Elisabeth Young-Bruehl illuminates the psychological and intellectual demands writing biography makes on the biographer and explores the complex and frequently conflicted relationship between feminism and psychoanalysis. She considers what remains valuable in Sigmund Freud's work, and what areas - theory of character, for instance - must be rethought to be useful for current psychoanalytic work, for feminist studies, and for social theory. Psychoanalytic theory used for biography, she argues, can yield insights for psychoanalysis itself, particularly in the understanding of creativity.

These essays on the problems and functions of biography - particularly those of writers, thinkers and artists - investigate a subject of enduring importance for those interested in culture.

Dutch Calvinist theologian Herman Bavinck, a significant voice in the development of Protestant theology, remains relevant many years after his death. His four-volume Reformed Dogmatics is one of the most important theological works of the twentieth century. James Eglinton is widely considered to be at the forefront of contemporary interest in Bavinck's life and thought. After spending considerable time in the Netherlands researching Bavinck, Eglinton brings to light a wealth of new insights and previously unpublished documents to offer a definitive biography of this renowned Reformed thinker. The book follows the course of Bavinck's life in a period of dramatic social change, identifying him as an orthodox Calvinist challenged with finding his feet in late modern culture. Based on extensive archival research, this critical biography presents numerous significant and previously ignored or unknown aspects of Bavinck's person and life story. A black-and-white photo insert is included. This volume complements other Baker Academic offerings on Bavinck's theology and ethics, which together have sold 90,000 copies.

_______________ 'A biography that sparkles with enthusiastic research and empathetic writing' - Sunday Times 'A small jewel of a biography' - The New Yorker 'A fascinating, hilarious and deliciously subversive book' - Literary Review _______________ THE SUNDAY TIMES BESTSELLER Born in 1900 to a promiscuous American oil heiress and a British army captain, Marion Barbara Carstairs realised very early on that she was not like most little girls. Liberated by war work in WWI, Marion reinvented herself as Joe, and quickly went on to establish herself as a leading light of the fashionable lesbian demi-monde. She dressed in men's clothes, smoked cigars and cheroots, tattooed her arms, and became Britain's most celebrated female speed-boat racer - the 'fastest woman on water'. Yet Joe tired of the limelight in 1934, and retired to the Bahamian Island of Whale Cay. There she fashioned her own self-sufficient kingdom, where she hosted riotous parties which boasted Hollywood actresses and British royalty among their guests. Although her lovers included screen sirens such as Marlene Dietrich, the real love of Joe's life was a small boy-doll named Lord Tod Wadley, to whom she remained devoted throughout her remarkable life. She died, aged 93, in 1993.

Whitbread Award Winner: A memoirist “conjures up her claustrophobic childhood in the small Welsh village of Hanmer with wit and unsentimental clarity” (The New York Times). The bad blood had missed a generation. You’re just like your grandfather, my mother said. Blood trickles down through every generation, seeps into every marriage. An international bestseller and winner of the Whitbread Biography Award, Bad Blood is a tragicomic memoir of one woman’s escape from a claustrophobic childhood in post–World War II Britain and the story of three generations of a family—its triumphs and its darkest secrets. With wit and a dose of self-deprecating humor, Lorna Sage’s prose brings to life a period—the 1940s and 1950s—that continues to influence and shape society in the twenty-first century. As a portrait of a family and a young girl’s place in it, Bad Blood is unsurpassed. “Her father was off fighting in World War II, her mother off in her own dreamy rerun of adolescence, so young Lorna hung onto the ‘skirts’ of her vicar grandpa, a histrionic, bitterly intelligent philanderer . . . Sage finds such delicious ironies in all the awful detail that readers can’t help but be entertained., wickedly . . . perfect book club reading.” —Publishers Weekly (starred review) “She lifts your spirits even as she hurts your heart.” —Daily Telegraph “Deeply affecting and beautifully written.” —People “Evocative, enthralling, often hilarious.” —Los Angeles Times “A superb memoir of a daughter of the ’50s who got knocked up, but not knocked down.” —Maureen Corrigan, NPR’s Fresh Air

Recounts the troubled life of the American poet and uses her unpublished letters and journals to depict the feelings that led her to suicide

She's an Oscar-winning actress, a devoted mother, and a down-to-earth Southern belle. And she's only thirty years old. In this fascinating biography of Reese Witherspoon, Lauren Brown chronicles Witherspoon's participation in local talent shows, her Hollywood debut, and her Academy Award for Best Actress. Brown also highlights the actress's emphasis on maintaining her values in an industry that often has none. Laura Jeanne Reese Witherspoon was astonishingly ambitious from a young age. By seven, she appeared in commercials and was already taking adult acting classes. In 1990 she earned her first starring role in the film Man on the Moon, and suddenly Hollywood took notice. Brown delves into Witherspoon's decision to put a hold on her acting career to pursue an education — a hold that couldn't last when the scripts kept rolling in — her work with her production company Type A, and, of course, her high-visibility relationship with Ryan Phillippe, whom she met at her 21st birthday party. The first-ever biography of the star, Reese Witherspoon gives fans a close-up look at Hollywood's golden girl.

Novelist, culture critic, essayist, historian, comic satirist, image maker, actor, homosexual, bisexual, controversial, confrontational - finding words to describe Gore Vidal is never difficult. And yet, an accurate picture of this multifaceted chameleon has eluded us until now. This book provides a biography of a literary icon.

The study of economic development is one of the newest, most exciting, and most challenging branches of the broader discipline of economics and political economy. Although one could claim that Adam Smith was the first "development economist", the systematic study of the problems and processes of economic development in Africa, Asia, and Latin America has emerged only over the past five decades. This biography of the subject of economic development will focus on the essential ideas in the evolution of development thought and policy over the subject's half-century of life. In concise form and avoiding undue technicality, it highlights the influence of development theory on policymaking and on the mixed record of successes and failures in promoting development efforts. The interpretation of theory, policy, and the lessons of experience are covered in three periods: early development economics of the 1950s-60s; orthodox reaction of the 1970s-80s; and the new development economics of the 1980s-90s. Gerald Meier-one of the world's most prominent leading thinkers in the economics of development - interprets the past treatment of development problems with the present and future in mind. He re-interprets the past two generations of development economists in a contemporary voice. And in a forward-looking fashion, the book's perspectives should make the next generation of development problems-and development economists-more intelligible. The reader is invited to consider whether development economists really know how to put matters right.

Aimed at an international readership, this book offers a representative collection of essays by the German philosopher, Georg Picht (1913-1982), who was a specialist in Greek philosophy, practical philosophy and philosophy of religion. Picht's themes address different disciplines, such as ancient philosophy, systematic philosophy and political analysis, and often contain critical statements on significant developments from the European Enlightenment to the Cold War era. Other essays offer a distinctive interdisciplinary approach characteristic of the author. These contributions are relevant to both philosophy and science as they discuss, for instance, philosophical definitions of space and time or the relationship between history and evolution. Another part of the book includes texts on art that present Picht’s authentic definition of art and his theory of the interdependence of art and politics. • For the first time, key texts of the German philosopher and political thinker Georg Picht are presented to a global readership in English. • Like Nietzsche’s philosophy, Picht’s work is grounded in his outstanding professionalism in the different fields of classics, embracing not only textsand theories of the great thinkers from the pre-Socratic to the post-Aristotelian and Stoic philosophies but also the main currents of ancient literature. • Picht’s importance as a political author and public adviser is exceptional, and may explain why his lifelong friend Carl Friedrich von Weizsäcker – another pioneer presented in this series – called him his “teacher”.