1845 classic children's book relates the consequences, in funny rhyming couplets, that befall children who torment animals, play with matches, suck their thumbs, and fidget at meals.

A recent upsurge in interest in Der Struwwelpeter, written by Heinrich Hoffman has initiated a new wave of spin-offs, parodies, and retellings of these immensely popular stories. Hoffman's style, which is instructive and moralistic, coupled with the sadistic content of his works lend a unique quality to the stories that we don't see in contemporary children's literature. Struwwelpeter: Humor or Horror? is a critical analysis of the now infamous Struwwelpeter stories. While Hoffman intended his depictions of amputated limbs and burning children to be humorous and to warn children against misbehavior, some find the punishments can be excessively vicious. Looking beyond the history of child rearing practices and children's literature, Barbara Smith Chalou considers the socio-historic context in which the book was written and makes comparisons to contemporary children's fare that is similarly violent, but intended to be humorous.

'Slovenly Betsy' is a children's rhyme book written by Heinrich Hoffmann. These rhymes, which combine elements of Roald Dahl, Charles Addams, and the Old Testament, are cautionary tales about unruly children. They cover the seven deadly sins of childhood and depict the potential negative consequences of misbehavior, as seen from the life of the book's main character, Betsy.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A visually stunning look at innovative and eye-popping measures used to protect ships during World War I. During World War I, British and American ships were painted with bold colors and crazy patterns from bow to stern. Why would anyone put such eye-catching designs on ships? Desperate to protect ships from German torpedo attacks, British lieutenant-commander Norman Wilkinson proposed what became known as dazzle. These stunning patterns and colors were meant to confuse the enemy about a ship's speed and direction. By the end of the war, more than four thousand ships had been painted with these mesmerizing designs. Author Chris Barton and illustrator Victo Ngai vividly bring to life this little-known story of how the unlikely and the improbable became just plain dazzling. "[A] conversational, compelling, and visually arresting story . . ."—starred, Publishers Weekly "Barton's lively text is matched by Ngai's engrossing artwork, which employs dazzle techniques throughout her inventive spreads."—The Bulletin of the Center for Children's Books New York Public Library Best Books for Kids Children's Book Committee at Bank Street College Best Children's Book of the Year

Tales in verse about some naughty children and the fates that befall them when they misbehave.

by Bob Staake A visually stunning reinterpretation of the fairy tale classic! Mesmerized as a child by the nightmarish prose and haunting images contained in the book, noted author/illustrator Bob Staake gives a 21st century spin to these 14 stories - each more politically incorrect than the next.

Originally written by German psychiatrist Heinrich Hoffmann in 1844, "Struwwelpeter" was originally intended to be an amusing and educational Christmas present for the authors son. Since then it has become a national treasure in Germany, as familiar and nostalgic as Mother Goose. Here, writer/illustrator Lowell Isaac Hildebrandt has re-interpreted the poems to emphasize their ironic, humorous qualities, and has created new and graphic illustrations with linocuts. This edition is intended primarily for the enjoyment of adult readers, and, perhaps, very morbid and stout-hearted children.