"This translation, titled The Substance and the Shadow, also brings to the foreground the effects of a burgeoning capitalist economy on the artistic practices of the period. With changes in the Salon and the dealer system, art in France was no longer reserved for the privileged few, and artists increasingly found themselves attempting to appeal to the merchant classes. Art had become a commercial endeavor in ways never before imagined, and the story details Rambert's - and, by extension, Cezanne's - attempts to cope with the shift." "In an introductory essay, Paul Smith discusses the nature of the roman a clef and its use as a historical document, and provides an examination of the relationship between Roux's characters and their real-life counterparts."--BOOK JACKET.

An authentic, heartfelt and compelling narrative – straight from the horse’s mouth – that reveals for the first time numerous unknown aspects of the life and times of one of the greatest legends of all time who stands out as a symbol of secular India. Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

Substance And Shadow – A compelling examination of the deep issues that have fascinated philosophers, thinkers, and searchers throughout history is presented in “Substance and Shadow.” It pushes readers to look deeper than the surface of their perceptions and address the complex mysteries that lie at the heart of life. This book is a call to go on a philosophical and metaphysical trip that invites readers to think critically, ponder, and, in the end, come to a greater comprehension of the complex interplay between substance and shadow in the tapestry of life.

A collection of eleven original stories that deal with ghosts and gangs, murders and monsters.

The purpose of this monograph is to provide classroom teachers, librarians, and teacher educators in the field of children's literature with information that will enable them to make better informed selections of recent literature for and about Afro-Americans. The first chapter of the work places contemporary realistic fiction about Afro-Americans in a sociocultural and historical context, while the second chapter discusses the "social conscience" books that are written primarily to help whites know the condition of blacks in the United States. The third chapter reviews "melting pot" books that were written for both blacks and whites on the assumption that both groups need to be informed that nonwhite children are exactly like other American children--except for their skin color. The fourth chapter examines "culturally conscious" books that were written for Afro-American readers and that attempt to reflect both the uniqueness and the universal humaneness of the Afro-American experience from the perspective of an Afro-American child or family. The fifth chapter presents a brief overview of the work of five Afro-American writers who have made significant contributions to children's fiction since 1965, and the final chapter summarizes the current status of children's fiction about Afro-Americans and suggests some areas yet to be covered in fictional works. (FL)

Tranceformers: Shamans of the 21st Century is the true story of this author's contact with a "dead" optics physicist colleague and the telepathic communication that sent him searching for scientific answrs to his spiritual questions. Harper draws from this deep well of wisdom: astrology, biology, near-death experiences, paranormal psycholgy, quantum physics as well as Egyptian and Mayan cosmology overall. He does an excellent job of synthesizing massive amounts of information, making this shift of the ages comprehensible to the general reader. Clearly this is a necessary primer to understand the coming apocalypse of biblical proportions in consciousness, climate, culture, and civilization. However, the theme of this book is that by learning to use trance- the techniques employed by mystics, prophets, and shamans- one can unlock the mysteries of existence for themselves. Indeed this is the big idea behind the Eternal Return of the Sun of God in 2012: Self-Empowerment.

Presented as a successor to the Cold War era book An Introduction to Strategic Studies, this volume explores issues of military security through a framework that links the issues of technology and world politics. Arguing that the technological aspect of the global strategic environment is partway through a centuries- long process of transformation sped up by the advent of the information age, the authors examine such issues as different levels of industrial development on security, what they argue is the relative infrequency of the use of force between states, the use of military threats such as mass destruction, concepts that military means create problems in themselves such as fear of war and insecurity, and finally, ways in which regulatory schemes such as disarmament can be put to use to solve some of those problems. Paper edition (unseen) $22.50. Annotation copyrighted by Book News, Inc., Portland, OR