Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

Proceedings of the NATO Advanced Study Institute, Ankara, Turkey, June 10-21, 1985

A New York Times Notable Book of the Year The Discomfort Zone is Jonathan Franzen's tale of growing up, squirming in his own über-sensitive skin, from a "small and fundamentally ridiculous person," into an adult with strong inconvenient passions. Whether he's writing about the explosive dynamics of a Christian youth fellowship in the 1970s, the effects of Kafka's fiction on his protracted quest to lose his virginity, or the web of connections between bird watching, his all-consuming marriage, and the problem of global warming, Franzen is always feelingly engaged with the world we live in now. The Discomfort Zone is a wise, funny, and gorgeously written self-portrait by one of America's finest writers.

A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections The essayist, Jonathan Franzen writes, is like “a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.” For the past twenty-five years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calamities, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both. Where the new media tend to confirm one’s prejudices, he writes, literature “invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.” Whatever his subject, Franzen’s essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He’s frank about birds, too (they kill “everything imaginable”), but his reporting and reflections on them—on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica—are both a moving celebration of their beauty and resilience and a call to action to save what we love. Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason.

This book addresses current activities in strong-motion networks around the globe, covering issues related to designing, maintaining and disseminating information from these arrays. The book is divided into three principal sections. The first section includes recent developments in regional and global ground-motion predictive models. It presents discussions on the similarities and differences of ground motion estimations from these models and their application to design spectra as well as other novel procedures for predicting engineering parameters in seismic regions with sparse data. The second section introduces topics about the particular methodologies being implemented in the recently established global and regional strong-motion databanks in Europe to maintain and disseminate the archived accelerometric data. The final section describes major strong-motion arrays around the world and their historical developments. The last three chapters of this section introduce projects carried out within the context of arrays deployed for seismic risk studies in metropolitan areas. Audience: This timely book will be of particular interest for researchers who use accelerometric data extensively to conduct studies in earthquake engineering and engineering seismology.

"A hugely absorbing first novel from a writer with a fluid, vivid style and a rare knack for balancing the pleasure of entertainment with the deeper gratification of insight. More, please.” —Maggie Shipstead, The New York Times Book Review (Editors’ Choice) "A story about Russia, the United States, friendship, identity, defection, and deception that is smart, startling, and worth reading regardless of when you were born.” —Kathryn Schulz, New York Magazine "Holt's beguiling debut… in which there is no difference between personal and political betrayal, vividly conjures the anxieties of the Cold War without ever lapsing into nostalgia." —The New Yorker Sarah Zuckerman and Jennifer Jones are best friends in an upscale part of Washington, D.C., in the politically charged 1980s. Sarah is the shy, wary product of an unhappy home: her father abandoned the family to return to his native England; her agoraphobic mother is obsessed with fears of nuclear war. Jenny is an all-American girl who has seemingly perfect parents. With Cold War rhetoric reaching a fever pitch in 1982, the ten-year-old girls write letters to Soviet premier Yuri Andropov asking for peace. But only Jenny's letter receives a response, and Sarah is left behind when her friend accepts the Kremlin's invitation to visit the USSR and becomes an international media sensation. The girls' icy relationship still hasn't thawed when Jenny and her parents die tragically in a plane crash in 1985. Ten years later, Sarah is about to graduate from college when she receives a mysterious letter from Moscow suggesting that Jenny's death might have been a hoax. She sets off to the former Soviet Union in search of the truth, but the more she delves into her personal Cold War history, the harder it is to separate facts from propaganda. You Are One of Them is a taut, moving debut about the ways in which we define ourselves against others and the secrets we keep from those who are closest to us. In her insightful forensic of a mourned friendship, Holt illuminates the long lasting sting of abandonment and the measures we take to bring back those we have lost.