Virginia Woolf, to whom university admittance had been forbidden, watched the universities open their doors. Though she was happy that her sisters could study in university libraries, she cautioned women against joining the procession of educated men and being co-opted into protecting a “civilization” with values alien to women. Now, as Woolf’s disloyal (unfaithful) daughters, who have professional positions in Belgian universities, Isabelle Stengers and Vinciane Despret, along with a collective of women scholars in Belgium and France, question their academic careers and reexamine the place of women and their role in thinking, both inside and outside the university. They urge women to heed Woolf’s cry—Think We Must—and to always make a fuss about injustice, cruelty, and arrogance.

There is more to identity than identifying with one's culture or standing solidly against it. Jose Esteban Munoz looks at how those outside the racial and sexual mainstream negotiate majority culture -- not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Munoz calls this process "disidentification, " and through a study of its workings, he develops a new perspective on minority performance, survival, and activism. Disidentifications is also something of a performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. Whether examining the process of identification in the work of filmmakers, performance artists, ethnographers, Cuban choteo, forms of gay male mass culture (such as pornography), museums, art photography, camp and drag, or television, Munoz persistently points to the intersecting and short-circuiting of identities and desires that result from misalignments with the cultural and ideological mainstream in contemporary urban America. Munoz calls attention to the world-making properties found in performances by queers of color -- in Carmelita Tropicana's "Camp/Choteo" style politics, Marga Gomez's performances of queer childhood, Vaginal Creme Davis's "Terrorist Drag, " Isaac Julien's critical melancholia, Jean-Michel Basquiat's disidentification with Andy Warhol and pop art, Felix Gonzalez-Torres's performances of "disidentity, " and the political performance of Pedro Zamora, with AIDS, within the otherwise artificial a person environment of the MTV serial The Real World.

In Dying Modern, one of our foremost literary critics inspires new ways to read, write, and talk about poetry. Diana Fuss does so by identifying three distinct but largely unrecognized voices within the well-studied genre of the elegy: the dying voice, the reviving voice, and the surviving voice. Through her deft readings of modern poetry, Fuss unveils the dramatic within the elegiac: the dying diva who relishes a great deathbed scene, the speaking corpse who fancies a good haunting, and the departing lover who delights in a dramatic exit. Focusing primarily on American and British poetry written during the past two centuries, Fuss maintains that poetry can still offer genuine ethical compensation, even for the deep wounds and shocking banalities of modern death. As dying, loss, and grief become ever more thoroughly obscured from public view, the dead start chattering away in verse. Through bold, original interpretations of little-known works, as well as canonical poems by writers such as Emily Dickinson, Randall Jarrell, Elizabeth Bishop, Richard Wright, and Sylvia Plath, Fuss explores modern poetry's fascination with pre- and postmortem speech, pondering the literary desire to make death speak in the face of its cultural silencing.

In the chaotic days after the bombing of Pearl Harbor, the Roosevelt administration made a dubious decision affecting hundreds of Axis diplomats remaining in the nation’s capital. To encourage reciprocal treatment of U.S. diplomats trapped abroad, Roosevelt sent Axis diplomats to remote luxury hotels—a move that enraged Americans stunned by the attack. This cause célèbre drove a fascinating yet forgotten story: the roundup, detention, and eventual repatriation of more than a thousand German, Japanese, Italian, Bulgarian, and Hungarian diplomats, families, staff, servants, journalists, students, businessmen, and spies. Such Splendid Prisons follows five of these internees whose privileged worlds came crashing down after December 7, 1941: a suave, calculating Nazi ambassador and his charming but conflicted wife; a wily veteran Japanese journalist; a beleaguered American wife of a Japanese spy posing as a diplomat; and a spirited but naive college-aged daughter of a German military attaché. The close, albeit luxurious, proximity in which these Axis power emissaries were forced to live with each other stripped away the veneer of false prewar diplomatic bonhomie. Conflicts ran deep not only among the captives but also among the rival U.S. agencies overseeing a detainment fraught with uncertainty, duplicity, lust, and romance. Harvey Solomon re-creates this wartime American period of deluxe detention, public outrage, hidden agendas, rancor and racism, and political machinations in a fascinating but forgotten story.

Informative, timely and accessible introduction to the study of South Asia by leading scholars in the field.

Floppy's Phonics provide fun, decodable stories and non-fiction, developed to be interwoven with existing much-loved Biff, Chip and Kipper stories for focused synthetic phonics practice. This book is also available as part of a mixed pack of 6 different books or a class pack of 36 books of the same Oxford Reading Tree stage. Each book pack comes with a free copy of up-to-date and invaluable teaching notes.

This is the complete reference to the classic yachts and dinghies still sailing today. Focusing on the most well-known, popular and enduring designs - from the 7ft Optimist to the 125ft J class - this beautifully illustrated book showcases 144 boats from across the world, with a wealth of detail on each class, including: the origins and history of the class; what it's like to sail one; fascinating stories about the boat, who sailed her, and her development; stunning photography, sailplans and sail symbol; full detail on her length, layout and designer. Featuring designers from an internationally recognised hall of fame (including William Fife, Olin Stevens, Maurice Griffiths and Uffa Fox), Classic Classes is the perfect resource for classic boat owners and enthusiasts worldwide, whether their interest lies in high-performance thoroughbred racers, well-loved creek crawling cruisers or popular home-built classic dinghies. Published in advance of the 2012 Olympics, there is also a section devoted to the 46 Olympic classes.