John Lenwood McLean - sugar free saxophonist from Sugar Hill, Harlem - is widely known as one of the finest, most consistent soloists in jazz history. From early in his career Jackie's powerful, unsentimental, sometimes astringent sound and inventive style made audiences and critics sit up and listen. Steeped in - but eventually moving well beyond - the influence of his mentor and friend Charlie Parker, he built an attractive, instantly recognisable musical As author Derek Ansell says, his career trajectory is far from the typical jazz story of the tragic artist in which early brilliance leads to later decline. McLean's story is one of glorious triumph over the drug addiction that affected so many of his friends and might have destroyed him. Able to produce uniformly fine recordings through the darkest periods of his personal life, he saw his reputation as a musician steadily grow and became not only a living legend as an improviser but a much respected educator whose students carry on his legacy. Fortunately, McLean's discography is large and Derek Ansell is a surefooted guide through the recordings, presenting them in the context in which they were made and indicating the special gems among a vast body of recorded work that is one of jazz's greatest treasures. Derek Ansell writes regular reviews of live jazz and classical music for magazines and newspapers and has contributed more than two hundred articles and numerous interviews, record and book reviews to Jazz Journal International. He is the author of Workout: The Music of Hank Mobley (Northway Publications) and a book about the music of John Coltrane (forthcoming). He has also written three novels (two published and one forthcoming). "McLean never completed his autobiography, but this respectful, perceptive study goes some way towards compensating his many admirers for this loss." Read the LondonJazz review here: http: //londonjazz.blogspot.co.uk/2012/06/derek-ansell-sugar-free-saxophone-life.html

(Instructional). Living sax legend Jackie McLean is one of the greatest alto players of the post-Parker era. For this book, he has assembled essential warm-up exercises to help students become familiar with playing through different keys ascending and descending chromatically. Includes a biography, an interview, many exercises, and transcriptions of his solos in "Bluesnik" and "Dig."

This book provides the beginner alto saxophone player with all the skills you need to get started. Following simple illustrated lessons, you will learn to play in a variety of styles – from funk and pop to soul, jazz and blues. Easy-to-follow lessons will help you pick up the essentials – creating a warm, rich, even sound, mastering rhythm and notation, and improvising – until you are ready to join a band and start jamming! The backing CD provides accompanying tracks to help you play the right style, and demonstrations of the material for you to listen to and emulate. The book isn’t only for alto sax players, students of the tenor sax will also get plenty from the lessons and the scale library, allowing them to create simple improvisations and letting them ‘jazz up’ a melody. About the author Ollie Weston is Professor of Jazz Saxophone at the Guildhall School of Music and currently runs both the Jazz Workshop and the Jazz MA courses for the Junior School. As well as numerous smaller groups, he writes and arranges music for his own quartet, and co-leads the Zephyr Saxophone Quartet. His session credits include 19 Management, Island Records, Edwyn Collins, Jamie Cullum and Amy Winehouse. Ollie has also played in many West End productions.

"This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico"--Provided by publisher.

(Instrumental Folio). If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast * Can You Feel the Love Tonight * A Dream Is a Wish Your Heart Makes * Evermore * Go the Distance * He's a Pirate * I See the Light * Kiss the Girl * Let It Go * Mickey Mouse March * Reflection * A Spoonful of Sugar * True Love's Kiss * We're All in This Together * When You Wish upon a Star * A Whole New World * You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and more.

Analysis of Jazz: A Comprehensive Approach, originally published in French as Analyser le jazz, is available here in English for the first time. In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms has been researched and analyzed by performers, scholars, and critics, and Analysis of Jazz is required reading for any serious study of jazz; but not just musicians and musicologists analyze jazz. All listeners are analysts to some extent. Listening is an active process; it may not involve questioning but it always involves remembering, comparing, and listening again. This book is for anyone who attentively listens to and wants to understand jazz. Divided into three parts, the book focuses on the work of jazz, analytical parameters, and analysis. In part one, Cugny aims at defining what a jazz work is precisely, offering suggestions based on the main features of definition and structure. Part two he dedicates to the analytical parameters of jazz in which a work is performed: harmony, rhythm, form, sound, and melody. Part three takes up the analysis of jazz itself, its history, issues of transcription, and the nature of improvised solos. In conclusion, Cugny addresses the issues of interpretation to reflect on the goals of analysis with regard to understanding the history of jazz and the different cultural backgrounds in which it takes place. Analysis of Jazz presents a detailed inventory of theoretical tools and issues necessary for understanding jazz.

(Instrumental Folio). Instrumentalists will love this jam-packed collection of 101 timeless pop songs! Songs include: Another Brick in the Wall * Billie Jean * Dust in the Wind * Easy * Free Bird * Girls Just Want to Have Fun * Hey Jude * I'm a Believer * Jessie's Girl * Lean on Me * The Lion Sleeps Tonight * Livin' on a Prayer * My Girl * Piano Man * Pour Some Sugar on Me * Reeling in the Years * Stand by Me * Sweet Home Alabama * Take Me Home, Country Roads * With or Without You * You Really Got Me * and more.

Basic guide to proper methods of playing the saxophone.

London, World War Two. When Sandra Cooper is offered the chance to move away with her children, it seems like a good opportunity to escape the 1940 blitz. Her husband Harry is away in the army, and over the next five years she experiences the very worst of World War 2. As they settle into their new home, she realizes that the Hertfordshire town is not such a safe option after all. Then along comes Edward; a young pilot who proves a good friend in unexpected circumstances. As Sandra becomes more and more fond of him, Germany prepares to launch their assault on London... and their lives will change forever.

In Experiencing Jazz: A Listener’s Companion, writer, teacher, and renowned jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music together—an experience unique in the world of music. Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal level and takes readers on a whirlwind tour of the genre, instrument by instrument—offering not only brief portraits of key musicians like Joe Lovano and John Scofield, but also their own commentaries on how best to experience the music they create. Throughout, jazz takes center stage as a personal transaction that enriches the lives of both musician and listener. Written for anyone curious about the genre, this book encourages further reading, listening, and viewing, helping potential listeners cultivate an understanding and appreciation of the jazz art and how it can help—in drummer Art Blakey’s words—“wash away the dust of everyday life.”