Super Suckers is the culmination of over forty years of undersea photography and groundbreaking research about the largest known octopus species in the world, the giant Pacific octopus. Cosgrove and McDaniel present previously unpublished biological behavior and a startling collection of octopus myths, legends, and anecdotes from aquarists and divers of the pacific coast.

When something goes bump in the night . . . it’s most likely a plumbing problem, or something equally mundane. But fake medium Eleanor Wilde is happy to investigate and cleanse your home of spectral presences—for a fee. Hey, it’s a living . . . Ellie has an ailing sister to care for, and working as a ghost hunter who doesn’t believe in ghosts helps cover the bills for both of them. When she’s lucky, it also pays for the occasional tropical vacation. Her brother doesn’t exactly approve, but Ellie figures she’s providing a service. On her latest job, though, she may be in for some genuine scares. The skeptical, reserved, and very rich Nicholas Hartford III has flown her all the way to his family’s ancestral estate in England—supposedly haunted by a phantom named Xavier. Nicholas thinks it’s all just as much a crock as Ellie’s business is, but the fact remains that something is causing the flashes of light, mysterious accidents, and other apparent pranks in the chilly, eerie castle. His mother is sure that Xavier is real, and he’s willing to employ Ellie if she can get to the bottom of it and put a stop to the nonsense. While the food and accommodations are somewhat disappointing (dorm-room furniture? Really?), Ellie is finding it an adventure to get to know this eccentric family and their houseguests, and to poke around in the nearby village for clues. But when an actual dead body appears—and subsequently disappears—at Castle Hartford, she’ll have to apply her talent for trickery and psychological insight to solve a flesh-and-blood murder.

Nirvana, the White Stripes, Hole, the Hives—all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. We Never Learn: The Gunk Punk Undergut, 1988–2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll, '60s garage rock, and '70s punk while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book—the Gories, the Supersuckers, the Dwarves, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, and the Muffs among them—gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, cheap drugs, chaotic romances, and a crazy good time, all the while building a dedicated fan base that extends across the world. Truly, this is the last great wave of down-and-dirty rock 'n' roll. In this expanded edition, Eric Davidson reveals more about the punk undergut with a new preface, postscript, and even more photos. Includes free twenty-song download!

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

A surprising history of Seattle’s Sub Pop Records, pioneer of grunge . . . and champion of losers. This book is a critical history of Sub Pop Records, the Seattle independent rock label that launched the careers of countless influential grunge bands in the late 1980s and early 1990s. It focuses in particular on the languages and personas of the “loser,” a term that encompassed the label’s founders and personnel, its flagship bands (including Mudhoney, TAD, and Nirvana), and the avid vinyl-collecting fans it rapidly amassed. The loser became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism, and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success.

Authoritative, eye-popping, and massive, this is the first and last word on contemporary concert posters, with more than 1,600 exemplary rock posters and flyers from more than 200 international studios and artists.

“Cocktail Chemistry offers the essential knowledge, techniques, and flair for creating perfectly mixed drinks at home.” —Bartender Magazine Enjoy clever, pop culture-inspired drinks with this collection of more than 80 recipes from the beloved Cocktail Chemistry YouTube channel. Have you ever seen a delicious-looking drink on your favorite movie or TV show and wondered how to make it? Well, now you can, with this collection of recipes from the creator of the popular Cocktail Chemistry YouTube channel Nick Fisher. Featuring recipes to recreate the classic White Russian from The Big Lebowski, the iconic martini from the James Bond movies, to drinks featured in Mad Men, The Simpsons, It’s Always Sunny in Philadelphia, Game of Thrones, The Office, Harry Potter, and more, Cocktail Chemistry will have you impressing your friends with your bartending skills in no time. In addition to recipes, Cocktail Chemistry includes everything you need to know to become a mixology expert, from how to make perfectly clear ice, delicious foams, and infusions, or how to flame a citrus peel. A must-have for all aspiring home mixologists and pop-culture buffs, Cocktail Chemistry will ensure you never have a boring drink again.

A BEHIND-THE-SCENES LOOK AT THE ADVENTURES OF FIRST-RATE STORYTELLER, GUITARIST, AND RELENTLESS ROAD WARRIOR JESSE DAYTON Jesse Dayton’s story reads like a who’s who of American music. In his debut memoir Beaumonster, Dayton reveals the stranger-than-fiction encounters and outlandish experiences that have ensued across his wide-ranging career. After sneaking into night clubs to play gigs in his youth, eighteen-year-old Dayton and his trio began packing clubs and theaters across Houston, Dallas, and Austin. His first solo record which featured great luminaries like Doug Sahm, Flaco Jiménez, and Johnny Gimble, hit number one on the Americana radio charts and then he was off to the races— touring the world solo and with punk legends Social Distortion and the Supersuckers. While doing press in Nashville, he caught the attention of Waylon Jennings and was whisked off to Woodland Studios, where he was greeted by none other than Johnny Cash, who told Dayton, “We’ve been waiting for you.” Since then, Dayton’s ride across the entertainment industry, traversing genres and formats, has only gotten wilder. Whether it’s playing guitar on records and film with the likes of Cash, Ray Price, Willie Nelson, Johnny Bush, Glen Campbell and Duff McKagan; writing and recording soundtracks for horror director/rockstar Rob Zombie; directing Malcolm McDowell and Sid Haig in his own horror movie; filling in for the iconic punk band X’s guitarist; joining Ryan Bingham on tour; or the many solo and guest projects he continues to work on, Dayton is down to leave his mark, making Beaumonster a uniquely entertaining tale that will impress new and old fans alike.

In the future, in a place called Satelite City, fourteen-year-old Cosmo Hill enters the world, unwanted by his parents. He's sent to the Clarissa Frayne Institute for Parentally Challenged Boys, Freight class. At Clarissa Frayne, the boys are put to work by the state, testing highly dangerous products. At the end of most days, they are covered with burns, bruises, and sores. Cosmo realizes that if he doesn't escape, he will die at this so-called orphanage. When the moment finally comes, Cosmo seizes his chance and breaks out with the help of the Supernaturalists, a motley crew of kids who all have the same special ability as Cosmo-they can see supernatural Parasites, creatures that feed on the life force of humans.

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.