her pathetic excuse for super powers has left her needing a new ankle. And though she's still very much committed to her boyfriend, Source, she's growing unreasonably attracted to Set, the boy who double-crossed Jeff by stealing his girlfriend. When Sandra is taken and held as bait by some kids who want to unbalance the super world, it becomes the inciting event that changes things for supers everywhere and forces them to answer the question, "Hero or villain?"

If you believe the rumors you know that Doctor Charm, the wickedly sexy super villain, retired in shame seven years ago after his last fight with the super hero Zephyr Girl. The fact that the charming Evan Smith-father of four and husband of the too-beautiful-to-be-real Tabitha-bears a resemblance to the defeated Doctor is pure coincidence. And, please, ignore the minions. Everything is perfect in the Smith household, until Tabitha announces her return to work as a super hero. Evan was hoping to keep her distracted until after he rigged the presidential election, but-genius that he is-Evan has a backup plan. In his basement lab, Evan has a machine whose sole purpose is keeping Tabitha hungry for him. But children and labs don't mix. The machine is broken, and Tabitha storms out, claiming she no longer knows him. World domination takes a back seat to meeting his daughters' demands to get Mommy back right now. This time his genius isn't going to be enough-he's going to need both his evil alter-ego, and the blooming super abilities of his children to save his wife. But even his most charming self might not be enough to save their marriage.

Saving the world isn’t easy. It’s even harder when you’re only nine. Kelly Donovan used to be a nobody. Well, a smart nobody. Skipping ahead a year in school made her the smallest kid in fifth grade and a target for bullies in search of an easy mark. She tried to follow her father’s advice and ignore them, but it didn’t do any good. Escaping into her favorite comic books at least helped her through the day. Who needs friends anyway? Sometimes, dreams find a way to come true, even if nobody asked them to. Aliens bombard the Earth with gigantic glowing red crystals to restore its failing magnetic field. Soon after the seemingly benevolent invasion, Kelly discovers her wildest, happiest fantasy come to life: she has superpowers, along with roughly two percent of the population. Her strong good nature leads her to adopt the heroic persona of Übergirl. However, she has one major problem… Her dad’s turning into a mad scientist. It’s difficult to be a hero, especially when your father’s a bad guy.

The Homer Simpson-esque stereotype has been a persistent trope in cartoons since programming aimed directly at children and adolescents began. Young viewers are exposed to the incapable and incompetent "hapless father" archetype on a regular basis, causing both boys and girls to expect the bare minimum of fathers while mothers hold the responsibility for all domestic and parenting work. Cartoons rely heavily on toxic stereotypes for ratings, when in fact, healthy representations of fathers are just as successful in maintaining viewership. Eleven essays, written by scholars from around the world, investigate the topic of fatherhood as it is represented in children's animated television shows. Main themes that emerge include absent and negligent fathers, single fathers, generational shifts within families, and raising the standard of fathering by creating secure bonds between father and child. The authors uncover problematic fathers, imperfect yet redemptive fathers, and fathers who embody idealized parenting traits through some of our most beloved animated dads. This collection demonstrates the impact that media representations of father figures have on young viewers and argues for better role models.