Stripped an Exotic Dancers Journey to God speaks about a little five-year-old girl being molested by her sibling, which then hurls her into a life of abandonment and promiscuity, thus building an underworld enterprise. This intriguing real-life story tells how an innocent girl can be led into the life of violence, lewdness, and ultimately, imprisonment to having been brought out and guided by the hand of God. Toby Billie is an evangelist in ministry and is currently a sidewalk counselor. As a former dancer, the author has spent countless hours ministering throughout the streets of Baltimore, ranging from saving the youth to preventing abortions in the city. She also does campaign work for the youth at various churches, teaching them how to maintain abstinence and other valuable life lessons. Through her tireless efforts in ministry, she has received numerous awards. She comes from a large family of fourteen. The hardships from her upbringing propelled her to pursue higher education. As a college graduate, she is now a certified addictions counselor. Evangelist Billie currently resides in Maryland. She is married and is a proud mother of two daughters and five grandsugars. She also enjoys working out and weight training. She did an exclusive interview courtesy of the 700 Club for 460 million viewers and 138 countries around the world, internationally sharing her story.

Stripped: An Exotic Dancer's Journey to God, illustrates the life of a five year old little girl who, due to sexual abuse as a child, was hurled into a life of abandonment and promiscuity, thus building an underworld enterprise. This intriguing, real-life story shows how an innocent girl can be led into the life of violence, lewdness, and ultimately imprisonment, to having been brought out and guided by the hand of God.

Stripped examines the ways in which erotic bodies communicate in performance and as cultural figures. Focusing on symbols independent of language, Maggie M. Werner explores the signs and signals of erotic dance, audience responses to these codes, and how this exchange creates embodied rhetoric. Informed by her own ethnographic research conducted in strip clubs and theaters, Werner analyzes the movement, dress, and cosmetic choices of topless dancers and neo-burlesque performers. Drawing on critical methods of analysis, she develops approaches for interpreting embodied erotic rhetoric and the marginal cultural practices that construct women’s public erotic bodies. She follows these bodies out into the streets—into the protest spaces where sex workers and anti-rape activists challenge discourses about morality and victimhood and struggle to remake their own identities. Throughout, Werner showcases the voices of these performers and in the analyses shares her experiences as an audience member, interviewer, and paying customer. The result is a uniquely personal and erudite study that advances conversations about women’s agency and erotic performance, moving beyond the binary that views the erotic body as either oppressed or empowered. Theoretically sophisticated and delightfully intimate, Stripped is an important contribution to the study of the rhetoric of the body and to rhetorical and performance studies more broadly.

DANCE FOR A HARVEST is a book that instructs those laborers wanting to go deeper into the things of God and to be used more mightily in these last days. Written by dance veteran Lucie Poirier, you'll read how she went from exotic dancer to dancing before God Himself. She provides candid and valuable insight into not just the dance, but how to become a weapon in the hands of the Living God, regardless of your calling and ministry. This book offers the reader: - A description of what the dance communicates in the spirit realm; - A reference guide for dancers that provides details on how to empower your dance; - Biblically-sound teaching and advice on recognizing your authority, identity and place in Jesus Christ and how to use this knowledge to properly and effectively wield your weapon of warfare; - The "what, when, where, why and how-to" that's needed for these end times, not just for dancers, but for anyone in ministry; Lucie helped me find the dancer inside of me and built my confidence in the dance. Melody Bolduc Worship Leader This is a must-read book. It's full of wisdom and "aha " moments that intensifies your spiritual walk with the Lord. I was truly blessed by this book and would highly recommend putting it at the top of your list of reading material, regardless of your area of ministry or your calling. Sherrie Clark Writer & Editor

Is stripping good or bad for the women who do it? According to sociologist Mindy S. Bradley-Engen, there's no simple answer. An exotic dancer's experiences can be both empowering and degrading: at times a dancer can feel like a goddess, at times ashamed and dirty. Drawing on extensive interviews as well as her own experiences as an exotic dancer, Bradley-Engen shows that strippers' work experiences are shaped by the types of establishments—the different worlds—in which they work. A typology of strip clubs emerges: the hustle club, the show club, and the social club, each with its own distinct culture, expectations, and challenges, each creating circumstances in which stripping can be good, bad, or indifferent. Going beyond the warring rhetorics of exploitation and empowerment, this book provides a rich and complex account of the realities of exotic dance and offers a fascinating, thought-provoking consideration for both academics and general readers.

Cover -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Preface -- Introduction: Come Inside and See the Show -- 1. Becoming a Stripper -- 2. Dancing on the Möbius Strip -- 3. The Toll -- 4. Raunch Culture, Androsexism, and Stripping -- 5. Surviving Stripping -- 6. Sticking Together: Pathways to Well-Being in Stripping -- 7. Exiting Stripping -- Notes -- References -- Index -- About the Author

Across America, strip clubs have come under attack by a politically aggressive segment of the Christian Right. Using plausible-sounding but factually untrue arguments about the harmful effects of strip clubs on their communities, the Christian Right has stoked public outrage and incited local and state governments to impose onerous restrictions on the clubs with the intent of dismantling the exotic dance industry. But an even larger agenda is at work, according to Judith Lynne Hanna. In Naked Truth, she builds a convincing case that the attack on exotic dance is part of the activist Christian Right’s “grand design” to supplant constitutional democracy in America with a Bible-based theocracy. Hanna takes readers onstage, backstage, and into the community and courts to reveal the conflicts, charges, and realities that are playing out at the intersection of erotic fantasy, religion, politics, and law. She explains why exotic dance is a legitimate form of artistic communication and debunks the many myths and untruths that the Christian Right uses to fight strip clubs. Hanna also demonstrates that while the fight happens at the local level, it is part of a national campaign to regulate sexuality and punish those who do not adhere to Scripture-based moral values. Ultimately, she argues, the naked truth is that the separation of church and state is under siege and our civil liberties—free speech, women’s rights, and free enterprise—are at stake.

Almost every journalist asks the subjects of profiles to tell the truth. Only Mary Rogers requires them to “dance naked.” To Rogers, an award-winning columnist for the Fort Worth Star-Telegram, that term signifies a pact between the writer, the subject and the reader: only when stories eliminate artifice and express honest beliefs and emotions can they merit attention and trust. It’s a phrase and philosophy unique to Rogers, and as a result the stories in Dancing Naked: Memorable Encounters with Unforgettable Texans are unique, too. You’ve never read anything like them, and besides making you think, Rogers’ lyrical writing style and memorable insights into the traumas and triumphs of the human spirit will make you feel. Published in the Star-Telegram from 1991 through 2007, Dancing Naked presents the compelling stories of a variety of Texans (a few famous and all unforgettable) and adds a half-dozen essays from Rogers about her own colorful life. It’s a collection that will touch and inspire every reader, which is what fine writing is supposed to accomplish.

It began when she was a teenager with an awareness of her body and the reaction other people had to it. It continued with the realization that women’s bodies often gave them a strange power over men. As an adult, it became a fascination with professional sex workers, leading to a plunge into their world. And when Elisabeth Eaves left the world of peep shows and private dancers for the more socially acceptable career of international journalism, she found she could not put that fascination behind her. Her experiences had left her with too many questions and too few answers. So she returned to the world she had left behind. Now, in this candid and insightful book, she recounts her firsthand experience of stripping and gives us a new understanding of women’s sexuality and contemporary sexual mores. Bare follows the author and her fellow dancers through Seattle strip clubs and bachelor parties, exploring in riveting detail Eaves’s own motivations and behavior, as well as those of her coworkers, as they make their way through the sometimes exhilarating, often disturbing world of stripping. Grounded in an understanding of the intricate dynamics of exchanging sexual services for money, Eaves’s narrative examines the ways in which the work affects the women: how they negotiate the slippery boundaries between their jobs and their “real” lives; how their personal relationships are altered; how they reconcile themselves—or don’t—to the stereotypes that surround their profession; whether the work is exploitative or empowering or both. In its unstinting honesty, Bare demands that we take a closer look at the way sexuality is viewed in our culture; what, if anything, constitutes “normal” desire; the ethics of swapping money—or anything else—for sex; and how women and men navigate the perilous contradictions and double standards that make up today’s socio-sexual conventions. The stories Eaves tells—outrageous, funny, sad, and deeply affecting—provide an engrossing and unforgettable look at a group of women who have a lot to reveal, not only about one of America’s largest and most taboo industries, but about the restrictions, joys, and hypocrisies of the world in which we all live.

Skilled, sculpted, and sexy, the men of adult entertainment are the kind of guys a woman reserves for her fantasies, not her reality. But is there more to these professional hotties than meets the eye? … The day Robyn Flores meets Zac Fallon is one of those days. You know, when you’re already late for work. Mostly because you haven’t really slept since your best friend abandoned you for her fiancé and her exponentially better life. The kind of day you drag yourself to the cleaners to pick up your laundry, only to discover you’ve got the wrong bag—Star Spangled sequined thong, anyone? So Robyn is definitely not ready for the ridiculously gorgeous guy at her front door, except that they have each other’s clothes. But then, is any woman ever ready to meet the love of her life? There’s just one problem: Zac Fallon is not the love of Robyn’s life. Zac knows, despite the all-too-intimate dinner they share, he doesn’t have a shot at her. Because the next time Zac sees Robyn, he’s front and center of the male revue headlining her best friend’s bachelorette party. So much for wooing the pretty schoolteacher, much less impressing her old-fashioned family, with his upstanding lifestyle. Now he’s only got one way to win his dream girl. It’s gonna be the steamiest, most irresistible seduction she’s ever seen. And this time it will be no act … “Castile’s writing sparkles with wit. Readers will swoon for Robyn and Fallon's love story—and their super sexy dance moves!” —Alexis Daria, author of Take The Lead “In a perfect mix of sexy attraction that sizzles on the page and enchanting romance between characters you fall in love with, Castile’s novel hits all the right notes!” —Priscilla Oliveras, author of Her Perfect Affair “Zoey Castile is a fresh and fun new voice, and the characters in Stripped will capture your heart (and possibly your dollar bills).” —Alisha Rai, author of Hurts to Love You