Stubborn Poetries is a study of poets whose work, because of its difficulty or simple resistance to conventional explication, remains more or less firmly outside the canon. Book jacket.

A young British -Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her: mother, grandmother, and aunt. During her trips to Brazil, sometimes alone, often with family, our narrator accesses a different side of herself that is as much of who she is as anything else. -- adapted from back cover

The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.

Selected by Dave Smith as one of the five volumes published in 1990 in the National Poetry Series "I could not leave this book aside nor, among so many worthy others, could I choose another. It interested me, crooned to me, and in the end I loved it. I hope he writes many more. Read it. You will see why." -- Dave Smith "A poet whose own craft is beyond dispute and whose gifted heart has something to tell us about our ordinary selves we had almost despaired of hearing again in the American tongue." --John D. Bernard, Poet Lore

Enter her grove barefoot,no leather here,no blood sacrificesdone. Offer her honeyed milk, not wine. Offer water to wash, olive oil, salt, honey, coarse meal, sweet scented flowers,cakes drizzled with honey,soothing herbs, especially those of childbirth and breast-feeding,rue, malva, and salvia,perhaps a special dish of cheese and herbs. She is a presence.

Comic, elegaic, and always formally intricate, using political allegory and painterly landscape, philosophic story and dramatic monologue, these poems describe a moment when something marvelous and unforeseen alters the course of a single day, a year, or an entire life.

In her startling new collection of poetry, Alice Derry contemplates an awkward, even taboo, subject -- the persecution and suffering of the German population before, during, and after World War II. Sparked by her desire to capture in verse the torment of her German cousins, who had survived the horrors of war only to be separated by the division of Germany, Derry composed these poems over a quarter century, ultimately chronicling the anguish of an entire people who "deserved" their lot, a people permanently tainted by the horrifying events of the Third Reich and the Holocaust. "Before I realized that I was becoming part of a contaminated language and people, I was part of them", writes Derry in her powerful introductory essay, an eloquent discussion of racism, ethnic prejudice, and learned hatred. Indeed, Derry's intensely personal poems have an immediacy that approaches documentary. She divides the poems into two sections, the first telling the stories of her German relatives trapped behind the Iron Curtain, often from their point of view. "When I felt our first son move inside me . . . / I walked into the cold, muddy spring, / the rubbled streets, and took my place / in the food lines". The second section ponders the distinct experiences of German Americans. By giving voice to a group that Americans and others have been given permission to hate, Derry eloquently reveals a subtle truth about blame and guilt -- in the end we are all implicated, all human suffering is a part of each of us.

“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today

English translation and appreciation by Peter Chen and Michael Tan Reviewed by Chan Chiu MingAn original English translation from the Chinese text:A companion edition of the book in Chinese is available — the original classical text translated into modern Chinese and profusely annotated by Associate Professor Dr Chan Chiu Ming of National Institute of Education, Singapore.