Tajul Ma`Athir (The Crown Of Glorious Deeds) Is One Of The Earliest Works On Indian Medieval History And The First Book On Delhi Sultanate. The Work Has Been Surrounded By Controversy In That While Some Regard It As A Trustworthy Source Of History, For Others It Is Devoid Of Historical Material. Some Other Value It More For Its Literary Value Them Historical Information. This Work Has Thus Remained Neglected. This Translation Has Rendered An Invaluable Service To Scholarship In Making Available This Work Of An Author Who Was A Contemporary Of Qutbud-Din Aibak, The Founder Of Delhi Sultanate And Provides A Record Of The Times Of Aibak And Iltutmish.

Intelligent, brave, competent and just, Razia was chosen by her father, Sultan Iltutmish, to succeed him to the throne of Delhi. The people loved her and trusted her but the Amirs or nobles found it difficult to swear loyalty to a woman. Sultana Razia ruled for only three and a half years but she proved her father right by being a wise and just ruler who protected and nurtured her subjects. She led her armies and was a brave soldier. Her only enemy were the times that did not accept a woman as a leader.

A cross-cultural and ethno-historical perspective exploring the lives and legacies of several Muslim women rulers from medieval to modern times.

Solid and Hazardous Waste Management: Science and Engineering presents the latest on the rapid increase in volume and types of solid and hazardous wastes that have resulted from economic growth, urbanization, and industrialization and how they have challenged national and local governments to ensure effective and sustainable management of these waste products. The book offers universal coverage of the technologies used for the management and disposal of waste products, such as plastic waste, bio-medical wastes, hazardous wastes, and e-wastes. - Covers both traditional and new technologies for Identifying and categorizing the source and nature of the waste - Provides methods for the safe disposal of municipal solid wastes, plastic waste, bio-medical wastes, hazardous wastes, and e-wastes - Presents technologies that can be used for transportation and processing (including resource recovery) of the waste - Discusses reclamation, reuse, and recovery of energy from MSW

The story of Razia, one of the most colorful characters in Indian history and the only queen who ever sat on the throne of Delhi, has never before been told. This chronicle, based on recently uncovered sources, is singularly fascinating, both for its insight on India's history and for its compelling story.

Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the ACK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production.

In this path breaking study, social economist Naila Kabeer examines the lives of Bangladeshi garment workers to shed light on the question of what constitutes "fair" competition in international trade. While Bangladesh is generally considered a poor, conservative Muslim country, with a long tradition of female seclusion, women here have entered factories to take their place as a prominent, first generation, industrial labor force. On the other hand, in Britain's modern and secular society with its long tradition of female industrial employment, Bangladeshi women are largely concentrated in home-based piece work for the garment industry. This book draws on testimonies of both groups concerning their experiences at work and the impact these have on their lives generally to explain such paradoxes. Kabeer argues that any attempt to devise acceptable labor standards at the international level which takes no account of the forces of inclusion and exclusion within local labor markets is likely to represent the interests of powerful losers in international trade at the expense of weak winners.

Protecting her identity means life or death in this immersive epic fantasy inspired by the Mughal Empire. In a different life, under a different name, Razia Khan was raised to be the Crown Prince of Nizam, the most powerful kingdom in Daryastan. Born with the soul of a woman, she ran away at a young age to escape her father’s hatred and live life true to herself. Amongst the hijras of Bikampur, Razia finds sisterhood and discovers a new purpose in life. By day she’s one of her dera’s finest dancers, and by night its most profitable thief. But when her latest target leads her to cross paths with Arjun Agnivansha, Prince of Bikampur, it is she who has something stolen. An immediate connection with the prince changes Razia’s life forever, and she finds herself embroiled in a dangerous political war. The stakes are greater than any heist she’s ever performed. When the battle brings her face to face with her father, Razia has the chance to reclaim everything she lost…and save her prince.

For 35,000 years ancient Afghanistan was called Aryana (the Light of God) has existed. Then in 747 AD what is today called Afghanistan became Khorasan (which means Sunrise in Dari) which was a much larger geographical area. In the middle of the nineteenth century the name Afghanistan, which means home of the united tribes, was applied originally by the Saxons (present day British) and the Russians. During the Great Games in the middle of nineteenth century, the Durand Line was created in 1893 and was in place until 1993. Saxons created the state of Afghanistan out of a geographical area roughly the size of Texas: in 1893 before which there were 10 million square kilometers, larger than the size of Canada, as means to act as a buffer zone between the Saxon-India & Tsarist-Russia and the Chinese.